Australian heavy trio HEADSEND announce their second EP, A Delicate Balance, set for release on 6th November, alongside the arrival of new single Biopsy Of An Unknown Growth – a swirling, heart-hammering track that further establishes the band as one of the country’s most compelling emerging heavy acts.

Natalie Imbruglia enters a bold new chapter with the release of her new album Algorithm, a deeply personal and creatively liberated record that sees the Australian-British singer-songwriter embracing freedom, self-belief and a renewed sense of artistic control.

British singer-songwriter Rumer has dropped her new single Before The Planes, a deeply reflective song honouring the firefighters, first responders and civilians whose courage and sacrifice defined the immediate aftermath of the 11th September 2001 attacks.

Gabriella Cilmi shares her new single Pieces, the latest preview of her forthcoming album Pure Love, due 9th October and marking her first full-length release in 13 years.

Jake Isaac returns with his new single When The World’s On Fire, a soulful collaboration with Aaron Childs that considers the importance of human connection and community during increasingly uncertain times.

Rising Australian alt-pop artist Jess Ball shares her new single Lost On Me, a shimmering and emotionally open track that looks backwards to childhood memories while embracing the possibilities of a new chapter.

The Molotovs are wasting no time. Just six months after their debut album Wasted On Youth crashed into the UK Top 3, London siblings Matt and Issey Cartlidge announce their second album, Welcome To Urbia, alongside the release of its driving title track. Set for release on 9th April 2027 via Marshall Records, Welcome To Urbia marks the next chapter for a duo whose rise has been built not on overnight hype but through an extraordinary commitment to the live circuit.

K.Flay returns with her new single Ants today, 4th September 2026, continuing a run of genre-defying work that has established the Grammy-nominated artist as one of alternative music’s most distinctive voices. The new track finds K.Flay — real name Kristine Flaherty — turning her attention towards the destructive nature of power, using the seemingly insignificant image of ants as a way of examining humanity’s capacity for destruction and the complicated relationship between power, responsibility and culpability.