Delta Lady Rita Coolidge Melts Hearts @ Boisdale Jazz Blues & Soul Club

by | May 18, 2018

There aren’t many of the original 70s blues and soul ladies left that are actively performing around the world, so when a chance comes up to witness at close range the warm and tender vocals of Rita Coolidge, I’m not hesitating.  So I travelled over 200 miles from North England to a Canary Wharf dinner and music venue in London.

The Boisdale has hosted some stars from the photographs I can see on the walls, and the assembled crowd tonight includes David Soul who is hosting his own candlelit table with friends, as they sit down to a 3-course meal with wine.

It’s all very relaxed and laid back and years ago would have probably been filled with smoke from the cigars on sale and have tables full of whiskey bottles and tumblers. The perfect place for a diva from the Southern States of America to entertain.

 (Rock Shot)

Her band tonight includes drummer Lynn Coulter who introduces her to the stage and describes her as a mix of honey and Tennessee whiskey, plus some other colourful stuff that I’m failing to recall. She does look incredible in a full length blue outfit and with her trademark long dark brown hair, but this 73 year old is more than a visual treat, it’s all about her voice too.

 (Rock Shot)

Tonight, we get a showcase of her new album Safe In The Arms of Time and a selection of the hits she is associated with – either covers she has recorded, or tracks that she co-wrote. No sign of the piano coda from Layla though, which would have been an interesting sojourn into her book Delta Lady: A Memoir – Coolidge claiming to have written that piece and never being credited.

However, we do get some anecdotes about Clapton’s attraction to women in the 70s, and an incredible version of Born Under A Bad Sign with guitarist and musical director John McDuffie lending his years of experience to some killer lead breaks. Never over stepping the mark but proving a point that these older guys really know the blues inside out.

 (Rock Shot)

New tracks that stand out in particular were the Graham Nash written Doin’ Fine Without You, and both of the Keb Mo alliance songs Walkin’ on Water and Naked All Night. Coolidge jokes that she used to get people coming up to her to say, “This is our song”, and now it’s more “That was our song”. Making a point that her songs could be played at both marriage or divorce parties.

Superstar, a song probably made more famous by Karen Carpenter, had a life of its own with Coolidge’s honeyed soothing vocal. It started a series of classic Rita Coolidge live numbers and her voice just oozed warmth and class tonight with just the right level of vibrato and huskiness. She may have dropped an octave or two – due to her advancing years, but the emotion in her voice remains unblemished.

 (Rock Shot)

The Jazz club I’m in has probably heard plenty of versions of Fever in past, as the Peggy Lee famed tune is trotted out following an attempt to get the room all clicking their fingers and accompanying some fine double bass work by Randy Landas. The highlight for me though was hearing her stunning version of the Boz Skaggs written We’re All Alone, if there were cigarette lighters handy we’d all be holding them up and swaying. This was perfectly delivered and prompting a big audience reaction.

A superb medley of The Way You Do The Things You Do, How Sweet It Is To Be Loved By You followed by Your Love Keeps Lifting Me Higher And Higher got a handful of people dancing in-between the tables and brought this definitive set to a close.

Introducing her band, she let them all have a few minutes in the spotlight before ending the show with an encore of I’d Rather Leave While I’m In Love and then a more up-tempo Country thumper Lover Please that she recorded with ex-husband Kris Kristofferson.

This was a look back at the career of a very talented lady and celebrating some of her biggest records from the 1970s. New songs stood equally alongside them, and throughout the night Rita Coolidge naturally floated through the set with ease and professionalism. If you get the chance and if she decides to return for a full UK tour  go and see her. I, for one, wouldn’t hesitate to travel those miles again.

Live Review & Photography of Rita Coolidge at Boisdale Jazz Blues & Soul Club by John Hayhurst on 16th May 2018

John also has his own gig photography website www.snapagig.com

The Long Road Festival 2026 (Henry Finnegan / @finneganfoto)

The Long Road Festival 2026 – Day One: Come Rain, Shine Or Biblical Thunder

Last year, The Long Road Festival takes place a week earlier in August and, had it done the same this year, Stanford Hall would probably have been basking in the heatwave temperatures and sun-scorched grass that have defined much of the British summer. But The Long Road has become synonymous with the August Bank Holiday weekend and, right on cue, as thousands of country fans begin arriving in Leicestershire, the heavens decide to open.

The Samurai Seven (Press)

The Samurai Seven Return With First New EP In Almost 25 Years, ‘Make It Real’

Cult favourites The Samurai Seven have made their long-awaited return with the release of their new EP Make It Real, marking the Oxford band’s first new release in almost 25 years.

The Great Emu War Casualties (Press)

The Great Emu War Casualties Unleash ‘Cold Food Ave’ Ahead Of New EP ‘Mal Du Siecle’

The Great Emu War Casualties return with their brand new single Cold Food Ave, unveiling a rowdier side to their sound just months after the release of their debut album Public Sweetheart No. 1.

Natalie Imbruglia @ CIRCUIT Kingston (Kalpesh Patel)

Natalie Imbruglia Makes Kingston’s Circuit Her Own At Intimate ‘Algorithm’ Launch

There is something wonderfully disarming about seeing Natalie Imbruglia on a stage this small. At The Circuit in Kingston, the singer-songwriter is close enough to her audience to make eye contact with people in the front row, close enough to laugh with them and, crucially, close enough for the nerves of the evening to be impossible to disguise.

EELS (Gus Black)

EELS Share New Track ‘Congratulations To Me’ Ahead Of 16th Studio Album ‘Cookie Happened’

EELS have shared their new track Congratulations To Me, offering another glimpse into their forthcoming 16th studio album, Cookie Happened, which arrives on 16th October via E Works / Play It Again Sam. The latest song finds E, the creative force behind EELS and the stage name of singer, songwriter and producer Mark Oliver Everett, looking at one of life’s more unexpected turning points: the moment when you finally realise that some things simply are not worth taking so seriously.

Natalie McCool (Robin Clewley)

Natalie McCool Releases New Album ‘Good For The Soul’ And Shares ‘Sleeping Beauty’ With She Drew The Gun

Liverpool alternative-pop artist Natalie McCool has dropped her new album Good For The Soul, marking a bold new chapter for an artist increasingly willing to push beyond the boundaries of conventional alternative pop. The new record arrives following a run of singles including Coming Of Age, We’re The Ones, So Lonely, Lonely and I Fantasise, each offering a glimpse into an album that refuses to settle into a single sound or mood.

Cameron Whitcomb (Press)

Cameron Whitcomb Announces European & UK Tour For ‘Kingdom Of Fear’

JUNO Award-winning country artist Cameron Whitcomb is set to bring his electrifying live show to Europe and the UK in February 2027, announcing a run of dates in support of his breakout hit Kingdom Of Fear.

Electron (Rob Blackham / Blackham Images)

Electron Unleash ‘Taken’ Featuring Skindred’s Benji Webbe Ahead Of New Album

London-via-Portugal duo Electron return with their latest single, Taken, featuring guest vocals from Skindred frontman Benji Webbe, as they continue the countdown to their forthcoming second album, Is This Worth Living For?.

Pin It on Pinterest

Share This

Share Thing