Interview: Ani Glass, Heart of Ani.

by | Aug 17, 2016

Ani Glass is the stage name of Cardiff based electro-pop singer songwriter and musician Ani Saunders. Having begun her musical journey as a member of girl bands Genie Queen and The Pipettes, Ani moved back to her home town of Cardiff to join Indie band The Lovely Wars, before releasing her first solo single, the upbeat Ffol (Foolish) in 2015. In the wake of the release of her latest single Y Ddawns (The Dance), and whilst working on her new EP, Ani talks to Michael Eden about her life, her influences and her music.

12/08/2016. Pictured is Ani Glass in Cardiff Bay. (Michael Eden)

Ani Glass in Cardiff Bay. (Michael Eden)

Did experiences in your early life inspire you or influence you to become a musician?

I sort of fell into music as a bit of a happy accident really. I always felt like a creative person, but I spent most of my early life and teens wanting to work in the fashion industry. Although as a Welsh girl we were always encouraged to perform on stage. I used to perform at all the Eisteddfods, mainly doing folk dancing, singing and poetry readings. I hate to generalise, but most kids in Wales seem to be shoved up on stage by the time they’re four!

That’s just the environment that you’re brought up in. It was only when I went to University that music became a huge part of my life.

I do think my early life had a massive influence on the music that I produce now, without me knowing it at the time. Most of the music I was listening to as a youngster was Welsh and Cornish folk music. A lot of my lyrics are politically driven, and that I can at least partly put down to my mum’s participation in a socialist street choir called Cor Cochion Caerdydd (Cardiff Reds). I learnt a lot of socialist and protest songs, plus a lot of national anthems in different languages.

My mother also introduced me to The Beatles, and in particular Paul McCartney. He was my first and all time musical love. I made my decision on going to Liverpool University based on my love of their music.

12/08/2016. Pictured is Ani Glass in Cardiff Bay. (Michael Eden)

Ani Glass in Cardiff Bay. (Michael Eden)

Did University help you decide you wanted to be involved in music?

University was where I broadened my musical horizons. I became a bit of an indie chick and there were some great bands out there at the time. In particular, I enjoyed The Coral and The Zutons. I decided to join the pop group Genie Queen. Through my time with them, I worked with Andy McCluskey from Orchestral Manoeuvres in the Dark, which was a fantastic experience. As well as being a great electronic music pioneer, he also penned several hits for OMD and for girl group Atomic Kitten.

When you left University, you moved on to The Pipettes?

I moved to Brighton and joined another pop group The Pipettes with my sister Gwenno, where I worked with Martin Rushent, another great producer who had worked with The Human League and Buzzcocks. We made some great music together and had a lot of fun making our album Earth vs The Pipettes, but didn’t quite have the chart success. My time with these bands has definitely influenced my sound today, and helps maybe give some quite dark music an optimistic pop angle.

12/08/2016. Pictured is Ani Glass in Cardiff Bay. (Michael Eden)

Ani Glass in Cardiff Bay. (Michael Eden)

Can you tell us about your solo music and your latest work?

My solo music is a mix of all the influences that I have picked up throughout my life. An eclectic mix of pop, of dance electro beats and protest anthems! I’m basically driven by melody first, and then I will try and fit any lyrics around the tune, usually after several attempts deliberating, changing my mind and starting again!

My latest single Y Ddawns (The dance) is inspired my post-industrial Wales and how their communities have been affected. It also celebrates the Welsh culture and creativity that is produced and that rises above the problems and the uncertain times that these communities face.

One of the songs that I have worked on for my new EP, called Ffrwydrad Dawel (Silent Explosion) is a celebration of a great art exhibition by Welsh artist Ivor Davies of the same name. I love his work and his use of the Welsh language in his art really resonated with me and what I was trying to achieve with my music.  It was fantastic when he got to hear about it and he invited me to perform at one of his exhibitions at the National Museum in Cardiff. It was a great honour.

12/08/2016. Pictured is Ani Glass in Cardiff Bay. (Michael Eden)

Ani Glass in Cardiff Bay. (Michael Eden)

Ani has just played at the National Eisteddfod in Abergavenny, and is playing at The Green Man Festival in Brecon on the 20th of August, followed by Hub Fest in Cardiff on the 27th of August and the Gwyl Swn Festival on the 23rd of October.

[photoshelter-gallery g_id=”G0000j6pe4A84K80″ g_name=”Ani-Glass” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_smooth=”t” f_up=”t” f_topbar=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”740″ height=”555″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”old” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_bbar=”f” f_bbarbig=”” target=”_self” ]

Interview and Photography with Ani Glass by Michael Eden.

 

Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

The Saints @ Electric ballroom (Peter McDonnell)

The Miraculous Second Coming Of The Saints ’73-’78 At London’s Electric Ballroom

There are comebacks, and then there are resurrections. For punk devotees, the return of The Saints ’73–’78 — the latest live incarnation of the legendary Melbourne outfit — firmly belonged in the latter category. With original members Ed Kuepper and Ivor Hay at the helm, and an inspired line-up completed by Mick Harvey, Mark Arm, Peter Oxley, and a three-piece brass section led by Terry Edwards, the Electric Ballroom felt less like a gig and more like a communal rite of appreciation for one of punk’s most quietly revolutionary bands.

Pin It on Pinterest

Share This

Share Thing