Live: Music Venue Trust #FIGHTBACK Benefit Concert @ Roundhouse

by | Oct 20, 2016

Everything Everything performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Everything Everything performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

In Eastney, on the fringes of Southsea in Hampshire lies an empty, unassuming looking pub now hiding behind sagging net curtains and white washed windows. Eighteen months ago, it was The Cellars, a truly special, vibrant live music venue that attracted some of the freshest upcoming talent around. It was a place where I had spent many happy evenings. The fate of The Cellars is being replicated across the country and you don’t need to have lost your local venue to feel the effects. Emerging artists need somewhere to play other than between ad breaks on Saturday evening TV. Do you want Simon Cowell and Amanda Holden to be the final arbiters of who we’re all listening to next year? No? Didn’t think so. Read on…

On 18 October the Music Venue Trust, a charity established to assist in arresting the alarming rate of closure of grassroots music venues across the UK, held a benefit concert at Camden’s iconic Roundhouse. The event was appropriately enough entitled FIGHTBACK! and RockShot was there to check it out.

Audience at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Audience at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

The Roundhouse was the perfect place to hold this event. Through the 1970s it was one of the premiere live music venues in London, attracting artists as diverse as The Rolling Stones, Pink Floyd, The Clash, Elvis Costello and The Police – but in 1983, the old engine shed closed its doors due to lack of investment and fell into disrepair. Twenty-one years later, following the establishment of a charitable Trust and with the assistance of National Lottery funding, the building was converted into the fabulous live entertainment space and community resource it has remained ever since. It’s amazing what a bit of vision, commitment and passion can do.

Audience at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Audience at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

These three attributes were present in the artists who kindly gave their time and energies to the event tonight. Music was available in three separate performance spaces: On the main stage; in the intimate surroundings of the former under croft that now hosts the Sackler Stage; and in the first floor Torquils Bar – its full height glass frontage giving views of the Chalk Farm Road outside. These latter two spaces were small – and packed – and non-staggered start times across stages meant that getting decent access to watch bands in them soon became quite a challenge. I enjoyed a spirited early set from Sheffield’s Bang Bang Romeo in the Torquils Bar but struggling against the throng both here and at the Sackler Stage, spent the majority of the night in the main room.

Bang Bang Romeo performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Bang Bang Romeo performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

The early sets in here were necessarily short, but we were treated to an eclectic mix as Whispering Bob would say. The Carnabys opened proceedings in charismatic, high-energy style, frontman Jack Mercer’s feet seemingly spending more time above the stage than attached to it.

The solo voice and guitar of singer/songwriter Jake Isaac rang out next, though I only caught the end of his set having just escaped the melee of Bang Bang Romeo. Ed Harcourt looked similarly exposed on the big Roundhouse stage with his set delivered alternately from behind the keys of a piano and strings of an electric guitar. His brand of brooding, apocalyptic rock seemed entirely in keeping with the nature of why we were all here.

Ed Harcourt performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Ed Harcourt performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

At the end of Harcourt’s performance, we were, to be honest, in need of a musical cuddle – and it duly arrived in the form of Public Service Broadcasting, a band that epitomises British quirkiness. There are no vocals unless samples from world famous speeches and public information films count; they don’t talk to the audience unless computers doing it for them count; and they don’t dress to impress unless tweed and bow tie combinations count. It all sounds a bit weird, but is in fact absolutely brilliant. Their set of up-tempo musical landscapes was a joy, my personal highlight of which, Gagarin – 4 minutes of 70s funk soul celebrating Yuri’s eighty-nine minutes going round in circles – involved a three-piece horn section and a semi-inflatable spaceman bouncing around the stage. Brilliant.

Public Service Broadcasting performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Public Service Broadcasting performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

This was the perfect set-up for main stage headliners Everything Everything. The band’s bassist, Jeremy Pritchard has said they are influenced by everything except 12-bar blues and it certainly is tricky to pin them down. Vocalist Jonathan Higgs’ falsetto rang clear above gothic rock one minute and gurgling sequenced grooves the next. It is certainly complex stuff and it’s not hard to see why the band has been nominated for both the Mercury Music Prize and Ivor Novello Award.

