Live: Eddie Vedder @ Hammersmith Apollo

by | Jun 8, 2017

London’s Hammersmith Apollo isn’t what you’d call intimate. And yet Pearl Jam frontman Eddie Vedder makes the 3,600-seater venue feel like a living room, or a cosy campfire singalong. And it’s not just because he’s surrounded by a vintage radio, reel-to-reel tape player, battered suitcases (complete with The Who sticker), various old-timey speakers, assorted instruments, and, later, an actual campfire complete with starry sky backdrop.

Eddie Vedder (Kalpesh Patel)

Eddie Vedder (Kalpesh Patel)

Most of it’s down to Vedder himself. Seated on stage alone for much of the two and a half hour set, he’s frank, honest, spontaneous, and vulnerable in his words and musical performances. He makes mistakes. He apologises. It feels like hanging out with your old friend Eddie (rather than one of the biggest rock stars on the planet) on a random Tuesday night where anything can happen. (Spoiler: it does.)

There’s laughter. Like when he remembers rolling joints over the picture of the Apollo on the Quadrophenia LP cover. Or when he plays a “jumping off a cliff” rendition of Amanda Palmer’s joyously uproarious Ukulele Anthem (sample lyric “play your ukulele badly”) before gifting the uke in question to a young girl in the audience. Or when he disarms a heckler by pleading poor hearing in his right ear courtesy of Pearl Jam guitarist Mike McCready.

Eddie Vedder (Kalpesh Patel)

Eddie Vedder (Kalpesh Patel)

There are tears (in the audience) and a cracked voice (from the stage) when he honours his fallen friend, Chris Cornell, with raw, deeply personal memories most people wouldn’t share with a room full of strangers. “He wasn’t just a friend but like an older brother I looked up to” the 52-year-old offers. “I will love him forever,” Vedder confesses before he and support act Glen Hansard share the load on the communally cathartic Song of Good Hope and, accompanied by the Red Limo string quartet, an almost spiritual Falling Slowly. As the two men poignantly trade lines like “We’re going to make it”, choking up is the only option.

Glen Hansard (Kalpesh Patel)

Glen Hansard (Kalpesh Patel)

There’s unbridled joy as, moments later, Dhani Harrison joins the pair for a roof-lifting run through Neil Young’s Rockin’ In The Free World, that has the audience up on their feet, and a celebratory rendition of the already jubilant Hard Sun.

There’s anger tempered by disbelief when Donald Trump comes up in the introduction to his no nonsense take on Little Steven’s defiant but hopeful protest anthem I Am A Patriot.

Eddie Vedder (Kalpesh Patel)

Eddie Vedder (Kalpesh Patel)

There’s a constant sense of anticipation as these renditions of other artists’ songs keep coming. Thoughtful re-imaginations rather than slavish cover versions, they range from a loving tribute to David Bowie’s Heroes to a spare but haunting keyboard-based makeover of George Harrison’s mini-symphony Isn’t It A Pity.

There’s the thrill of hearing Vedder’s rarely performed solo work, as evidenced by the cheers that greet his announcement of “Let’s go into the wild” before he performs several choice cuts from his Into The Wild soundtrack album, including the ragged anthem of discontent Far Behind, a yearning Setting Forth, and delicate Guaranteed.

There’s a similar rush to hearing how he strips down Pearl Jam songs to their bare bones while retaining their visceral power (in the case of tracks like the aggressive Porch), scope and ambition (the epic Immortality), hypnotic grace (the swaggering Can’t Keep), soaring positivity (the rousing I Am Mine and Elderly Woman Behind The Counter), and simple beauty (Better Man, complete with new improved vocal melody).

Eddie Vedder (Kalpesh Patel)

Eddie Vedder (Kalpesh Patel)

But most of all, there’s a sense of community, of having shared all these experiences with one man and his assorted guitars on a truly unique night. In live music, as with everything in life, it’s the intimacy of human interaction that truly means the most.

