Live: Rotten Hill Gang @ The Forum Tunbridge Wells

by | Jan 23, 2017

The Forum sits on the slopes of the common on the edge of Tunbridge Wells. For the past 24 years it has played host to many up & coming acts, established acts, and has a reputation for booking the next big thing just before it becomes the big thing. The band capturing our attention tonight are the infamous Rotten Hill Gang.

 (Simon Partington)

Rotten Hill Gang (Simon Partington)

As the venue began it’s 25th year, a gig by Rotten Hill Gang and guests ticked all the boxes. Local three piece Ladybird opened the evening with a ferocious assault on the senses, a short powerful set reflecting their punk influences with a dynamic driven by Joe Walker’s inimitable manic drum style that seemed to explode out of nowhere. The band grabbed the audiences attention with a vice like grip and didn’t let go, not caring if anyone wanted to be along for the ride or not, they were coming. Their set ended as abruptly as it began, a drive by shooting delivered by Don Rennols and Alex Deadman’s guitars. The band are starting to play dates across the south of the country with the EP Social Potions to be launched at Unfest in Tunbridge Wells this May.

Don Letts (Simon Partington)

Don Letts (Simon Partington)

There was a brief pause before Don Letts surreptitiously took to the decks. There was a sense of eager anticipation, a bit of standing, staring at Don challenging him to impress. It didn’t last long, The Rebel Dread got the measure of the watchers and soon had everyone dancing, the crush evened out and it was off. In his words “I’m all about moving the crowd, especially the girls ‘cause it’s much more rewarding than the approving nods of purists”.

Don Letts (Simon Partington)

Don Letts (Simon Partington)

Don made use of dancehall reggae and ska, along with mixes that most likely will never be heard outside one of his sets. The mashups had some really eclectic elements but every one a winner. He worked the room expertly satisfying dancers and winning over the music afficionados and perfectly and effortlessly bridged the vitality of the openers with the vibe of headliners Rotten Hill Gang.

 (Simon Partington)

Rotten Hill Gang (Simon Partington)

Rotten Hill Gang took to the stage, opening with Whatever Your Life Throws Out, a song about a bad boy made good repaying his dues, a low key starter, the band feeling out the audience. Then the tempo stepped up and stayed up for the rest of the gig.

The set of fifteen songs mostly comprised of tracks from the new album Teach Peace due out late spring. The new tracks reflected the bands progression from lyrics over beats and made less use of samples than the first self titled album (see www.rottenhillgang.co.uk ). The new material having a more melodic, richer live sound helped by Fjorka Mac’s keyboard but still with a hard edge from front man Reds West’s rapping.

 (Simon Partington)

Rotten Hill Gang (Simon Partington)

Counter to this was Annie Bea’s almost cabaret vocal style of performance, Annie taking sole charge of the lyrics on Caravan and Incredible.  The audience were dancing and involved, the communication between the stage and punters was established quickly and freely flowed both ways. All the band’s songs are relevant, about real people, real politics and situations which sealed the bond between floor and stage.

Let Me Breathe came mid set before a run of tracks from the first album, each revamped and updated, Ch Chow emphasising the bands West London origins, a carnival tale of excess from Notting Hill.

 (Simon Partington)

Rotten Hill Gang (Simon Partington)

RHG really hit their stride with Feelin’ It, guitarist Gus Robertson letting rip with a rock solo over the infectious rhythm, finishing in front of drummer Mallet Hallet in rock god style. Full of swagger the band launched into Might As Well Quit their anti TV talent show anthem full of arrogance and denouncing get rich quick talentless fame, then into the last song Heads Up which is planned to be a free download soon. The band left the stage but the crowd had been won over and demanded more, bassist Gary McPherson stayed put, the rest of the band returned and charged into their cover of Sex Pistols track Submission, the audience chanting the chorus along with the band. So the night finished there, everyone agreeing it had been a huge success, new talent, established talent, and the next big thing.

 (Simon Partington)

Gary & Reds (Simon Partington)

Live Review & Photography by Simon Partington.

Ladybird, Don Letts, & Rotten Hill Gang -at The Forum Tunbridge Wells 14th January 2017

Osmium (Camille Blake)

OSMIUM Share New Single ‘OSMIUM 4’ Ahead Of Debut Album

Experimental supergroup OSMIUM have today unveiled OSMIUM 4, the latest glimpse into their highly anticipated...
Ocean Alley (Kane Lehanneur)

Ocean Alley Announce New Album ‘Love Balloon’ & Massive London Show At Alexandra Palace

Australian rock trailblazers Ocean Alley have announced their much-anticipated fifth studio album, Love Balloon, dropping on 19th September via Community Music. The announcement arrives alongside the record’s infectious title track, a joyful, disco-infused groove that signals a bold, carefree new era for the six-piece.

Glastonbury Festival 2023 (Kalpesh Patel)

Glastonbury Festival 2025: Full Line-Up, Stage Splits, Secret Sets, And Notable Set Clashes Revealed

The full stage splits and set times for Glastonbury Festival 2025 have officially landed, sending the internet into a frenzy and festival-goers scrambling to finalise their Worthy Farm weekend plans. With over 3,000 performances across more than 100 stages, the legendary Somerset gathering—set to take place from 25th to 29th June—has revealed an eclectic, star-studded line-up bursting with global icons, breakout stars, and fan-favourite returning acts.

Olivia Dean @ Glastonbury Festival 2024 (Kalpesh Patel)

Olivia Dean Announces Sophomore Album ‘The Art of Loving’ And London Headline Show Next Week

Rising UK star Olivia Dean has announced the release of her eagerly awaited second album, The Art Of Loving, set to arrive on 26th September via Capitol Records. The new record promises to build on the rich, heartfelt songwriting that’s become Dean’s signature, while pushing her sound into bold and emotionally resonant new territory.

Sabrina Carpenter (Press)

Sabrina Carpenter Unveils Full Star-Packed Line-Up For Sold-Out BST Hyde Park 2025 Shows

American Express presents BST Hyde Park has announced the full supporting line-up for pop superstar Sabrina Carpenter’s sold-out headline debut on Saturday 5th July, as well as her follow-up performance on Sunday 6th July. The eagerly anticipated shows mark a major milestone in Carpenter’s meteoric rise, as she joins a coveted roster of BST Hyde Park headliners for 2025.

Taylor Swift @ Wembley Stadium (Kalpesh Patel)

Taylor Swift Triumphs: Pop Icon Buys Back Rights To Her Original Master Recordings

In a landmark move sending shockwaves through the music industry, Taylor Swift has officially bought back the rights to her original master recordings, marking a triumphant and deeply personal victory in her years-long battle for artistic ownership. The deal closes a turbulent chapter that has fuelled global conversations around creative control, artist rights, and the power dynamics of the modern music business.

Santana (Press)

Carlos Santana Teams Up With Grupo Frontera For Norteño-Rock Fusion ‘Me Retiro’ — Ahead Of UK Tour Dates

Rock legend Carlos Santana has surprised fans yet again—this time by merging his iconic guitar-driven rock sound with...
Blink-182 @ Reading Festival 2024 (Nick Allan)

Reading Festival 2025 Preview: Glitter, Guitars & Glorious Chaos Incoming

Hold on to your bucket hats – Reading Festival 2025 is about to blow the roof off Richfield Avenue from August...

Pin It on Pinterest

Share This

Share Thing