Live: Gaz Coombes @ The Forum

by | Oct 12, 2015

Gaz Coombes @ The Forum

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

In the mid 90’s it was hard to ignore Supergrass.  They were everywhere from TFI Friday to TV adverts, and constantly on Radio 1, and underpinning it all was Alright, their worldwide hit from their debut album which introduced their killer sideburns and cheeky chappy tunes.  But those who stuck with the band got to know a much more complex side to their music, especially on later albums like In It For The Money and Road To Rouen.  However, the radio stations steadfastly stuck with Alright as being their only noteworthy tune.  So when the band finally went their separate ways in 2010, it gave their frontman Gaz Coombes the ideal opportunity to plough a different and more interesting musical furrow.

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

So anyone who bought tickets expecting a bunch of old Supergrass hits at The Forum tonight would have been severely disappointed.  Instead we were treated to a set of tunes that not only showed Gaz as a talented and varied musician, but also as a composer of some of the most inventive tunes on the music scene, moving effortlessly from simple guitar based love songs to huge soaring multi-layered anthems.

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Although there’s a few numbers from his first album, tonight’s setlist is mostly comprised of songs from his second album Matador.  Coming on in complete darkness he opens with the mid-paced and moody Needles Eye which provides a sombre opening, before moving straight into Sub-Divider from his first album.  However, things start to really ramp up once he gets behind his trusty Waldorf piano which gives songs like Buffalo a real focus and a different dimension from the album’s version.  It’s this transposition from the album to the live version which is the revelation for me tonight; songs which passed me by on the albums have a different feeling live and take on a new poignancy and have new layers revealed.  One of These Days suddenly sounds like it was created by M83 at the start before moving to a complex interaction between drum rim patterns and percussion. Similarly, To The Wire becomes a huge soundscape that deserves to be a lot longer than it is, with a time signature that completely messes with your head.  Throughout all this, Gaz flits between piano, acoustic guitar and electric guitar with hardly a blink, all supported by a backing band and choir of 3 “angels” placed to give him the space to be the focus of attention and feed on the energy of the crowd.

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

“This is the song I can’t get out of my head” shouts the woman to my left as soon as the opening chords of Girl Who Fell to Earth chime out, and it’s certainly one of the crowds favourites, as is 20/20 with its quirky Beach Boys-esque introduction and haunting melodies.  This is easily my favourite track on Matador, and it would have been a great set closer, but instead this is reserved for Hot Fruit from his first album which gives an urgent, fast paced ending to events.

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

Gaz Coombes plays a set of his outstanding solo material to a packed house at The Forum in London (Andy Sampson)

So ended a fantastic evening of complex layered songs, none of them sounding like the other, and which proved there is still some music out there which can’t be pigeonholed into a category, or which follows a set formula of verse-chorus and middle 8 solo.  My only disappointment was the lack of banter between songs as Gaz seemed a modest and thoroughly endearing bloke, but this is a minor gripe.  If you’ve got a ticket for any of the dates on the rest of his tour you’re in for a treat.

[photoshelter-gallery g_id=”G000043jVXIFDUmg” g_name=”Gaz-Coombes” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Review and Photography by Andy Sampson. And has his own great website right here: http://www.soundritualphotos.co.uk

Gaz Coombes at The Forum 9th October 2015.

 

 

 

Nick Cave & The Bad Seeds @ The O2 (Megan Cullen)

Nick Cave & The Bad Seeds Announce Star-Studded Guests For Sold-Out Brighton Homecoming Show

Nick Cave & The Bad Seeds have revealed an impressive lineup of special guests set to join them for their already sold-out UK-exclusive headline show at Preston Park on 31st July.

Cassius Wolf & Das Abs (Press)

Cassius Wolf & Das Abs Revisit Their Roots With Reworked Single ‘The Sound Of The Guns’

Liverpool’s Cassius Wolf & Das Abs have unveiled their latest single The Sound Of The Guns, a striking reimagining of a track originally written in the early 1980s and now revived for a new era.

Temples (Jimmy Fontaine)

Temples Embrace Dancefloor Euphoria On New Single ‘Vendetta’ And Announce UK Tour

Kettering four-piece Temples have returned with their electrifying new single Vendetta, offering a bold glimpse into their forthcoming album BLISS, set for release on 26th June.

Blums (Eleanor Petry)

Blums Signs To Take Care Records And Unveils Debut Single ‘Sinking/Soaring’

New York City artist Blums—the creative alias of songwriter Kelsea Feder—has announced her signing to Take Care Records, marking a major milestone for one of the city’s most intriguing emerging voices.

Widowspeak (Michael Stasiak)

Widowspeak Share Dreamy New Single ‘No Driver’ And Announce UK & Ireland Winter Tour

New York indie duo Widowspeak have unveiled their latest single No Driver, a shimmering preview of their forthcoming album Roses, due for release on 5th June.

Venom (Necroshorns)

Venom Unleash Ferocious New Single ‘Kicked Outta Hell’ Ahead Of ‘Into Oblivion’ Release

Metal icons Venom have returned with a vengeance, unveiling their explosive new single Kicked Outta Hell—the second cut to be taken from their highly anticipated upcoming album Into Oblivion, set for release on 1st May.

Lucky Break (Margaret Elle)

Lucky Break Steps Into The Spotlight With Debut Album ‘made it!’

Emerging indie artist lucky break has announced her debut album made it!, set for release on 8th May. A deeply personal introduction, made it! captures a formative period in the artist’s life, compiling songs written between the ages of 19 and 23. The result is a candid and emotionally rich record that explores early adulthood—charting uncertainty, heartbreak, and self-discovery with striking honesty.

Teen Suicide (Maysa Askar)

Teen Suicide Find Clarity In Motion On New Single ‘Suffering (Mike’s Way)’

Teen Suicide have unveiled their latest single, Suffering (Mike’s Way), the final preview ahead of their forthcoming album Nude descending staircase headless, due for release on 17th April.

Pin It on Pinterest

Share This

Share Thing