The Blues Is Safe In The Hands Of Connor Selby

by | Feb 2, 2020

 (phil.honley@btinternet.com)

Connor Selby must have been absolutely thrilled when he awoke the morning following his gig at the Tuesday Night Music Club, in Coulsdon, to discover that he had been nominated in two categories of the 2020 UK Blues Awards; Emerging Artist Of The Year and the Jules Fothergill Young Artist Of The Year.

 (phil.honley@btinternet.com)

Connor really impressed when he played at this venue in 2019 and since then this 21 year old young man has found himself on a rollarcoaster. When performing as a supporting act at Under the Bridge in Chelsea, Connor was approached by Bill Curbishley, The Who’s manager, and asked if he would like to open for The Who along with Imelda May, Kaiser Chiefs, and Eddie Vedder at Wembley Stadium……no brainer and he was really well received when he opened proceedings last July. 

Following the success of his support slot for The Who he was also selected as a special guest on their forthcoming UK tour.

 (phil.honley@btinternet.com)

Connor had a very strong band in tow; the ever smiling Rob Shearer on drums, Fergie Fulton the father figure on bass and Joe Anderton on guitar, lap steel, tambourine and vocals. Really tight unit that has developed nicely with time.

 (phil.honley@btinternet.com)

Connor Selby is not only a supreme guitarist with the vocal range of someone much older, he is a very accomplished songwriter for someone so young and relatively short on life experience. He has the confidence to perform every self written song from his 2018 debut release Made Up My Mind, during the course of two one hour sets. 

 (phil.honley@btinternet.com)

Joe Anderton very animated, reminiscent of a young Steve Marriott has a great rapport with Rob Shearer on drums who in turn is constantly exchanging smiles with Fergie on bass. Connor very serious and why shouldn’t he be, he’s got the damned blues good Lord.. in spades. Nevertheless his band’s attempt to lighten the mood brings an occasional smile to the young man’s face.

 (phil.honley@btinternet.com)

We also enjoy slow blues such as This Old World with Connor letting loose with some fine guitar and Tired Of Wasting My Time which puts me in mind of early Van Morrison, the soulful feel of a new song Tell Me That You’re Sorry or classic rock in the shape of Help Me.

Another new song Good Ol’ Rock n Roll has the Paul Kossoff/Andy Frazer vibe of classic Free. Connor allows his friend Joe Anderton to showcase one of his songs, Angel (Heaven Sent) which reflects the diversity of this band as this reminds me of John SquiresSeahorses of the late 90s.

 (phil.honley@btinternet.com)

Connor closes the first set with three numbers that were recorded at Abbey Road Studios for an EP that was scheduled for release when he and Joe Anderton were due to support John Mayall last year. Unfortunately 88 year old Mayall was not well enough to tour and the EP has been shelved until the tour is rescheduled, hopefully later this year. Connor swapped Gibson Les Paul for acoustic and Anderton complimented him beautifully on his bright yellow Gretsch for I Can’t Let You Go. Anderton then employed his lap steel for The Man I Ought To Be before Connor went solo on Amelia, a tribute to his favourite songwriter, the great Nick Drake.

 (phil.honley@btinternet.com)

The second set, again opens with another from the album, See It Through an upbeat number that would have stood its ground during the late 60s British Blues Explosion period. Clapton’s influence presents itself with an excellent cover of Outside Woman Blues by Cream. Another cover, this time Eddie Boyd’s Five Long Years which has been covered by so many, Muddy Waters, John Lee Hooker and Buddy Guy to name just three. Selby certainly does it justice!

 (phil.honley@btinternet.com)

The Band puts its own spin on Cream’s interpretation of Robert Johnson’s Crossroads by slowing it down. Show Me A Sign, another new song, gives licence to the excellent Fergie Fulton to roam freely with his bass. One of Connor’s all time heroes, Ray Charles, is the source for another cover, Let’s Go Get Stoned.

