The Amazons Are Ready For Something At Summer Series At Somerset House 2024

by | Jul 23, 2024

Formed a decade ago in Reading, The Amazons – the trio of Matt Thomson (vocals, guitar), Chris Alderton (guitar) and Elliot Briggs (bass) – have been on an upward curve since releasing their debut album in 2017. From small venues in Camden to headlining the wonderful Somerset House as part of their annual Summer Series. The building surrounds you, keeping the sound in the space despite being an open air concert which makes a 2-3,000 capacity concert feel intimate. A great backdrop to an evening of high-voltage rock.

The Amazons @ Summer Series at Somerset House

The Amazons @ Summer Series at Somerset House (Simon Reed)
The Amazons @ Summer Series at Somerset House (Simon Reed)

The Amazons’ self-titled first album was the highest charting rock debut album since Royal Blood. I caught the last song and a half of their Friday mid-afternoon set at Reading Festival that same year and although disappointed I had missed the majority of their short set, I knew that it wouldn’t be the last time I would see them. Their two subsequent albums have reached the top 10 and last year they played Reading’s main stage for the first time, having played almost every other stage on their rise to get there!

Opening the night at 8 o’clock sharp were Brighton rockers Yonaka. After four attempts at playing Greedy, a backing track mishap made it impossible to continue so they swiftly moved on to another from their first album, Punch Bag. Introducing 2024 single Predator, frontwoman Theresa Jarvis shares: “Usually this is when we start a mosh pit” which garners a murmur of laughter given the location and the stone floor, however, some of the younger members of the crowd gave it a good go. Jarvis dedicates Call Me A Saint to anyone who’s going through a hard time because “life is pretty fucking hard.” The Fever 333 collaboration Clique from second album Seize The Power is aired before they close with their most streamed song; the title track from the same record. Despite being in the support slot, Yonaka gave a phenomenal high energy performance and it won’t be too long before they’ll be playing these size stages in their own right.

The Amazons took to the stage dead on 9pm and with no time to waste and no introductions, dove straight into riff-heavy Ready For Something from their latest album, 2022’s How Will I Know If Heaven Will Find Me? Balancing riffs and singalong hooks, the Reading-hailing quartet are a throwback to a bygone era. Whilst rock music doesn’t dominate the airwaves like it once did, there’s no denying that live is where it’s at it’s exhilarating best. Stay With Me and Junk Food Forever get the crowd in fantastic voice.

Founding member and drummer, Joe Emmett left the band in 2022 after the release of their third album. But Guernsey born George Le Page has taken up drumming duties on tour since last year and adorned with a leather jacket (that doesn’t stay on too long) looks and sounds the part, playing with an intensity that drives them on. Frontman Matt Thomson, sporting a black waistcoat over a black tank top, is confident. He’s able to command the stage and the masses at will.

Night After Night, a song they debuted on their tour last year slots seemingly into their set, with addition of an extra rhythm guitarist. Thomson introduces her to the crowd, she’s from Buenos Aires to which the frontman asks “what winning feels like,” referencing Argentina’s win in the Copa America and well, England’s near miss at the Euros this month. “Muy Bien” she softly replies. Luckily that dig at our sporting incompetencies didn’t dampen the spirits of tonight’s audience as the sun dipped below the London skyline and quarter life crisis anthem of 25 continued to maintain the high octane rock we were all here to eat up. And eat up, we most certainly did.

Today also happened to be guitarist Chris Alderton’s 30th birthday so we all sung happy birthday to the slightly embarrassed guitarist. “You guys are really loud” he said, dressed in an open white dress shirt over a white vest. “I was born just around the corner from here so this is special.”

The band feel more self-assured than ever before. Mastering their craft of playing live, touring every year bar 2021 since 2015. They play with a confidence, a swagger. They’ve amassed quite the loyal following too. A significant amount of t-shirts of previous tours were on display whilst a significant portion of the spectators knew most of the words of every song. There was a wide range of ages of people, with many parents bringing their children to what may well have been their first taste of live music, which must have been thrilling.

One By One from How Will I Know If Heaven Will Find Me? see’s Thomson swap his electric guitar for a mandolin and Alderton from an electric to an acoustic in a song that reminded me of an early Led Zeppelin track. The more acoustic, melodic first half of the song with slightly English-folk lyrical themes perhaps. The song built up to a fantastic crescendo where the crew replaced both their instruments mid-song to electric guitars to crunch home the tune. The Zeppelin throwback was made even more pleasing when during the 2019 track Doubt It they segued into a verse of In My Time of Dying, the most famous version of which appears on Led Zeppelin’s 1975 LP Physical Graffiti. A great nod to The Amazons’ classic rock influences. The Hotel California style intro to Georgia, the closer from their second album Future Dust, also sounds familiar and comforting.

