Live Review: Florence + the Machine @ Alexandra Palace

by | Sep 22, 2015

Florence + the Machine @ Alexandra Palace

Florence Welch (Kalpesh Patel)

Florence Welch, Florence + the Machine at Alexandra Palace (Kalpesh Patel)

It’s hard to have missed Florence + the Machine’s meteoric rise to stardom over the past six years. Even before debut studio album Lungs was released back in 2009, the Florence Welch-fronted group was longlisted for BBC’s Sound of 2009, ultimately losing out to synth-popper Little Boots. But even during her early evening Reading Festival slot that year, she was making a name for herself, climbing the rafters of the NME tent on what was her 23rd birthday.

Florence Welch (Kalpesh Patel)

Florence Welch, Florence + the Machine at Alexandra Palace (Kalpesh Patel)

Six years on and three studio albums later, she has proven her staying power, evolving into a major world festival headliner having topped the bill at Chicago’s Lollapalooza festival this summer and stepped up to headline what is undoubtedly the world’s biggest festival stage, taking over Foo Fighters’ Pyramid Stage headline slot at Glastonbury following Dave Grohl’s unfortunate mid-gig leg-break a few weeks beforehand.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

Arriving barefoot for the first of four sold-out shows at North London’s historic Alexandra Palace venue, and making her way to greet fans at the barrier before climbing the stairs up to a grand stage, Welch opened with Ceremonials single What The Water Gave Me, the London native beginning the show with the on-stage energy and kookiness she’s now famous for.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace Kalpesh Patel)

The second single from her latest studio album How Big, How Blue, How Beautiful – Ship To Wreck – was one of the great opening numbers, the 29-year-old frontwoman bounding about the vast stage with a relentless energy that would dominate the show, her fiery hair being flailed around with abandon.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

“We wanted to have a choir, but there wasn’t enough room” she said, turning to face the vast array of musicians and backing singers adorning the stage. Turning back to her audience she asked “So will you be the choir?” A united scream erupted from the crowd as she launched into Ceremonials lead single Shake It Out.

Florence Welch (Kalpesh Patel)

Florence WelchFlorence + the Machine at Alexandra Palace (Kalpesh Patel)

A slow and minimally-instrumented ease into debut album single, a cover of The Source’s You’ve Got the Love, had the crowd clapping along to keep rhythm until the full band kicked in halfway through the song.

Florence Welch (Kalpesh Patel)

Florence Welch (Kalpesh Patel)

“The next song is very special” introducing new album title track How Big, How Blue, How Beautiful. “It’s great to be able to play it in London. It was written many miles away but recorded in London.” “It was like a big, blue sky over the world and I get to bring it back and give it to all of you.”

Florence Welch (Kalpesh Patel)

Florence Welch (Kalpesh Patel)

Referring to playing a show in her home town again, Welch continued with the London love: “Everything started from London, all my first gigs, all my first songs were written here.” Referring to her long-standing friend, collaborator and band member Isabella “Machine” Summers, she said “this one was written in Is’s studio in Crystal Palace” before quietly launching into a stripped-back version of Lungs’ track Cosmic Love, accompanied only by an acoustic guitar and harp.

Florence Welch (Kalpesh Patel)

Florence WelchFlorence + the Machine at Alexandra Palace (Kalpesh Patel)

The main set was closed out with Dog Days Are Over, a huge circular screen hovering above the stage displaying a crescent moon, slowly becoming full over the course of the song. The 7,000-strong crowd echoed back every word of the Lungs single, the ornate Victorian walls of the People’s Palace reverberating the song to a new level.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

The night ended with debut album track Drumming Song, which had the audience buzzing for this, one of her best-loved early hits. Welch collapsed to the stage as the song drew to a close before dashing off once again, this time for good.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

As polished as Florence + the Machine’s crazy seems to have become, there’s something awe-inspiring about the sheer energy hit after hit is delivered with, the high notes still ringing through sharply after all the running around. And Welch’s specific brand of folksy, indie rock resonates so strongly with so many that it’s uplifting to see what a girl from Camberwell can achieve in just a few short years.

