Crowded House At Glastonbury Festival 2022: A Masterclass In Songcraft And Sentimentality

by | Jul 3, 2022

In the chaos, colour, and cacophony of Glastonbury Festival, where musical fireworks are often prized over finesse, there’s something quietly powerful about a band like Crowded House. Taking to the Pyramid Stage on a sun-dappled Friday afternoon, the legendary New Zealand-Australian outfit didn’t need strobes, spectacle or swagger. They came armed with melody, heart, and a catalogue of songs that still cut to the core decades later.

Crowded House @ Glastonbury Festival 2022

Neil Finn of Crowded House @ Glastonbury Festival 2022 (Kalpesh Patel)
Neil Finn of Crowded House @ Glastonbury Festival 2022 (Kalpesh Patel)

It was a gentle shift in energy. With the promise of more high-octane acts over the weekend, Crowded House’s arrival felt like a balm—an emotional exhale for the weary festival-goer. Opening with the radiant Together Alone cut Distant Sun, the band immediately proved that their songs, many written over thirty years ago, haven’t aged a day. Neil Finn, ever the affable and self-effacing frontman, carried the performance with warmth and humility, his vocals still imbued with clarity and grace.

Backed by a refreshed lineup—including sons Liam and Elroy Finn—the set doubled as a familial gathering, the Finns trading solos and smiles in equal measure. The intergenerational dynamic added new life to the music, especially on songs like Private Universe and Fall At Your Feet, which shimmered with fresh textures and harmonies. Longtime bassist Nick Seymour remained the heartbeat of the band, anchoring the arrangements with understated finesse.

The banter between songs was as loose and endearing as one could hope. At one point, Finn Snr. joked about trying to keep pace with the younger acts on the bill, chuckling: “We’re the calm between the storms—like a cup of tea after too much gin.” That sentiment summed up their Glastonbury moment: a comforting, restorative hour of music with no agenda beyond sharing joy.

Of course, the crowd came for the classics, and they were not disappointed. 1991 hit single It’s Only Natural turned the sprawling field into a giant choir, arms swaying, voices raised. Four Seasons In One Day was a reminder of the band’s uncanny ability to wrap melancholy and hope into a single chorus. But it was the spine-tingling rendition of 1986 classic Don’t Dream It’s Over that truly transported. Sung with reverence, not routine, it brought a hush to the crowd before erupting into a cathartic singalong that reverberated well beyond the Pyramid field.

But perhaps the most touching moment came not through a song, but through a gesture — as Neil’s grandson Buddy was brought onto the stage by his father, Liam Finn. In a truly Glastonbury moment of generational joy, Liam gently lifted his young son up to the mic, where the boy shyly but proudly sang into the vast crowd. It was brief, beautiful, and impossibly moving — a symbolic passing of the torch that encapsulated the band’s enduring legacy.

Crowded House @ Glastonbury Festival 2022

Liam & Buddy Finn with Crowded House @ Glastonbury Festival 2022 (Kalpesh Patel)
Liam & Buddy Finn with Crowded House @ Glastonbury Festival 2022 (Kalpesh Patel)

This moment, along with Liam’s own presence as part of the band (having joined his father as a full-time member), gave the set a deeper emotional resonance. Crowded House has always been about family — not just in blood, but in the bonds their music builds with listeners. At Glastonbury, that spirit was unmistakable.

Newer material from last year’s Dreamers Are Waiting—including To The Island and Whatever You Want—was met with respectful attentiveness rather than wild enthusiasm, but it didn’t feel out of place. The band’s strength has always been in their ability to blend immediacy with timelessness, and their latest songs continue in that tradition, even if they’re still earning their place in the public’s emotional library.

They closed with the euphoric Weather With You, a reminder of why Crowded House were never just another soft-rock band. With choruses as wide as the sky and lyrics that still speak to something deeply human, they held Glastonbury in the palm of their hand—not by force, but by connection.

