Live: Flo Morrissey @ Bush Hall

by | Dec 4, 2015

London-based singer-songwriter Flo Morrissey played a show at West London’s Bush Hall as part of her first UK headline tour following a busy year which included slots at Glastonbury, Green Man and End Of The Road festivals, in support of her debut studio album Tomorrow Will Be Beautiful which was released earlier this year.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Bringing her wispy, pastoral sound back to London, the now Paris-based singer was in fine form in front of the 200-strong crowd. This was always going to be a gentile show, given Morrissey’s summery, free-flowing sound. But with her band comprising just a keyboardist/guitarist along with cellist James Douglas in addition to herself on acoustic guitar, an even more stripped down sound than features on Tomorrow Will Be Beautiful was presented.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

“Hi, my name is Flo Morrissey, thank you guys for coming” she said before beginning her 13-song set with album-opener Show Me, the delicate guitar work and sombre sound perfectly at home in the former Edwardian dance hall. Noticeably nervous, the Notting Hill-native introduced first single Pages Of Gold next as such before nervously laughing out “sorry, that was a really bad introduction.”

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Album track Betrayed followed, the audience entranced by the singer’s gentle delivery, many sitting cross-legged on the floor of the venue. Her limited years did show though during Sleeplessly Dreaming however, as she got the giggles and had to stifle laughs towards the end of the song, “I don’t know why that happened, sorry”, she apologised to a very forgiving crowd.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Next was Tuxedomoon cover A Manner Of Speaking, which Morrissey described as having first heard a version of by French cover band Nouvelle Vague. She disclosed that she’d been living in Paris for the past two months and so enjoyed playing it “it’s not in French, but c’est la vie” she jested, enticing laughs from the crowd. The 20-year-old’s voice for the song, while still distinctive, took on an old-school jazz vibe and, left on stage on her own following the departure of her band, the show took on an even more intimate feel.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Continuing on her covers theme, she took on Tame Impala tune Yes, I’m Changing, the song given a complete make-over with an acoustic guitar-driven rendition overlaid with Morrissey’s signature vocals in stark contrast to the electronica original. Morrissey’s band re-joined her for album track Wildflower, the downbeat track dealing with unexpected loss.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

For album track Why, Morrissey took up position behind a keyboard and immediately forgot how to start the song faced with an unfamiliar instrument. But once she got going, the delicately keyed notes coupled with Douglas’ gentle cello bowing took her sound in a new direction.

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Describing final track of the main set, the album’s title track, Morrissey commented, “This next song is our last song, thank you so much for coming and listening. It’s called Tomorrow Will Be Beautiful, I’m not all doom and gloom!”

Flo Morrissey (Kalpesh Patel)

Flo Morrissey (Kalpesh Patel)

Following cheers for more, the Londoner returned to the West London stage solo. “I’m going to try something a bit different for the last one” she said, introducing Billie Holiday cover Don’t Explain. “I’m going to try it A cappella”, she said to cheers from the crowd. With little to no instrumentation filling out Morrissey’s sound, her delicate, sometimes warbling voice is clear and precise, making the 20-year-old mesmerising to watch and demonstrating just how strong a voice can be without embellishment

[photoshelter-gallery g_id=”G0000V9_L.zXjtFc” g_name=”Flo-Morrissey” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Kalpesh has more music photography up on his Flickr stream here: https://www.flickr.com/photos/somethingforkate

Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

The Saints @ Electric ballroom (Peter McDonnell)

The Miraculous Second Coming Of The Saints ’73-’78 At London’s Electric Ballroom

There are comebacks, and then there are resurrections. For punk devotees, the return of The Saints ’73–’78 — the latest live incarnation of the legendary Melbourne outfit — firmly belonged in the latter category. With original members Ed Kuepper and Ivor Hay at the helm, and an inspired line-up completed by Mick Harvey, Mark Arm, Peter Oxley, and a three-piece brass section led by Terry Edwards, the Electric Ballroom felt less like a gig and more like a communal rite of appreciation for one of punk’s most quietly revolutionary bands.

Pin It on Pinterest

Share This

Share Thing