Live Review: Waxahatchee @ St Pancras Old Church.

by | Jan 28, 2015

St Pancras Old Church is a beautiful place to experience live music – described  as “London’s most spectacular intimate live music venue”, it really does justify that assessment. It’s toasty within; convection heaters blast warm air up the walls and make for the perfect antidote to the January chill outside. Hundreds of tealights add to that warmth and help keep the place nicely underexposed – though at the business end the artistes do at least get a pair of table lamps and some left over Christmas lights (well, it is a church) to help them find their way around.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

It’s a fine backdrop for Waxahatchee, the solo musical project of Katie Crutchfield – named after the Waxahatchee Creek in her native Alabama, to perform a pair of sold-out London shows.

Crutchfield has released two albums – in 2012, American Weekend (solo acoustic, raw) won critical acclaim, and in 2013 Cerulian Salt (electroacoustic, slightly less raw though I’d wager Trevor Horn would probably want to polish it up) garnered much of the same. In April of this year, Crutchfield’s third recording Ivy Tripp is released in the UK and promises further development of Waxahatchee’s sound – an alternative sound that encompasses delicate folk and Nirvanaesque grunge at opposite ends of the scale. There will be a European tour in June featuring her full band, but for tonight, Waxahatchee is a solitary instrument affair, perfectly suited to this environment.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Support comes from Radiator Hospital in the form of the seminal element of that band, singer-songwriter Sam Cook-Parrott. No need for amplification here and Cook-Parrott’s voice, as expressive as it is dynamic, ricochets around the church. Aided by his acoustic guitar, and in the latter half of his set, by Katie’s sister Allison, he rips through a number of songs at a pace that doesn’t allow many pauses for breath. It’s well appreciated and is a nice appetiser for what is to follow.

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

The capacity of the church is only 120 but the place is so small that there’s seating for around half that with the remainder wedged in several standing rows at the back. Twenty minutes later, the congregation greeted Waxahatchee with warm applause and Crutchfield seemed genuinely humbled by the reception. She played through a progression of her studio works, including a selection from the new record – the decidedly lo-fi sound of the earlier recordings being replaced by a soaring vocal and guitar that truly benefitted from the acoustic environment.

 (Rockshot Images)

(Rockshot Images)

Allison returned again to the stage to sing harmony with her sister and the results were sublime. There was little interaction with the audience, the crowd given time to absorb the last before commencement of the next. A set of 13 delicately crafted songs, one encore, and Waxihatchee was gone. Crutchfield lay her guitar on the ground and disappeared into the vestry, the sound of an appreciative crowd left behind. A very modest performer; you feel Katie Crutchfield doesn’t truly believe how good she is. And she is.

[photoshelter-gallery g_id=”G0000_GhdLnT2O3c” g_name=”Waxahatchee” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

See all the images here:http://images.rockshotmagazine.com/#!/index/G0000_GhdLnT2O3c

Review and Photography by Simon Reed . Waxahatchee. St Pancras Old Church, London. 26th Jan 2015.

Jinjer @ O2 Forum Kentish Town (Daniel Caceiro)

Jinjer Command O2 Forum Kentish Town With Relentless Precision And Power

With modern metal heavyweights Jinjer returning to London, O2 Forum Kentish Town became the setting for a night built on precision, power and carefully controlled chaos. Supported by the forward-thinking technical edge of Unprocessed and the long-awaited return of prog-metal veterans Textures, the bill promised intensity from start to finish — and delivered on every front.

Liam Price @ Water Rats (Henry Finnegan / @finneganfoto)

Liam Price Stakes His Claim At London’s Water Rats

For an artist stepping out under his own name for the first time in the capital, expectations were high at The Water Rats. With a reputation already built through tribute work and years of live performance, Liam Price arrived at this London headline show carrying both momentum and curiosity. What followed was a night that felt less like a tentative introduction and more like a defining moment — a confident step forward that suggested this chapter of Price’s career is only just beginning.

Scouting For Girls @ Latitude Festival 2025 (Kalpesh Patel)

Scouting For Girls Share New Single ‘Don’t You Go Solo’ Ahead Of Album ‘These Are The Good Days’

Scouting For Girls have launched 2026 with the release of their brand new single Don’t You Go Solo, offering another taste of their forthcoming album These Are The Good Days, due out on 27th March. The single arrives as the chart-topping trio continue to enjoy huge demand for their upcoming UK and Ireland headline tour, with the majority of dates already sold out.

The Great Emu War Casualties (Press)

The Great Emu War Casualties Announce Debut Album ‘Public Sweetheart No.1’ And Share New Single ‘Donut’

Australian art-rock risers The Great Emu War Casualties have announced their debut album Public Sweetheart No.1, set for release on 27th March, alongside the arrival of its latest single Donut.

Lily Allen @ Mighty Hoopla Festival 2018 (Kalpesh Patel)

Boardmasters 2026 Complete As Lily Allen Announced As Final Headliner In Major Wave 2 Reveal

Boardmasters has unveiled Lily Allen as its final headliner for 2026, completing a huge second wave announcement for the Cornish festival’s return to Watergate Bay and Fistral Beach, Newquay, from 5th–9th August 2026.

The Blow Monkeys (Michele Siedner)

The Blow Monkeys Announce ‘Birdsong’ UK Tour For Autumn 2026

British pop-soul favourites The Blow Monkeys have announced an extensive UK & Ireland tour for September and October 2026, marking the next chapter in a career that now spans more than four decades. The run of dates follows the release of their 13th studio album, Birdsong, which is out now.

Michael Cloud Duguay and Mathias Kom (Noah Bender)

Michael Cloud Duguay And Mathias Kom Announce New Collaborative Album ‘Closed City’ and Share Debut Single ‘Ice Fog – No Exit’

Canadian producer and composer Michael Cloud Duguay and songwriter Mathias Kom have unveiled details of a striking new collaborative project, Closed City, set for release on 27th March. Alongside the announcement, the duo have shared the project’s debut single, Ice Fog – No Exit, offering a first immersive glimpse into the album’s stark and carefully constructed world.

The XCERTS (Luke Bovill)

The XCERTS Return With Ferocious New Single ‘Do It To Myself’

Scottish alt-rock mainstays The XCERTS are back. Today sees the Aberdeen-formed, Brighton-based trio unveil Do It To Myself, their first original material since 2023 and their debut release on new label FLG Records.

Pin It on Pinterest

Share This

Share Thing