Everything Everything performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

Everything Everything performing at FIGHTBACK! Music Venue Trust Benefit Concert at The Roundhouse on 18 October 2016 (Simon Reed | Musical Pictures)

It was a fine close to a fine evening raising money and awareness for an important cause and it was certainly one I was glad to be a part of. As Jeremy Pritchard himself said:

“We are facing a genuine cultural crisis, as well as a serious threat to the music industry in the UK – a huge British export. Already we hear the cry that there are too few festival headliners rising through the ranks. This is directly connected to the worrying trend of invaluable but highly vulnerable local gigs going for good. #FIGHTBACK.”

The Music Venue Trust: http://musicvenuetrust.com/

The Music Venue Trust Go Fund Me #FIGHTBACK campaign: https://www.gofundme.com/2pt5g8k

Live Review & Photography by Simon Reed at Music Venue Trust #FIGHTBACK on 18th October 2016

[photoshelter-gallery g_id=”G0000eEf1dDeLkLk” g_name=”Fightback-MVT-Benefit-Rockshot” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_smooth=”t” f_up=”t” f_topbar=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”740″ height=”555″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”old” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_bbar=”f” f_bbarbig=”” target=”_self” ]

Good Charlotte (Jen Rosenstein)

Good Charlotte Announce Huge UK & European Arena Tour Alongside New Creative Collaboration

Pop-punk heavyweights Good Charlotte have announced their long-awaited return to Europe and the UK with the Motel Du Cap EU + UK Tour set for November 2026, marking the band’s first major UK headline run in years.

The Script (Simon Emmett)

The Script Announce New Album ‘The User’s Guide To Being Human’ And Massive UK & Ireland Arena Tour

Irish chart giants The Script have announced details of their brand new album The User’s Guide To Being Human, set for release on 14th August, alongside the arrival of its powerful lead single Man In The Arena.

Skerryvore (Jeff Holmes)

Skerryvore Sound The Rallying Cry For Scotland’s World Cup Return With ‘Never Stopped Dreaming’

After 28 years of heartbreak, false dawns and near misses, Scotland are finally heading back to the FIFA World Cup — and fittingly, Skerryvore have delivered the soundtrack to the moment with their rousing new anthem, Never Stopped Dreaming.

Bailey Zimmerman (Masonn1k)

Bailey Zimmerman Puts A Country Spin On Miley Cyrus Classic ‘The Climb’

Country star Bailey Zimmerman has released his long-awaited cover of The Climb, reimagining the modern pop anthem through the lens of arena-sized country rock. The track arrives after months of fan demand following its introduction during Zimmerman’s recent live shows, where the emotional singalong quickly became one of the standout moments of his headline sets.

Luvcat @ Colony Room Green (Barnaby Fairley)

Luvcat Turns Murder Ballads Into Midnight Confessions At London ‘Lovebites’ EP Launch

Inside the eccentricity of the Colony Room Green, London feels briefly suspended in time. Perched atop a piano rather...
newshapes (Press)

newshapes Embrace Chaos And Catharsis On Powerful New EP ‘somehow i still believe’

Scottish alternative outfit newshapes are pushing deeper into emotionally charged territory with the release of their new EP somehow i still believe, out now via LAB Records. Alongside the release, the band have unveiled blistering new single rescue light, completing a three-track collection that captures grief, anger and fractured faith through an explosive post-hardcore lens.

WREX (Ethne Lever)

WREX Unleash Cathartic Chaos On Explosive New EP ‘SADWORLD’

Brighton alt-rock duo WREX have delivered one of their most intense releases to date with the arrival of their long-awaited new EP SADWORLD, a five-track collection that fuses raw emotion with crushing riffs, electronic textures and unapologetic vulnerability.

The XCERTS (Luke Bovill)

The XCERTS Confront Grief And Growth On Powerful New Single ‘rinse repeat’

Scottish alternative rock trio The XCERTS have unveiled emotionally charged new single rinse repeat, the latest track lifted from their forthcoming sixth studio album i think i want to go home now., due for release on 10th July.

Pin It on Pinterest

Share This

Share Thing