Live: Michael Franti @ Heaven, London.

by | Oct 25, 2016

Michael Franti returns with his uplifting, positive and political message, this time ostensibly as an acoustic duo tour, with guitarist J. Bowman. However, if you expected to be in for a quiet, mellow time of it, watch out – tonight’s show was one of the rowdiest, most rave-like, festival-vibe gigs I’ve been to. It’s time to dance… and to hug your neighbour.
Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Franti, whose music stretches effortlessly across rootsy folk, reggae, hip hop, pop, soul and rock, has brought us various incarnations of his vision of peace and unity over the years. From the sharp observations and protests of Disposable Heroes of Hiphoprisy in the early 1990s, through Spearhead’s more serene sounds but equally incisive social commentary, to today’s solo billing and unifying, love-centred manifesto.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Opening with Hello Bonjour, Franti begins seated at the microphone, playing a well-worn guitar he tells us is named after a beloved late grandmother. Early into the set he asks everyone to introduce themselves to a new person and give them a hug. I’m swept up into the arms of a nearby couple, and it looks like any last fragments of British reserve in the venue have been merrily extinguished.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Familiar sing-a-long I Got Love For You further heats up the atmosphere. Getting up from his seat, Franti brings on stage local guest artists, apparently sourced from a FaceBook invitation to “conscious musicians”, which results in the beginning of hit song The Sound Of Sunshine being sung in Italian by a tambourine-welding conscious chap called Roman.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

By the time we get to Good To Be Alive Today, which, from its giveaway title, breathes yet more joyous sentiments into the room, Franti and Bowman almost simultaneously break guitar strings in their enthusiasm. The festival feeling properly erupts with a rendition of Get Myself To Saturday, when Franti leaps into the crowd to continue singing and playing whilst walking amongst, dancing with and chatting to the overjoyed audience. It’s rare to see an entire room, from front to back, so readily partake of the jumping up, arms in the air, clapping directions.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Such dynamism is so often confined to the hardcore fans at the front, whilst lots of people at the back nod along whilst clutching their beers. I imagine the bar didn’t do so well tonight, however, as I can’t remember much of the gig not involving a two arms/hands/feet workout for everyone. Not least when, part way through scribbling notes for this review and with a camera strung around my neck, I had to stop working because the people dancing next to me grab my hands as Franti has suggested everyone team up and dance together for the rest of the song. I can’t resist laughing and I can’t help feeling genuinely uplifted.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Franti introduces every song with a story, usually about why it was written, including poignant stories about his birth and adoptive families, his love for his wife, his son’s serious illness and the dire news he absorbs every morning from his mobile phone’s newsfeed. Celebrating the good things in life and attempting to combat the bad, Franti’s songs are relentlessly and powerfully positive, as evidenced by his renditions of We Are All Earthlings and Life Is Better With You.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Ethan Tucker, who played a blinding support set tonight, returns to the stage for Let It Go, before the night ends with My Lord, a song Franti says is the “foundation of why I write music”. Proclaiming his wish for a world where we are all “happy, healthy and equal”, Franti then turns DJ, spinning John Lennon’s Imagine and Bob Marley‘s Three Little Birds. All the musicians and some extra random friends, sing along on stage with their arms wrappied around each other and the crowd follow suit.

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti at Heaven in London on 21 October 2016. (Imelda Michalczyk)

Michael Franti tells us he’ll be back with the full band next summer before bidding us farewell with the words: “Stand strong, stay human and power to the peaceful”. I find myself leaving with a sense of being in the right place at the right time and the feeling of a bit more hope and faith in life. As the name of the venue suggests, perhaps we’ve just experienced a little bit of Heaven…

Live Review and Photography byImelda Michalczyk. Imelda has her own website www.rebeladelica.com
Michael Franti @ Heaven October 21, 2016
Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

The Saints @ Electric ballroom (Peter McDonnell)

The Miraculous Second Coming Of The Saints ’73-’78 At London’s Electric Ballroom

There are comebacks, and then there are resurrections. For punk devotees, the return of The Saints ’73–’78 — the latest live incarnation of the legendary Melbourne outfit — firmly belonged in the latter category. With original members Ed Kuepper and Ivor Hay at the helm, and an inspired line-up completed by Mick Harvey, Mark Arm, Peter Oxley, and a three-piece brass section led by Terry Edwards, the Electric Ballroom felt less like a gig and more like a communal rite of appreciation for one of punk’s most quietly revolutionary bands.

Pin It on Pinterest

Share This

Share Thing