The Blues Is Safe In The Hands Of Connor Selby

by | Feb 2, 2020

 (phil.honley@btinternet.com)

Connor Selby must have been absolutely thrilled when he awoke the morning following his gig at the Tuesday Night Music Club, in Coulsdon, to discover that he had been nominated in two categories of the 2020 UK Blues Awards; Emerging Artist Of The Year and the Jules Fothergill Young Artist Of The Year.

 (phil.honley@btinternet.com)

Connor really impressed when he played at this venue in 2019 and since then this 21 year old young man has found himself on a rollarcoaster. When performing as a supporting act at Under the Bridge in Chelsea, Connor was approached by Bill Curbishley, The Who’s manager, and asked if he would like to open for The Who along with Imelda May, Kaiser Chiefs, and Eddie Vedder at Wembley Stadium……no brainer and he was really well received when he opened proceedings last July. 

Following the success of his support slot for The Who he was also selected as a special guest on their forthcoming UK tour.

 (phil.honley@btinternet.com)

Connor had a very strong band in tow; the ever smiling Rob Shearer on drums, Fergie Fulton the father figure on bass and Joe Anderton on guitar, lap steel, tambourine and vocals. Really tight unit that has developed nicely with time.

 (phil.honley@btinternet.com)

Connor Selby is not only a supreme guitarist with the vocal range of someone much older, he is a very accomplished songwriter for someone so young and relatively short on life experience. He has the confidence to perform every self written song from his 2018 debut release Made Up My Mind, during the course of two one hour sets. 

 (phil.honley@btinternet.com)

Joe Anderton very animated, reminiscent of a young Steve Marriott has a great rapport with Rob Shearer on drums who in turn is constantly exchanging smiles with Fergie on bass. Connor very serious and why shouldn’t he be, he’s got the damned blues good Lord.. in spades. Nevertheless his band’s attempt to lighten the mood brings an occasional smile to the young man’s face.

 (phil.honley@btinternet.com)

We also enjoy slow blues such as This Old World with Connor letting loose with some fine guitar and Tired Of Wasting My Time which puts me in mind of early Van Morrison, the soulful feel of a new song Tell Me That You’re Sorry or classic rock in the shape of Help Me.

Another new song Good Ol’ Rock n Roll has the Paul Kossoff/Andy Frazer vibe of classic Free. Connor allows his friend Joe Anderton to showcase one of his songs, Angel (Heaven Sent) which reflects the diversity of this band as this reminds me of John SquiresSeahorses of the late 90s.

 (phil.honley@btinternet.com)

Connor closes the first set with three numbers that were recorded at Abbey Road Studios for an EP that was scheduled for release when he and Joe Anderton were due to support John Mayall last year. Unfortunately 88 year old Mayall was not well enough to tour and the EP has been shelved until the tour is rescheduled, hopefully later this year. Connor swapped Gibson Les Paul for acoustic and Anderton complimented him beautifully on his bright yellow Gretsch for I Can’t Let You Go. Anderton then employed his lap steel for The Man I Ought To Be before Connor went solo on Amelia, a tribute to his favourite songwriter, the great Nick Drake.

 (phil.honley@btinternet.com)

The second set, again opens with another from the album, See It Through an upbeat number that would have stood its ground during the late 60s British Blues Explosion period. Clapton’s influence presents itself with an excellent cover of Outside Woman Blues by Cream. Another cover, this time Eddie Boyd’s Five Long Years which has been covered by so many, Muddy Waters, John Lee Hooker and Buddy Guy to name just three. Selby certainly does it justice!

 (phil.honley@btinternet.com)

The Band puts its own spin on Cream’s interpretation of Robert Johnson’s Crossroads by slowing it down. Show Me A Sign, another new song, gives licence to the excellent Fergie Fulton to roam freely with his bass. One of Connor’s all time heroes, Ray Charles, is the source for another cover, Let’s Go Get Stoned.

 (phil.honley@btinternet.com)

The band was always going to get an encore following a standing ovation from the ever appreciative audience and an instrumental, Stepping Out, originally performed by Memphis Slim but more famously by John Mayall & The Bluesbreakers with Eric Clapton. An excellent evening in deepest South London and be sure to check out Connor Selby before he deservedly hits the big time. His feet are still firmly on the ground and he continues to jump off the rollercoaster to entertain the smaller venues.

 (phil.honley@btinternet.com)

Voting in this year’s UK Blues Awards will open on Monday 3rd February, 2020 and will close at midnight, Monday 17th February, 2020. The 2020 FORM UK Blues Awards Presentation will take place at Dingwalls, 11 Middle Yard, Camden Lock, London NW1 8AB on Sunday 17th May 2020 with MC Paul Jones in charge.

