Live: Midnight Oil @ Hammersmith Apollo

by | Jul 6, 2017

 (John Hayhurst)

Peter Garrett (John Hayhurst)

“We spent more time on this setlist than most people did thinking about how to vote on Brexit,” says Midnight Oil frontman Peter Garrett towards the beginning of the band’s first London show in 20 years. Initially it seems like a throwaway joke from the former government minister and lifelong activist. But he’s clearly not kidding. Like crafting the perfect mixtape, they’ve picked the right songs in the right sequence for the biggest impact.

Midnight Oil (John Hayhurst)

Midnight Oil (John Hayhurst)

Blistering set opener Redneck Wonderland easily fulfils its purpose, getting the punters up and and out of their seats within the first 15 seconds. Originally recorded “just around the corner”, an impassioned Read About It and its opening lines of “the rich getting richer, the poor get the picture” are an instant reminder that this band’s songs are as physical as they are emotional and intellectual.

Midnight Oil (John Hayhurst)

Midnight Oil (John Hayhurst)

The sunny and instantly hummable Golden Age, from the Australians’ criminally overlooked final album Capricornia, introduces their environmental concerns while highlighting that there’s a real depth to their catalogue. The positively punky No Reaction, which reaches all the way back to 1978’s Head Injuries, is an emphatic call to arms. The musically and lyrically complex Truganini takes aim at British colonialism. And that’s just the first five songs.

Midnight Oil (John Hayhurst)

Rob Hirst, Midnight Oil (John Hayhurst)

As their set barrels along, the band deliver everything you’d expect: astute political and social commentary to complement the slogan on Garrett’s T-shirt (“to sin by silence, when we should protest, makes cowards out of men”), drummer Rob Hirst pounding on an oil drum, Garrett breaking out his signature dance moves (flailing his limbs with wild abandon), and one cracking tune after another.

Midnight Oil (John Hayhurst)

Martin Rotsey & Bones Hillman, Midnight Oil (John Hayhurst)

But what’s surprising is the voracity with which they do so. For two breathless hours, these men in their 60s seem just as invigorated as they were on their seminal live album Oils On The Water, recorded back in 1985. Add 30 years of experience and they actually sound better than ever before.

Midnight Oil (John Hayhurst)

Midnight Oil (John Hayhurst)

Guitarist Jim Moginie effortlessly slips into the elaborate keyboard solo of Short Memory, and without his deft piano playing the minimalist My Country would be nothing more than haunting singing. Bones Hillman’s backing vocals are as powerful as his bass playing is understated. Hirst, whose harmonies are just as important, makes singing while drumming look like child’s play as he belts out When The Generals Talk. And the band as a whole, rounded out by guitarist Martin Rotsey and multi-instrumentalist touring member Jack Howard of Hunters & Collectors, have no trouble transforming Kosciusko from quiet acoustic strum to full-blown rocker in an instant.    

Midnight Oil (John Hayhurst)

Peter Garrett, Midnight Oil (John Hayhurst)

Obviously as thrilled as the audience to be performing live again after two decades (and well, uhm, oiled after months back on the road), the group are clearly making up for lost time. With a set that steadily builds momentum, The Oils are simply unstoppable by the time they follow a raucous Power and the Passion with an unparalleled run of seven songs from their glory days as international superstars.  

Midnight Oil (John Hayhurst)

Midnight Oil (John Hayhurst)

A driving rendition of The Dead Heart, greeted by the audience singing its opening bars en masse, makes way for a collectively chanted Beds Are Burning, played even faster than the version I fell in love with as a 12-year-old in 1988. Blue Sky Mine, complete with that Garrett harmonica solo, is greeted almost as enthusiastically, before Dreamworld, from 1987’s all-conquering Diesel and Dust album, euphorically wraps up the main set.

Midnight Oil (John Hayhurst)

Jim Moginie, Midnight Oil (John Hayhurst)

Warakurna, which namechecks Buckingham Palace in assessing the treatment of Australia’s indigenous people, starts the encore on a moody, political note, before the one-two punch of King of the Mountain and Forgotten Years (both from 1991’s Blue Sky Mining LP) knock out the night.

Midnight Oil (John Hayhurst)

Midnight Oil (John Hayhurst)

Midnight Oil return to Hammersmith Apollo on 23 July 2017.

Live review of Midnight Oil @ Hammersmith Apollo by Nils van der Linden on 4th July 2017. Photography by John Hayhurst.

https://rockshotmagazine.com/26935/live-eddie-vedder-hammersmith-apollo/

Sarah Hollins (Elaine Torres)

Sarah Hollins Unleashes Ferocious Feminist Rage On New Single ‘Mother’

New Jersey-born and Los Angeles-based singer-songwriter Sarah Hollins is no stranger to telling hard truths through even harder songs — and with her new single “Mother”, dropping just in time for Mother’s Day Weekend 2025, she has crafted her most uncompromising and timely release to date. Produced by Erik Kertes (Michael Bublé, Shakira, Jewel, Melissa Etheridge), the track is a snarling, defiant ode to the kind of feminine rage that rarely gets the sonic space it deserves.

The Kooks (Joshua Halling)

The Kooks Return With Reflective, Revitalised Seventh Album ‘Never/Know’

In a music landscape where reinvention can often seem forced, The Kooks have taken a different approach: reflection as a form of renewal. With their seventh studio album, Never/Know, out today, the Brighton-formed indie mainstays offer a vibrant, emotionally grounded record that doesn’t just revisit their roots—it reimagines them.

The K's (Press)

The K’s – ‘Our Sights Are Set At The Top. We’re Definitely Aiming For The Big Boy Leagues.’

The K’s are one of the most exciting breakout British bands of 2024. Hailing from a small working class town between...
Lorde (Talia Chetrit)

Lorde Announces 2025 ‘Ultrasound’ World Tour Dates Including Stop At London’s O2 Arena

Alt-pop icon Lorde has officially announced her long-awaited return to the global stage with the Ultrasound 2025 headline tour, marking her biggest and most ambitious live run yet. The announcement comes hot on the heels of the reveal of her upcoming fourth studio album, Virgin, due out on 27th June.

Henge performing at The Wedgewood Rooms, Southsea

Henge Bring Psychedelic Rock From Parts Unknown To Portsmouth’s Wedgewood Rooms

Recently, the dirty deeds of squillionaires running their private space tourism businesses, and the world laughing at...
Yungblud (Tom Pallant)

YUNGBLUD Announces Bold Fourth Studio Album ‘Idols’

British rock trailblazer Dominic Harrison – AKA YUNGBLUD – has officially announced his highly anticipated fourth...
REEF (Press)

REEF Celebrate 30 Years Of ‘Replenish’ With UK Anniversary Tour

In a year packed with big anniversaries and nostalgic reunions, one of Britain’s most beloved rock acts is marking a...
Wolf Alice (Press)

Wolf Alice Return With Euphoric New Single ‘Bloom Baby Bloom’

London’s genre-defying quartet Wolf Alice have returned in full bloom with their new single, Bloom Baby Bloom—a vibrant, effervescent track that signals a fresh chapter for one of Britain’s most dynamic modern rock bands. Released after a period of relative silence since their Mercury Prize-winning 2021 album Blue Weekend, the single has sent ripples through the alternative scene, sparking excitement about what might be next for the group.

Pin It on Pinterest

Share This

Share Thing