Live Review: Imelda May @ the Roundhouse.

by | Mar 19, 2014

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

The Roundhouse in north London proved its astute scheduling skills by hosting Irish rockabilly singer Imelda May for St. Patrick’s Day. Backed by her full band, a gaffiti-strewn brick wall backdrop, a motorcycle to the side of the stage and a glowing neon clover sign to remind us of the date, Imelda put on an impressive show.

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Earlier favourites such as ‘Love Tattoo’ and ‘Big Bad Handsome Man’ were given an airing in the first few songs. With a new album called ‘Tribal’ due out later this year, there were also some lesser known – but still well received – numbers such as ‘The Hellfire Club’ which, she told us, was written with encouragement from her brother. The recent single ‘It’s Good To Be Alive’ saw Imelda encouraging the crowd to repeat and sing back made up phrases, which they happily did.

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda’s down to earth chat between songs was funny and endearing. When someone called out “I love you Imelda!” between songs, she laughed and recounted how, when she first started hearing this same declaration of love shouted out from a crowd during a show, she’d reacted indignantly by saying “But you don’t even know me!”.

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Special guest John Sheahan, the violinist from The Dubliners, joined Imelda for the slow and soulful ‘Kentish Town Waltz’ from the ‘Mayhem’ album. An appropriate choice given the venue’s close proximity to the location of the title. John stayed for a rendition of ‘Marino Waltz’, an instrumental he wrote for The Dubliners and which Imelda dutifully waltzed to with a member of her stage crew.

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

Imelda May at the Roundhouse in London on 17 March 2014 (Imelda Michalczyk)

The buoyant atmosphere may have been given an extra swing by the indulgences of a celebratory and traditionally sober-free saint’s day, but Imelda’s strong performance surely gets most of the credit.

[photoshelter-gallery g_id=”G0000Au0fJKGb.e0″ g_name=”Imelda-May” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Review by Imelda Michalczyk on 17 March 2014, London. Imelda is a great journalist and photographer and has her own website here: www.rebeladelica.com

Sabaton @ The O2 (Catherine Beltramini)

Sabaton Ignite The Stage With An Historic, Explosive Spectacle At The O2 Arena

Few bands embrace spectacle with the conviction and ambition of Sabaton, and their latest live performance proves once again that the Swedish power-metal titans have elevated historical storytelling into an art form all its own. Renowned for transforming pivotal wartime chapters into thunderous anthems, the band delivered a concert that felt more like an epic saga brought to life, complete with firepower, orchestral majesty, and immersive theatre.

Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

Pin It on Pinterest

Share This

Share Thing