Live Review: Waxahatchee @ St Pancras Old Church.

by | Jan 28, 2015

St Pancras Old Church is a beautiful place to experience live music – described  as “London’s most spectacular intimate live music venue”, it really does justify that assessment. It’s toasty within; convection heaters blast warm air up the walls and make for the perfect antidote to the January chill outside. Hundreds of tealights add to that warmth and help keep the place nicely underexposed – though at the business end the artistes do at least get a pair of table lamps and some left over Christmas lights (well, it is a church) to help them find their way around.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

It’s a fine backdrop for Waxahatchee, the solo musical project of Katie Crutchfield – named after the Waxahatchee Creek in her native Alabama, to perform a pair of sold-out London shows.

Crutchfield has released two albums – in 2012, American Weekend (solo acoustic, raw) won critical acclaim, and in 2013 Cerulian Salt (electroacoustic, slightly less raw though I’d wager Trevor Horn would probably want to polish it up) garnered much of the same. In April of this year, Crutchfield’s third recording Ivy Tripp is released in the UK and promises further development of Waxahatchee’s sound – an alternative sound that encompasses delicate folk and Nirvanaesque grunge at opposite ends of the scale. There will be a European tour in June featuring her full band, but for tonight, Waxahatchee is a solitary instrument affair, perfectly suited to this environment.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Support comes from Radiator Hospital in the form of the seminal element of that band, singer-songwriter Sam Cook-Parrott. No need for amplification here and Cook-Parrott’s voice, as expressive as it is dynamic, ricochets around the church. Aided by his acoustic guitar, and in the latter half of his set, by Katie’s sister Allison, he rips through a number of songs at a pace that doesn’t allow many pauses for breath. It’s well appreciated and is a nice appetiser for what is to follow.

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

The capacity of the church is only 120 but the place is so small that there’s seating for around half that with the remainder wedged in several standing rows at the back. Twenty minutes later, the congregation greeted Waxahatchee with warm applause and Crutchfield seemed genuinely humbled by the reception. She played through a progression of her studio works, including a selection from the new record – the decidedly lo-fi sound of the earlier recordings being replaced by a soaring vocal and guitar that truly benefitted from the acoustic environment.

 (Rockshot Images)

(Rockshot Images)

Allison returned again to the stage to sing harmony with her sister and the results were sublime. There was little interaction with the audience, the crowd given time to absorb the last before commencement of the next. A set of 13 delicately crafted songs, one encore, and Waxihatchee was gone. Crutchfield lay her guitar on the ground and disappeared into the vestry, the sound of an appreciative crowd left behind. A very modest performer; you feel Katie Crutchfield doesn’t truly believe how good she is. And she is.

[photoshelter-gallery g_id=”G0000_GhdLnT2O3c” g_name=”Waxahatchee” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

See all the images here:http://images.rockshotmagazine.com/#!/index/G0000_GhdLnT2O3c

Review and Photography by Simon Reed . Waxahatchee. St Pancras Old Church, London. 26th Jan 2015.

Sabaton @ The O2 (Catherine Beltramini)

Sabaton Ignite The Stage With An Historic, Explosive Spectacle At The O2 Arena

Few bands embrace spectacle with the conviction and ambition of Sabaton, and their latest live performance proves once again that the Swedish power-metal titans have elevated historical storytelling into an art form all its own. Renowned for transforming pivotal wartime chapters into thunderous anthems, the band delivered a concert that felt more like an epic saga brought to life, complete with firepower, orchestral majesty, and immersive theatre.

Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

Pin It on Pinterest

Share This

Share Thing