National Album Day: Moving Pictures by Rush

by | Oct 13, 2018

In 1987, I was nineteen years old (please don’t work it out). On a warm summer’s night and after an extremely alcoholic trip out, my friend Stuart James put on Moving Pictures by Rush. I didn’t know what it was and I’d not really heard much Rush to that point. I had them pigeonholed as a trio of very loud Canadian odd balls whose singer had a vocal register that put quizzical expressions on dogs’ faces. Within the first few bars of album opener Tom Sawyer, I wanted to know what it was. By the end of side one, I was mesmerised. That evening genuinely changed the way that I thought about music.

Whilst 2112 might have been the record which truly broke Rush as a major force, 1981’s Moving Pictures is the definitive Rush album. It perfectly links the early hard rock, high pitched screaming that had once put me off (but which, as an ardent fan, I now totally understand) with the keyboard infused and more accessible sound which Rush developed in the later eighties and nineties. It’s full of incredible songs and amazing musicianship. Listening to the opening quartet of Tom Sawyer, Red Barchetta, YYZ and Limelight is about the most satisfying way to spend twenty minutes I can think of. The production is quite simply stunning and it has a sound that I don’t think has been matched on any other Rush album. Everybody, and I mean everybody, should listen to it at least once. I’m never going to stop.

Moving Pictures by Rush, 1981. Chosen by photographer and writer Simon Reed

 

 

Dogstar @ Roundhouse (Kalpesh Patel)

Dogstar Deliver Substance Over Celebrity At Camden’s Roundhouse

For a band whose bassist happens to be one of the most recognisable actors on the planet, Dogstar seem remarkably uninterested in making a fuss. That doesn’t mean the fuss isn’t there.

Matt Bellamy of Muse @ The O2 (Kalpesh Patel)

Muse Announce Supermassive European Arena Tour Including Four Huge UK Arena Shows

Muse have officially unveiled details of their newly announced The Wow! Signal Europa Tour, a major European arena run that will see the Devon trio return to some of the continent’s biggest stages later this year in support of their forthcoming tenth studio album, The Wow! Signal.

HIGHSOCIETY x Micah Martin (Press)

HIGHSOCIETY & Micah Martin Ignite The Rocktronic Underground With Explosive New Single ‘Tomorrow’s Over’

The boundary between electronic music and modern metal continues to blur, and few artists are pushing that evolution harder than HIGHSOCIETY and Micah Martin. The two genre-defying innovators have reunited for their latest collaborative single, Tomorrow’s Over, a ferocious rocktronic anthem that fuses crushing riffs, festival-sized electronic production and emotionally charged songwriting into one explosive package.

Mae Stephens (Press)

Mae Stephens Finds Her Voice On Empowering New Single ‘Earn It’

Fast-rising UK pop star Mae Stephens is turning the tables on people-pleasing with her infectious new single Earn It, a confident, self-assured anthem that combines irresistible pop hooks with a message of personal empowerment.

Black Lounge (Press)

Black Lounge Turn Housemate Horror Into Indie-Rock Gold On New Single ‘Roommate’

Essex indie-rock upstarts Black Lounge continue their rapid ascent with the release of their infectious new single Roommate, the latest track to be lifted from the band’s forthcoming debut EP, due via Right Track Recordings.

Natalie McCool (Robin Clewley)

Natalie McCool Announces Ambitious New Album ‘Good For The Soul’ And Shares Uplifting New Single ‘Coming Of Age’

Liverpool alt-pop innovator Natalie McCool has announced her new album Good For The Soul, set for release on 9th September, alongside the arrival of its exuberant lead single Coming Of Age, a vibrant celebration of self-discovery featuring London vocal collective Trans Voices.

Bankes Brothers (Steve Bays)

Showcase A More Intimate Side On New Single ‘Aaliyah’

Canadian indie rock outfit The Bankes Brothers have unveiled their latest single, Aaliyah, a heartfelt and deeply personal track that finds the Victoria, British Columbia quartet embracing a more reflective and vulnerable sound.

Hannah Wicklund (Pip)

Hannah Wicklund Shows London That A Woman Can Be Tough

A gold grand piano sits on a small stage at London’s Piano Smithfield, a cosy live music venue tucked around the corner from Barbican tube station. It’s the kind of listening room intimate enough to feel as if you’ve stumbled upon a secret gig, but atmospheric enough to host a special kind of artist. 

Pin It on Pinterest

Share This

Share Thing