[photoshelter-gallery g_id=”G00005fAOm_9fCSY” g_name=”Florence-the-Machine” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Florence + the Machine play three more dates at Alexandra Palace this week ahead of their Apple Music Festival appearance on September 28th and an autumn-winter US & Australia tour.

Live Review and Photography by Kalpesh Patel. Kalpesh his more great concert photography here: https://www.flickr.com/photos/somethingforkate/

Natalie Imbruglia @ CIRCUIT Kingston (Kalpesh Patel)

Natalie Imbruglia Makes Kingston’s Circuit Her Own At Intimate ‘Algorithm’ Launch

There is something wonderfully disarming about seeing Natalie Imbruglia on a stage this small. At The Circuit in Kingston, the singer-songwriter is close enough to her audience to make eye contact with people in the front row, close enough to laugh with them and, crucially, close enough for the nerves of the evening to be impossible to disguise.

EELS (Gus Black)

EELS Share New Track ‘Congratulations To Me’ Ahead Of 16th Studio Album ‘Cookie Happened’

EELS have shared their new track Congratulations To Me, offering another glimpse into their forthcoming 16th studio album, Cookie Happened, which arrives on 16th October via E Works / Play It Again Sam. The latest song finds E, the creative force behind EELS and the stage name of singer, songwriter and producer Mark Oliver Everett, looking at one of life’s more unexpected turning points: the moment when you finally realise that some things simply are not worth taking so seriously.

Natalie McCool (Robin Clewley)

Natalie McCool Releases New Album ‘Good For The Soul’ And Shares ‘Sleeping Beauty’ With She Drew The Gun

Liverpool alternative-pop artist Natalie McCool has dropped her new album Good For The Soul, marking a bold new chapter for an artist increasingly willing to push beyond the boundaries of conventional alternative pop. The new record arrives following a run of singles including Coming Of Age, We’re The Ones, So Lonely, Lonely and I Fantasise, each offering a glimpse into an album that refuses to settle into a single sound or mood.

Cameron Whitcomb (Press)

Cameron Whitcomb Announces European & UK Tour For ‘Kingdom Of Fear’

JUNO Award-winning country artist Cameron Whitcomb is set to bring his electrifying live show to Europe and the UK in February 2027, announcing a run of dates in support of his breakout hit Kingdom Of Fear.

Electron (Rob Blackham / Blackham Images)

Electron Unleash ‘Taken’ Featuring Skindred’s Benji Webbe Ahead Of New Album

London-via-Portugal duo Electron return with their latest single, Taken, featuring guest vocals from Skindred frontman Benji Webbe, as they continue the countdown to their forthcoming second album, Is This Worth Living For?.

Bodega (Pooneh Ghana)

BODEGA Unveil Infectious New Single ‘Literary World’ Ahead Of Fourth Album ‘All Inside Aquarium’

New York City quintet BODEGA have shared their latest single, Literary World, offering another glimpse into their forthcoming fourth studio album, All Inside Aquarium, which arrives October 9th via Chrysalis Records. The philosophical yet infectious track marks the latest chapter in a period of creative reinvention for the band, who have spent the past decade developing a sound that has frequently been associated with post-punk while consistently refusing to remain within its boundaries.

Blair Davie @ Latitude Festival 2026 (Kalpesh Patel)

Blair Davie Unveils Stirring New EP ‘You Like Ugly, Don’t You Babe?’

Scottish singer-songwriter Blair Davie has released their highly anticipated new EP, You Like Ugly, Don’t You Babe?,...
Carley Rae Jepsen @ Glastonbury Festival 2023 (Kalpesh Patel)

Carly Rae Jepsen Announces ‘Day And Night’, A New Chapter In Her Pop Evolution

Carly Rae Jepsen is set to enter a new era with Day And Night, an upcoming album that finds the Canadian pop star exploring two distinct but interconnected sides of her musical personality. The project is framed around the contrast between day and night. The “day” side leans into sun-soaked, left-field pop, while “night” moves towards more forward-thinking dance music with a maximalist edge.

Pin It on Pinterest

Share This

Share Thing