Get voting

 https://www.ukbluesawards.com/finalists/?fbclid=IwAR3LB_-MgrWJApGvhEjSShD1iRVS8uQnOD_4Q4Au49Z5t9RioBUEkqctWbs

Photography and words by Phil Honley of  Connor Selby at The Tuesday Night Music Club on Tuesday 28th January 2020.  Phil has his own photography site here: http://www.gigsnapz.co.uk.

Matt Bellamy of Muse @ The O2 (Kalpesh Patel)

Muse Reach For The Stars On Ambitious New Album ‘The Wow! Signal’

Muse have never been a band to think small. From dystopian concept records and politically charged anthems to symphonic rock epics and stadium-sized spectacles, the Devon trio have spent more than two decades redefining what modern rock can sound like. Now, with the release of their tenth studio album, The Wow! Signal, Matt Bellamy, Chris Wolstenholme and Dominic Howard once again prove they’re unafraid to venture into uncharted territory.

Brandon Flowers (Chris Phelps)

Brandon Flowers Returns With First Solo Album In Over A Decade, ‘THRASHER’, Shares New Single ‘Plans’

After more than a decade away from solo releases, Brandon Flowers has announced his long-awaited return with THRASHER, his third solo album and first since 2015’s The Desired Effect. The record arrives on 21 August 2026 via Island Records, with its lead single, Plans, available now.

Download Festival XXIII (Henry Finnegan / @finneganfoto)

Download Festival Is More Than Just the Metal

I’ve been attending Download Festival since 2005. Every year, as I walk through those gates, I feel something that can be difficult to explain to people who have never experienced it. For a few days each June, I stop feeling like I’m standing on the outside looking in. I belong.

Sophie Grey @ Hammersmith Apollo (Kalpesh Patel)

SOPHIE GREY. Reaches For The Moon With Euphoric New Single ‘Lunar Highs (Hands Go Up)’

Rising electro-pop artist SOPHIE GREY. has unveiled her shimmering new single Lunar Highs (Hands Go Up), a euphoric slice of synth-driven pop arriving just ahead of June’s Strawberry Moon and setting the tone for a busy summer of high-profile live performances.

Kimberly Schlapman & Karen Fairchild of Little Big Town @ Royal Albert Hall (Kalpesh Patel)

Little Big Town Team Up With Ashley Monroe On Soulful New Single ‘Sucker For A Sad Song’

Country music favourites Little Big Town have unveiled their latest single, Sucker For A Sad Song, a heartfelt collaboration with acclaimed singer-songwriter Ashley Monroe, offering another enticing preview of their forthcoming album It’s A Dying Art, due for release on 28th August.

Lucia and the Best Boys @ O2 Shepherd's Bush Empire (Kalpesh Patel)

Lucia & The Best Boys Continue Their Rise With A Spellbinding O2 Shepherd’s Bush Performance

Fresh from an acclaimed appearance at the Isle of Wight Festival, Lucia & The Best Boys arrive at London’s O2 Shepherd’s Bush Empire with momentum firmly on their side. Opening for the reunited 4 Non Blondes, the Glasgow quartet seize the opportunity with a commanding seven-song set that feels less like a support slot and more like a statement of intent.

4 Non Blondes @ O2 Shepherd's Bush Empire (Kalpesh Patel)

4 Non Blondes Return On Their Own Terms At O2 Shepherd’s Bush Empire

More than three decades after their breakthrough, 4 Non Blondes arrive at London’s O2 Shepherd’s Bush Empire not to relive the past, but to redefine themselves in the present. Supported by the excellent Lucia & The Best Boys, the reunited San Francisco outfit make it abundantly clear that this tour is not a nostalgia exercise. Instead, it is a bold statement of who they are now — and whether the audience is willing to come with them.

Snow Patrol @ Eden Sessions (Adam Smith)

Snow Patrol Complete The Hat-Trick At Eden Sessions In An Evening Of Heart, Humour And Hits

There are few concert settings in Britain as naturally dramatic as the Eden Sessions. Nestled within a former clay pit and framed by the iconic biomes of the Eden Project, the venue possesses a unique sense of occasion before a note is even played. On this June evening, the Cornish weather appears determined to play its part too. Persistent rain hangs over the site for much of the day, only to disappear almost on cue as Gary Lightbody, Nathan Connolly and Johnny McDaid walk on stage. It feels as though somebody has edited the weather into the evening’s script.

Pin It on Pinterest

Share This

Share Thing