Live Review: Waxahatchee @ St Pancras Old Church.

by | Jan 28, 2015

St Pancras Old Church is a beautiful place to experience live music – described  as “London’s most spectacular intimate live music venue”, it really does justify that assessment. It’s toasty within; convection heaters blast warm air up the walls and make for the perfect antidote to the January chill outside. Hundreds of tealights add to that warmth and help keep the place nicely underexposed – though at the business end the artistes do at least get a pair of table lamps and some left over Christmas lights (well, it is a church) to help them find their way around.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

It’s a fine backdrop for Waxahatchee, the solo musical project of Katie Crutchfield – named after the Waxahatchee Creek in her native Alabama, to perform a pair of sold-out London shows.

Crutchfield has released two albums – in 2012, American Weekend (solo acoustic, raw) won critical acclaim, and in 2013 Cerulian Salt (electroacoustic, slightly less raw though I’d wager Trevor Horn would probably want to polish it up) garnered much of the same. In April of this year, Crutchfield’s third recording Ivy Tripp is released in the UK and promises further development of Waxahatchee’s sound – an alternative sound that encompasses delicate folk and Nirvanaesque grunge at opposite ends of the scale. There will be a European tour in June featuring her full band, but for tonight, Waxahatchee is a solitary instrument affair, perfectly suited to this environment.

Waxahatchee - Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Waxahatchee – Katie Crutchfield performing at St Pancras Old Church 26/01/15 (Simon Reed 2015)

Support comes from Radiator Hospital in the form of the seminal element of that band, singer-songwriter Sam Cook-Parrott. No need for amplification here and Cook-Parrott’s voice, as expressive as it is dynamic, ricochets around the church. Aided by his acoustic guitar, and in the latter half of his set, by Katie’s sister Allison, he rips through a number of songs at a pace that doesn’t allow many pauses for breath. It’s well appreciated and is a nice appetiser for what is to follow.

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

Radiator Hospital performing at St Pancras Old Church, London 26/01/15 (Simon Reed 2015)

The capacity of the church is only 120 but the place is so small that there’s seating for around half that with the remainder wedged in several standing rows at the back. Twenty minutes later, the congregation greeted Waxahatchee with warm applause and Crutchfield seemed genuinely humbled by the reception. She played through a progression of her studio works, including a selection from the new record – the decidedly lo-fi sound of the earlier recordings being replaced by a soaring vocal and guitar that truly benefitted from the acoustic environment.

 (Rockshot Images)

(Rockshot Images)

Allison returned again to the stage to sing harmony with her sister and the results were sublime. There was little interaction with the audience, the crowd given time to absorb the last before commencement of the next. A set of 13 delicately crafted songs, one encore, and Waxihatchee was gone. Crutchfield lay her guitar on the ground and disappeared into the vestry, the sound of an appreciative crowd left behind. A very modest performer; you feel Katie Crutchfield doesn’t truly believe how good she is. And she is.

[photoshelter-gallery g_id=”G0000_GhdLnT2O3c” g_name=”Waxahatchee” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

See all the images here:http://images.rockshotmagazine.com/#!/index/G0000_GhdLnT2O3c

Review and Photography by Simon Reed . Waxahatchee. St Pancras Old Church, London. 26th Jan 2015.

Afterdrive (Press)

AFTERDRIVE Release New Single ‘Jewellery’ Ahead Of Debut EP And Headline UK Tour

Rising Suffolk alt-pop outfit AFTERDRIVE are stepping up the momentum with the release of their brand new single Jewellery, the latest track to emerge from their forthcoming debut EP, Dress To Drive.

Sophie Grey @ BST Hyde Park 2026 (Simon Reed)

SOPHIE GREY. Returns With Infectious New Single ‘Air’

Rising “Retro Electro” artist SOPHIE GREY. returns today with her latest single, Air, a vibrant electronic-pop track that arrives alongside a visually striking new music video and just in time for her performance at Manchester Pride Festival.

The Guest List (Vlad Woodham Smith)

The Guest List Arrive With Ambitious Debut Album ‘Something Real’

Manchester five-piece The Guest List have officially entered their next chapter with the release of their ambitious debut album, Something Real. Out now, the 11-track record captures a band rapidly expanding beyond their early indie beginnings, combining huge guitar-driven anthems with more intimate moments of vulnerability and reflection. Having spent much of 2026 building momentum on stages across the UK and overseas, the album arrives at a pivotal moment for a band increasingly establishing themselves as one of the country’s most exciting emerging guitar acts.

Greg Freeman (Gabe Long)

Greg Freeman Unleashes Ferocious New Single ‘Cahokia’ Ahead Of New Album ‘All Set The Bone’

Greg Freeman has shared Cahokia, the ferocious opening track from his forthcoming third album, All Set The Bone, due for release on 2nd October. Accompanied by a new video, Cahokia establishes the uneasy atmosphere that runs throughout the record, using the story of the ancient civilisation that once flourished around the Mississippi River as a lens through which Freeman examines the instability of contemporary life.

Gaz Coombes @ BST Hyde Park 2024 (Louise Phillips)

Supergrass Announce Nine-Date UK Headline Tour For Spring 2027

Supergrass are set to return to stages across the UK next spring, announcing a nine-date headline tour for April and May 2027. The Oxford-formed band will visit Newcastle, Glasgow, Leeds, Manchester, Nottingham, Birmingham, London, Bristol and Portsmouth, bringing their celebrated catalogue back to venues around the country following their hugely successful return to live performance in recent years.

Friendly Fires (Andrea Zvadova)

Friendly Fires Return With New Single ‘Lose All Your Friends’ And Embrace A New Beginning

Friendly Fires are back! The St Albans-formed indie-dance trio have returned with their first new music since 2019, sharing the exuberant new single Lose All Your Friends via LAB Records

Instigators @ 100 Club (Adrian Hextall)

Vive Le Rock Brings The Past, Present And Future Of Punk To London’s 100 Club

Vive Le Rock Magazine’s series of live shows brings some of the most exciting names from across the punk scene together to celebrate its past, present and future. At London’s legendary 100 Club, that meant a particularly potent triple bill, headlined by anarcho-punk veterans Instigators, who returned to the venue for the first time in 40 years, following opening sets from rising Bath four-piece Quick Romance and Brazilian-British hardcore punks Fantazmaz.

Julia Jacklin (Izzie Austin)

Julia Jacklin Unveils ‘The Hardest Thing’ Ahead Of New Album ‘The Gem’

Australian singer-songwriter Julia Jacklin has shared her latest single, The Hardest Thing, the third preview of her forthcoming fourth studio album, The Gem, due 25th September via 4AD.

Pin It on Pinterest

Share This

Share Thing