If Friday was the spark, Saturday was the explosion. The sun blazed down as dust swirled in the fields, laughter rolled across campfires and blankets, and the crowd arrived in full force. Day two was stacked with swagger, soul, and stadium-ready country, a perfect middle chapter to The Long Road story.
Midland @ The Long Road Festival 2025
Wells Ferrari had the daunting task of opening the main stage, but he stepped into it with confidence. His sound sits firmly in the contemporary country lane — polished guitars, crisp percussion, and choruses built for radio — but there was enough lyrical craft in songs like Backroads & Daydreams to show depth beneath the shine. His easy smile and relaxed banter immediately won the early risers over, and by his final number, the crowd were clapping along as if he were an old favourite.
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Midland @ The Long Road Festival 2025 (Henry Finnegan / @finneganfoto)
Next up, Gareth stripped everything back. Just a voice and a guitar, no tricks, no gloss. His set was the definition of less-is-more — intimate, hushed, and heartfelt. He performed as though every lyric was a confession, silencing the chatter of the beer queues and pulling the audience into his orbit. A pin-drop moment came with his closing song, a bittersweet ballad about loss and resilience, which left more than a few damp eyes in the midday sun.
Fancy Hagood blew that quiet reverence apart within seconds of hitting the Rhinestone stage. Draped in flamboyant outfits, full of wit, and radiating pure joy, he turned the tent into a glitter-soaked celebration of being unapologetically yourself. His soaring anthem Southern Curiosity had fans dancing in the aisles, while the vulnerable ballad Forest showcased the depth behind the flamboyance. When he declared, “Too gay for Nashville, too country for California — but here I feel at home,” the eruption of cheers wasn’t just for him, but for everything he represents: inclusivity, authenticity, and the power of country music to embrace all stories.
Elles Bailey shifted gears again, bringing grit, smoke, and gospel fire. Her gravelly voice carried decades of blues and soul, even as her band tore through swampy riffs and organ-drenched grooves. Songs like The Game and Riding Out The Storm were performed with the intensity of a preacher mid-sermon, her hand raised to the sky as though summoning thunder. It was a set that grounded the afternoon, reminding everyone of the deep roots from which modern Americana grows.
By mid-afternoon, O’Donnell’s Moonshine Bar had become the festival’s unofficial heartbeat. Blood-orange cocktails in mason jars passed from hand to hand, and the sawdust dance floor became a melting pot of strangers-turned-friends, spinning to fiddles and stomps from the house band. It was more than a bar — it was a communal ritual, fuelled by music, moonshine, and the sense that here, everyone belonged.
O'Donnells Moonshine @ The Long Road Festival 2025
Refuelled and recharged, the crowd returned to the stages for Evan Honer, whose blend of laid-back Americana and wry storytelling felt like a deep exhale. His vocals carried a gentle rasp, and his songs painted wide-open landscapes — equal parts desert solitude and front-porch honesty. Tracks from his breakout album had the crowd swaying, while a cover of John Prine drew reverent cheers, cementing his place as a storyteller cut from classic cloth.
Then came Larry Fleet, and suddenly the volume dialled up tenfold. His booming Tennessee soul voice rolled across the fields like a freight train, rattling ribs and shaking tents. From the gospel-tinged Where I Find God to stomping barroom anthems, his set felt like church and Saturday night rolled into one. Every note seemed to reach the back of the field, and the crowd responded like a congregation, clapping, swaying, and singing with arms raised to the heavens.
MacKenzie Carpenter brought a welcome lightness after the storm. Her brand of glossy, pop-leaning country felt youthful and effervescent, with hooks so sharp they were practically singalongs by the second chorus. Songs like Don’t Mess With Exes and Country Girls (Just Wanna Have Fun) turned the field into a karaoke session, fans shouting lyrics back at her with unfiltered joy. She may be newer to the scene, but her confidence and charm suggested she’s destined for big stages.
As dusk settled and lanterns began to glow, Midland swaggered onto the Rhinestone like they owned it. And for that hour, they did. Decked out in retro western wear, they brought honky-tonk energy with a knowing wink, turning the field into a rowdy Texas dive bar. Drinkin’ Problem had the crowd bellowing every line, while Burn Out smouldered under the twilight. The band’s notorious mix of chaos and charisma was in full swing — guitars slightly out of tune, harmonies sometimes rough-edged — but that was the point. It was theatre, swagger, and sheer fun. By the time they closed with Cheatin’ Songs, the Rhinestone was one giant, whiskey-soaked choir.
And still, the night refused to end. When the main stage finally fell silent, Buddy’s Bar roared to life with its infamous country-oke. Voices cracked, lyrics were forgotten, but spirits soared as strangers became bandmates, belting out Dolly, Garth, Shania, and Brooks & Dunn until the small hours. The line between artist and fan blurred once again — proof that at The Long Road Festival, music doesn’t stop when the headliners leave the stage.
Day two was about big voices, bigger personalities, and the joy of shared chaos. From Wells Ferrari’s polish to Gareth’s quiet honesty, from Fancy Hagood’s glitter-soaked celebration to Midland’s rowdy swagger, it was a day that stretched country music in every direction. Add in moonshine cocktails, campfire camaraderie, and late-night karaoke, and Saturday proved that The Long Road isn’t just a festival — it’s a living, breathing community.
Live review & photography of The Long Road Festival 2025 – Day Two @ Stanford Hall, Leicestershire, by Henry Finnegan on 23rd August 2025. Instagram: @finneganfoto | Facebook: @finneganfoto
The Long Road Festival 2025 – Day One: Discovery & Crescendo
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