Crowded House didn’t just play a set at Glastonbury Festival 2022—they offered a moment of collective reflection, nostalgia, and shared beauty. In a festival that often leans heavily on the next big thing, it was a beautiful reminder that some songs—and some bands—only get more vital with time. An understated triumph. Crowded House turned the world’s biggest music festival into a living room jam with 100,000 friends.

Pyramid (And Other) Action On Friday At Glastonbury Festival 2022 In Photos

For Those I Love (Hugh Quberzk)

For Those I Love Announces Second Album ‘Carving The Stone’, Shares Ferocious New Single ‘Mirror’

Dublin-based poet, producer, and musical agitator David Balfe — better known as For Those I Love — is charging back into the spotlight with the announcement of his much-anticipated second album Carving The Stone, set for release on 8th August via September Recordings.

The Nocturnal Affair (Press)

The Nocturnal Affair Bring Their Brooding Brand Of Dark Rock Back To The UK And Into Europe For The First Time

Las Vegas dark rockers The Nocturnal Affair are set to make their long-awaited return to the UK — and for the first...
Cian Ducrot (Press)

Cian Ducrot Shares Uplifting New Single ‘Your Eyes’ & Gears Up For UK Tour Ahead Of Sophomore Album ‘Little Dreaming’

Rising Irish pop sensation Cian Ducrot continues his impressive 2025 with the release of his radiant new single Your Eyes, the latest preview from his hotly anticipated sophomore album Little Dreaming, which lands on 1st August via Polydor Records.

Chet Faker (@CaptureCharles)

Chet Faker Shares Stirring New Single ‘Far Side Of The Moon’ & Announces Second London Show

Australian music icon Chet Faker returns with a heart-rending new single, Far Side Of The Moon, his first release since 2023’s Something Like This, and it marks a striking new chapter for one of alt-pop’s most celebrated voices. The track arrives with a cinematic new video and the announcement of a second headline London show at HERE At Outernet on 24th October, following a rapid sell-out of the first date.

Chance Peña (John Choi)

Chance Peña Marks Columbia Records Debut With Haunting New Single ‘Tongue Tied’

Rising Texas-born singer, songwriter, and producer Chance Peña continues his stellar 2025 streak with the release of his evocative new single Tongue Tied, marking his official debut for Columbia Records. Known for blending folk acoustics, indie rock textures, and intimate lyricism, Peña delivers a soulful, stripped-back anthem that resonates with anyone who’s experienced the slow unraveling of a relationship.

Liang Lawrence (Ana Chen)

Liang Lawrence Unveils Reflective New Single ‘A Day Off In Margaritaville’ Ahead Of Autumn UK Tour

Rising alt-pop storyteller Liang Lawrence has shared her shimmering new single A Day Off In Margaritaville, a vibrant, emotionally layered track that marks the first offering from her upcoming EP It’s A Funny Thing, due later this year via The Other Songs.

Mae Stephens (Hannah Burton)

Mae Stephens Returns With Infectious New Single ‘Tiny Voice’

Breakout pop star Mae Stephens is back with a bang as she drops her irresistibly offbeat new single, Tiny Voice — a track as addictive as it is relatable. Following the runaway global success of her hit If We Ever Broke Up, which racked up over 500 million streams, landed her a Top 15 UK single, and earned Gold certifications in both the UK and US, Stephens continues to show why she’s one of the most exciting new voices in pop.

Maya Lane (Press)

Maya Lane Announces New Single ‘I Don’t Know You Yet’ And Debut London Headline Show Ahead Of New EP

Rising UK pop-country star Maya Lane continues her impressive 2025 trajectory with the release of a stunning new single, I Don’t Know You Yet, out now. The introspective, stripped-back track offers a poignant taste of her forthcoming EP, The Hurt And The Healing, due out on 4th September, and precedes her debut headline show at London’s The Grace on 3rd September.

Pin It on Pinterest

Share This

Share Thing