Sixteen years on from Conditions, The Temper Trap proved they can still make a London crowd soar. Returning to the O2 Forum Kentish Town after a long absence from UK stages, the Australian four-piece delivered a set that balanced nostalgia with fresh intent — a love letter to the city that helped them break through and a promise of what’s yet to come.
The lights dim at the Hammersmith Apollo, and the crowd’s gentle chatter fades to a low hum of anticipation. A bass guitar hums through the PA — deep, resonant, unmistakable. Three silhouettes appear on stage: Sting, his longtime guitarist Dominic Miller, and drummer...
An ominous soundscape of chirping crickets and rumbling synths filled the Royal Albert Hall, a bell tolling through the dark as silhouettes began to move through the aisles. From the shadows emerged Queens Of The Stone Age, sharply suited and swaggering, arriving not...
It’s been three decades since Echobelly released ON, the Britpop-era gem that cemented them as one of the most vital and distinctive voices of the mid-90s. On Thursday night at London’s Electric Ballroom, the band — fronted by the magnetic Sonya Madan and founding guitarist Glenn Johansson — returned to Camden to celebrate that legacy, playing the album in full to a sold-out crowd that sang, swayed, and grinned their way through one of the most joyous nostalgia trips of the year.
Brighton Indie Pop darlings The Kooks played quite possibly the biggest and best show of their 20 year career at The O2 Arena on Saturday night. A night of nostalgia, of celebration and of cementing themselves as one of the best British bands formed in the 21st century.
An ominous, synth-driven hum filled the room at Islington Assembly Hall, a restless Thursday night crowd buzzing beneath it. Then — silence. A heartbeat later, the guitars of Thanks A Lot burst to life as Stephen Jenkins strode onto the stage in crisp white trousers and a beanie, his guitar hung low, his every movement theatrical. The room erupted. Without a word, Third Eye Blind were off and running — all muscle, melody and memory.
As Moonshine fades out, a picture of Jon Lee appears on the giant curved screen. The members of Feeder stand silent and motionless as the song's programmed drum loop continues for what must be a minute or more. Not just a moving tribute to their late drummer, it's a...
London’s Hammersmith Apollo was transported far beyond earthly confines on Friday night as Lord Huron unfurled a set of widescreen folk-rock, infused with cosmic storytelling and cinematic flourishes. The Los Angeles collective, fronted by Ben Schneider, transformed the legendary art deco theatre into a dreamlike liminal space, where old ghosts, star-crossed lovers, and timeless wanderers came out to play, bathed in a 1950s Americana pastiche.
Sabrina Teitelbaum — better known as Blondshell — has built her reputation on raw honesty and songs that cut deep, and at the first of two back-to-back nights at Electric Brixton, she proved that her upward trajectory is far from slowing. With her sophomore record If...
There was a palpable sense of anticipation outside North London venue Scala on Wednesday night as Ash returned for the second of two sold-out headline shows. The Northern Irish trio have always thrived in the sweaty intimacy of small venues, but with their ninth...