Crymwav Bring American Carnage To London

Country-pop trio Remember Monday continue their breakout year with the release of their new single More Than Ever, co-written with GRAMMY® winner and chart-topping artist Cian Ducrot. The track arrives just as the band kick off their highly anticipated What The Hell Just Happened? UK and Ireland headline tour, which culminates at London’s iconic O2 Shepherd’s Bush Empire.

Dutch pop sensation Davina Michelle has released her brand-new single What A Woman, an empowering anthem that celebrates the strength, intelligence, and individuality of women everywhere. The track arrives alongside a striking new music video, introducing a bold new chapter for one of the Netherlands’ most successful modern pop artists.

Northern Irish alt-rock stalwarts Ash have shared the video for their latest single Ad Astra, featuring Blur’s Graham Coxon, taken from their brand-new album of the same name — out now on Fierce Panda Records.

Slovak singer-songwriter Karin Ann has unveiled her stunning new single, i was never yours, marking an evolution in sound and storytelling for the rapidly rising artist. The track — co-written with Suki Waterhouse and Harrison Whitford (Phoebe Bridgers) and produced by Benjamin Lazar Davis (Maya Hawke) — finds Karin blending folk, country, and indie rock into a sound that feels both intimate and cinematic.

Amy Macdonald continues her remarkable run as one of the UK’s most enduring singer-songwriters with the release of her...

Scottish singer-songwriter Blair Davie has released their highly anticipated new EP, First And Last, via Giant Music —...

California punk favourites Joyce Manor have announced details of their upcoming album I Used To Go To This Bar, due for release on 30th January 2026 via Epitaph Records. The band have also shared the lead single Well, Whatever It Was, accompanied by a chaotic and comedic Lance Bangs–directed music video that riffs on The Great British Bake Off, featuring cameos from comedians and musicians playing UK rock icons.

An ominous, synth-driven hum filled the room at Islington Assembly Hall, a restless Thursday night crowd buzzing beneath it. Then — silence. A heartbeat later, the guitars of Thanks A Lot burst to life as Stephen Jenkins strode onto the stage in crisp white trousers and a beanie, his guitar hung low, his every movement theatrical. The room erupted. Without a word, Third Eye Blind were off and running — all muscle, melody and memory.