 (phil.honley@btinternet.com)

The band was always going to get an encore following a standing ovation from the ever appreciative audience and an instrumental, Stepping Out, originally performed by Memphis Slim but more famously by John Mayall & The Bluesbreakers with Eric Clapton. An excellent evening in deepest South London and be sure to check out Connor Selby before he deservedly hits the big time. His feet are still firmly on the ground and he continues to jump off the rollercoaster to entertain the smaller venues.

 (phil.honley@btinternet.com)

Voting in this year’s UK Blues Awards will open on Monday 3rd February, 2020 and will close at midnight, Monday 17th February, 2020. The 2020 FORM UK Blues Awards Presentation will take place at Dingwalls, 11 Middle Yard, Camden Lock, London NW1 8AB on Sunday 17th May 2020 with MC Paul Jones in charge.

Get voting

 https://www.ukbluesawards.com/finalists/?fbclid=IwAR3LB_-MgrWJApGvhEjSShD1iRVS8uQnOD_4Q4Au49Z5t9RioBUEkqctWbs

Photography and words by Phil Honley of  Connor Selby at The Tuesday Night Music Club on Tuesday 28th January 2020.  Phil has his own photography site here: http://www.gigsnapz.co.uk.

Mumford & Sons @ The O2 (Kalpesh Patel)

Mumford & Sons Return Home Renewed And Reignited At The O2 Arena

Mumford & Sons often still conjure images of waistcoats, banjos and the folk revival that erupted in 2009, but...
Albums of the Year 2025

Albums Of The Year 2025

As 2025 draws to a close, it’s impossible not to marvel at just how rich, varied and boundary-pushing this year has...
The Last Dinner Party @ O2 Academy Brixton (Neil Lupin)

The Last Dinner Party: Brixton Triumph Caps A Meteoric Rise

The Last Dinner Party close out 2025 on a remarkable high, returning to London for a two-night stand at O2 Academy Brixton that feels less like the end of a tour and more like the coronation of Britain’s most talked-about new band. Photos from the first night on 7th December — captured by photographer Neil Lupin — show a group not merely riding a wave of hype, but commanding it.

Silica Gel (Press)

Silica Gel Return With Expansive New Single ‘BIG VOID’ As Their Global Ascent Accelerates

Korean alternative innovators Silica Gel have released their new single BIG VOID, marking another major milestone in...
D:Ream (Press)

D:Ream Announce First London Headline Show in 15 Years Plus Leeds Date for May 2026

‘90s dance icons D:Ream are set to return to the stage next spring, announcing two headline shows in London and Leeds for May 2026. The news follows the release of their acclaimed 2025 comeback album Do It Anyway, which marked a powerful creative resurgence for the duo of Peter Cunnah and Al Mackenzie.

The Last Dinner Party @ O2 Academy Brixton (Kalpesh Patel)

The Last Dinner Party Turn O2 Academy Brixton Into A Cathedral Of Chaos And Harmony

It’s a homecoming tonight. The Last Dinner Party step onto the stage at O2 Academy Brixton for the first of two...
Teenage Cancer Trust 2026 - Lineup Poster

Teenage Cancer Trust Returns To The Royal Albert Hall In 2026 With Robert Smith–Curated Line-Up

Teenage Cancer Trust’s historic annual concert series returns to the Royal Albert Hall from 23rd–29th March 2026,...
Sabaton @ The O2 (Catherine Beltramini)

Sabaton Ignite The Stage With An Historic, Explosive Spectacle At The O2 Arena

Few bands embrace spectacle with the conviction and ambition of Sabaton, and their latest live performance proves once again that the Swedish power-metal titans have elevated historical storytelling into an art form all its own. Renowned for transforming pivotal wartime chapters into thunderous anthems, the band delivered a concert that felt more like an epic saga brought to life, complete with firepower, orchestral majesty, and immersive theatre.

Pin It on Pinterest

Share This

Share Thing