Live review of Eddie Vedder @ Hammersmith Apollo by Nils van der Linden on 6th June2017. Photography by Kalpesh Patel.

Nils runs fantastic music blog Graffiti. Punctuated

Kalpesh has more music photography up on his flickr stream here: https://www.flickr.com/photos/somethingforkate

Read Kalpesh’s words on the passing of musical hero Chris Cornell here: All Quiet Now: Chris Cornell

https://rockshotmagazine.com/25772/live-katy-hurt-the-sound-lounge/

 

Emily Armstrong of Linkin Park @ Download Festival XXIII (Neil Lupin)

Sunday In Photos At Download Festival XXIII

Three days of dust, riffs and relentless energy all led to Download Festival XXIII’s final chapter. Sunday offered one last opportunity for Donington to empty the tank, bringing together rising stars, legendary names and one of the most anticipated headline performances in the festival’s history. From emotional singalongs and crushing metal to triumphant returns and a crowning headline set, Download’s closing day delivered unforgettable moments from start to finish.

Behemoth @ Download Festival XXIII (Neil Lupin)

Saturday In Photos At Download Festival XXIII

After Friday’s celebrations had finally subsided, Saturday arrived with heavier riffs, glorious sunshine, bigger crowds and one of the most diverse days Download Festival XXIII had to offer. From early-morning punk rock and breakout British talent to black metal spectacle, metalcore mastery and one of rock’s most iconic names closing the night, Donington once again proved why no two Download days ever feel the same.

Friday In Photos At Download Festival XXIII

The rain clouds that had threatened Donington throughout the week finally gave way to sunshine as Download Festival XXIII burst into life. With expanded stages, one of the festival’s biggest crowds in years and a Friday bill built around celebration, nostalgia and outright chaos, the opening day delivered everything from rap-rock anthems and progressive metal masterclasses to dancefloor mayhem and a long-awaited headline triumph.

MacDeMarco @ O2 Academy Brixton (ShotByBrodie)

Not For The First Time Mac DeMarco Is Freaking Out The Neighbourhood At London’s O2 Academy Brixton

On a glorious summer evening in South London, for a third consecutive sold out night, Mac DeMarco brought his unrivaled laid back slacker rock to the London’s O2 Academy Brixton.

Julia Jacklin (James J. Robinson)

Julia Jacklin Announces New Album ‘The Gem’ And Shares Heartfelt New Single ‘Get Away From Me (I Think I’ll Love You Soon)’

Australian singer-songwriter Julia Jacklin has announced her eagerly anticipated fourth studio album, The Gem, set for release on 25th September via 4AD. Marking her first release for the iconic independent label, the album is introduced by the charming and emotionally complex new single, Get Away From Me (I Think I’ll Love You Soon), available now alongside a self-directed video.

Dogstar @ Roundhouse (Kalpesh Patel)

Dogstar Deliver Substance Over Celebrity At Camden’s Roundhouse

For a band whose bassist happens to be one of the most recognisable actors on the planet, Dogstar seem remarkably uninterested in making a fuss. That doesn’t mean the fuss isn’t there.

Matt Bellamy of Muse @ The O2 (Kalpesh Patel)

Muse Announce Supermassive European Arena Tour Including Four Huge UK Arena Shows

Muse have officially unveiled details of their newly announced The Wow! Signal Europa Tour, a major European arena run that will see the Devon trio return to some of the continent’s biggest stages later this year in support of their forthcoming tenth studio album, The Wow! Signal.

HIGHSOCIETY x Micah Martin (Press)

HIGHSOCIETY & Micah Martin Ignite The Rocktronic Underground With Explosive New Single ‘Tomorrow’s Over’

The boundary between electronic music and modern metal continues to blur, and few artists are pushing that evolution harder than HIGHSOCIETY and Micah Martin. The two genre-defying innovators have reunited for their latest collaborative single, Tomorrow’s Over, a ferocious rocktronic anthem that fuses crushing riffs, festival-sized electronic production and emotionally charged songwriting into one explosive package.

Pin It on Pinterest

Share This

Share Thing