There’s a brief pause (of course) before the troupe return to the stage to perform Wake Me Up and they finish with Mother and Black Magic, two songs with incredibly strong and catchy riffs. 90 minutes into their set, the energy of the audience never wavered, their voices never weakening. It may not have been as raucous an atmosphere as previous gigs but I’m not sure I’ve seen them play better.

The band leave the crowd wanting more, retiring from the stage after teasing that they have a new record that is going to come out next year, with the first single dropping in September, so be sure to look out for that. Rockshot Magazine have been following the upward trajectory of The Amazons from those early days, catching them at Dingwalls back in 2017. So seeing them headline the famous Summer Series at Somerset House is a joy and a journey that has not done ascending yet. Check out photos from their show at Dingwalls in 2017 below:

Live review of The Amazons at Summer Series At Somerset House 2024, London by Chris Lambert on 16th July 2024. Photography by Simon Reed.

Pip Millett Is Enough For You At Summer Series At Somerset House 2024

 

Sydney Rose @ BST Hyde Park 2025 (Kalpesh Patel)

Sydney Rose Builds On Breakthrough Success With Intimate New Single ‘Track Team’

Rising singer-songwriter Sydney Rose has returned with her latest single, Track Team, continuing the remarkable momentum that has transformed the Georgia-born, Nashville-based artist into one of alternative pop’s fastest-rising new voices.

Duran Duran @ BST Hyde Park 2026 (Sienna Lorraine Gray)

Duran Duran Crown A Sun-Soaked Day Of Pop Royalty At BST Hyde Park 2026

It was yet another warm, sunny London day, the start of the country’s next heatwave, as thousands descended on Hyde Park for the final day of the second BST Hyde Park weekend of 2026. There was another event looming over the evening too: England’s World Cup Round of 16 clash with Mexico, kicking off at the decidedly unsociable hour of 1am. Football could wait though. Sunday belonged to disco legends, glam-pop icons and one of Britain’s most enduring bands as Duran Duran headlined a day that effortlessly balanced nostalgia with timeless musicianship.

The Script (Simon Emmett)

The Script Celebrate Friendship And Forgiveness On New Single ‘The Crowd Was Singing Wonderwall’

The Script have shared the latest preview of their forthcoming album The User’s Guide To Being Human with the release of the uplifting new single The Crowd Was Singing Wonderwall. Arriving ahead of the band’s eagerly anticipated new album on 14th August, the track follows the anthemic lead single Man In The Arena and continues to showcase a record that promises to balance heartfelt storytelling with the arena-sized choruses that have become synonymous with The Script throughout their career.

Ferris & Sylvester (Press)

Ferris & Sylvester Share Heartfelt New Single ‘Tiny Little Love’ Ahead Of New Album ‘It’s A Joy To Be Alive’

British Americana duo Ferris & Sylvester have unveiled their deeply moving new single Tiny Little Love, the latest preview of their forthcoming album It’s A Joy To Be Alive, due for release on 14th August.

J keys (Press)

J KEYS Turns Up The Heat With Infectious New Dance Anthem ‘Red Flag’

Essex artist, producer and DJ J KEYS continues his upward trajectory with the release of his latest single, Red Flag, a high-energy club anthem that blends underground house influences with irresistible pop appeal.

Willie J Healy (AJ Stark)

Willie J Healey Announces New EP ‘143’ And Shares Warm-Hearted New Single ‘Ditch’

Oxford songwriter Willie J Healey has announced the release of his new EP 143, arriving on 4th September, alongside the release of its effortlessly charming lead single Ditch. The five-track collection follows the success of 2023’s acclaimed Bunny and arrives ahead of a run of UK festival appearances and intimate headline dates this autumn, further cementing Healey’s reputation as one of Britain’s most distinctive and quietly brilliant songwriters.

TV Priest (Charles Gall)

TV Priest Return With Ambitious New Album ‘Cartoons’ And Share Stirring Single ‘Love Song (A Good Kind Of Weapon)’

London post-punk innovators TV Priest have announced their long-awaited third studio album, Cartoons, due for release on 6th November. Alongside the announcement, the band have unveiled the record’s lead single, Love Song (A Good Kind Of Weapon), a striking and unexpectedly tender statement that signals a bold new direction for one of Britain’s most adventurous alternative bands.

Natalie McCool (Robin Clewley)

Natalie McCool Unveils Euphoric New Single ‘We’re The Ones’ Ahead Of New Album ‘Good For The Soul’

Liverpool singer-songwriter Natalie McCool has shared her uplifting new single We’re The Ones, the latest preview of her forthcoming album Good For The Soul, due for release on 9th September.

Pin It on Pinterest

Share This

Share Thing