Live Review: F**ked Up @ Scala

by | Jun 21, 2014

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

Fucked Up played the Scala tonight to showcase Glass Boys, their fourth studio album and the follow-up to the critically acclaimed 2011 epic, David Comes To Life.

Main support came from trendy Brooklyn punks Cerebral Ballzy, who played a short sharp set of thrashing hardcore punk songs about drinking and skateboarding. What’s not to like?

Fucked Up @ Scala (Kim Ford)

Cerebral Balzy @ Scala (Kim Ford)

Playing witness to a Fucked Up show is always something very special. Larger than life frontman, Damian Abraham (AKA Pink Eyes), is utterly compelling. Sweaty and topless, he spends the entirety of the show stage-diving and ploughing his way through the crowd, while the triple-guitar battalion of Mike Haliechuck, Ben Cook, and Josh Zucker provide a thick wall of ferocious melodies and world-crushing riffs behind him on stage.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

The show begins tonight with the blazing new album opener, Echo Boomer. Within seconds, Abraham dives head first into the crowd. With a goofy grin, he fools around, waving his hands in the air and playfully wearing a deflated beach ball on his head for the remainder of the song.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

The Canadian sextet storm through a blistering set of old gems – Baiting The Public, David Comes To Life, Queen Of Hearts and Son The Father – as well as new songs – Paper House and Sun Glass. The new songs carry echoes of Dinosaur Jr. and Husker Du, with the anthemic charge and guttural intensity of Negative Approach. Abraham’s chaotic performance is soaked in 80’s hardcore, with a pinch of GG Allin’s unpredictable madness and self-inflicted forehead injuries. Abraham even pauses mid-song to pose for photographs whilst submerged within the crowd and, at one point, he’s up by the sound desk, wearing a plastic pint cup he smashed into his head, as a hat. He hugs and kisses fans as if they were old friends. An infectious energy the audience relish.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

Despite looking more of a light-weight than heavy-weight these days, Abraham’s performance still packs a weighty punch. On his weight loss he explains, “I lost weight, but I swear to God it wasn’t on purpose. A side-effect of the weed. I was beautiful before I lost the weight!” Announcing, “This song is for anyone who’s ever been called fat and ugly,” he charges into old favourite I Hate Summer, a poignant song about hiding physical insecurities behind layers of clothing, summer being a time when there is no place to hide.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

The full-throttle of Police and the soaring rock melodies of Black Albino Bones cause a riotous reaction from the crowd. Abraham’s bellowing growl exposes the beating heart of every song with lashings of rage and desperation while bassist, Sandy Miranda’s softer backing vocals provide a fragile contrast. The crowd erupt for The Other Shoe. Howling along to the chorus ,’Dying on the inside, Dying on the inside,’ crowd surfers pour over the barrier. Gut -wrenching lyrics of love, loss and redemption send spine-tingling goosebumps as the tempo builds; ‘Loved the book but I hate the end, Gained a lover but I lost a friend. Straight to worst, from the best. Nothing fills that hole in my chest. It can’t be comfortable when the whole thing’s about to fall.’

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

What makes Fucked Up so special is that their music is always pushing forward whilst still looking back. Growing old gracefully, they haven’t forgotten their hardcore punk roots. They push the boundaries of this genre through progression and experimentation with every new album. Active for over a decade, they have consistently continued to grow and add layers to their sound, whilst still retaining that element of aggression and punk rock fury.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

The show comes to a close with stomping hardcore anthem, Crusades, from their 2006 debut album, Hidden World. Abraham thanks everyone for coming, taking time to shake hands with the security for their valiant effort supervising tonight’s madness and mayhem.

Fucked Up @ Scala (Kim Ford)

Fucked Up @ Scala (Kim Ford)

Fucked Up may be flying high right now, but their feet are firmly on the ground. The band stay behind long after the show to chat, sign records and pose for photographs. Abraham even offers hugs and words of wisdom on his “two favourite things in the world” – hardcore punk and wrestling. Heartfelt and humble, he is genuinely excited about meeting the people who love his band. There are no rock star egos here.

A triumphant and heart-warming show from a truly sincere band who really give a damn about their fans and are clearly having a ridiculous amount of fun being Fucked Up.

Fucked Up @ The Scala 18th June 2014 Photography and Review by Kim Ford

Mae Stephens (Press)

Mae Stephens Finds Her Voice On Empowering New Single ‘Earn It’

Fast-rising UK pop star Mae Stephens is turning the tables on people-pleasing with her infectious new single Earn It, a confident, self-assured anthem that combines irresistible pop hooks with a message of personal empowerment.

Black Lounge (Press)

Black Lounge Turn Housemate Horror Into Indie-Rock Gold On New Single ‘Roommate’

Essex indie-rock upstarts Black Lounge continue their rapid ascent with the release of their infectious new single Roommate, the latest track to be lifted from the band’s forthcoming debut EP, due via Right Track Recordings.

Natalie McCool (Robin Clewley)

Natalie McCool Announces Ambitious New Album ‘Good For The Soul’ And Shares Uplifting New Single ‘Coming Of Age’

Liverpool alt-pop innovator Natalie McCool has announced her new album Good For The Soul, set for release on 9th September, alongside the arrival of its exuberant lead single Coming Of Age, a vibrant celebration of self-discovery featuring London vocal collective Trans Voices.

Bankes Brothers (Steve Bays)

Showcase A More Intimate Side On New Single ‘Aaliyah’

Canadian indie rock outfit The Bankes Brothers have unveiled their latest single, Aaliyah, a heartfelt and deeply personal track that finds the Victoria, British Columbia quartet embracing a more reflective and vulnerable sound.

Hannah Wicklund (Pip)

Hannah Wicklund Shows London That A Woman Can Be Tough

A gold grand piano sits on a small stage at London’s Piano Smithfield, a cosy live music venue tucked around the corner from Barbican tube station. It’s the kind of listening room intimate enough to feel as if you’ve stumbled upon a secret gig, but atmospheric enough to host a special kind of artist. 

Graham Hunt (Sahan Jayasuriya)

Graham Hunt Announces New Album ‘American Pyramid’ And Shares Expansive New Single ‘Waiting For You To Come Home’

Wisconsin songwriter Graham Hunt has announced details of his sixth studio album, American Pyramid, set for release on 28th August via Run For Cover Records. Alongside the announcement, Hunt has unveiled the album’s lead single, Waiting For You To Come Home, a vibrant and off-kilter slice of guitar-pop that offers the first glimpse into one of his most ambitious projects to date.

Zolita (Press)

Zolita Embraces Duality On New Album ‘HELL’S BELLES‘ And Unleashes Defiant New Single ‘HARDCORE’

Los Angeles-based singer, songwriter, filmmaker and queer pop trailblazer Zoë Hoetzel – AKA Zolita – has announced her forthcoming new album HELL’S BELLES, set for release on 28th August, alongside the arrival of explosive new single HARDCORE.

Blums (Eleanor Petry)

Blums Announces Debut Album ‘Sunk Cost Fantasy’ – A Dreamlike Art-Pop World Years In The Making

New York-based artist Blums has unveiled details of her long-awaited debut album, Sunk Cost Fantasy, a deeply personal and sonically adventurous collection that captures nearly a decade of creative exploration, self-discovery and artistic reinvention.

Pin It on Pinterest

Share This

Share Thing