There are few places in London quite like the Somerset House Summer Series. As live music settings go, the historic courtyard strikes a near-perfect balance between festival atmosphere and city convenience. You get golden-hour sunshine, open skies and an enthusiastic crowd, but without the mud, endless walks back to the station or logistical headaches that come with many outdoor events. Instead, it’s a quick Tube ride home after an evening of world-class music.
Thee Sacred Souls @ Somerset House Summer Series 2026
The venue itself continues to impress. The bars were efficiently run despite the sold-out crowd, the facilities remained spotless throughout the evening, and the aroma drifting from the food vendors – from jerk chicken to fresh naan bread – only added to the summer ambience. Even the prominently marked free drinking water stations were a welcome touch, reflecting Somerset House’s reputation for delivering one of London’s best outdoor concert experiences.
Opening the evening was Cinnamon Gum, the project of Polish vocalist and multi-instrumentalist Maciej Milewski. Drawing inspiration from the golden age of 1960s and ’70s funk and soul, the band’s sound is matched perfectly by their visual presentation. From vintage stage attire to effortlessly authentic musicianship, it felt less like watching a modern revival act and more like stumbling into a long-lost Woodstock performance.
Tracks including Cinnamon Guy and That’s All showcased lush harmonies, smooth grooves and infectious melodies, with more than a hint of the same retro-soul magic that made Childish Gambino’s Redbone such a standout modern classic. Their set was warm, stylish and effortlessly cool, providing the perfect soundtrack as the evening sun bathed the courtyard.
By the time Thee Sacred Souls took to the stage at 9pm, anticipation had reached fever pitch. The San Diego trio—fronted by charismatic vocalist Josh Lane, alongside drummer Alex Garcia and bassist Sal Samano—were joined by an expanded live band complete with brass section and percussion, adding even more depth to their already rich catalogue of vintage soul.
For many, Thee Sacred Souls are one of those bands you discover almost by accident. Their songs quietly find their way into playlists and streaming algorithms before you suddenly realise just how many favourites you’ve accumulated. Hearing them live only reinforces why they’ve amassed such a devoted following.
Opening with deep grooves, rolling basslines and hypnotic percussion, the band immediately established the intimate, soulful atmosphere they’re known for. Josh Lane proved to be an endlessly engaging frontman, rarely staying in one spot for long as he danced across the stage, interacted with fans and even spent time performing beside the evening’s sign language interpreter, whose infectious enthusiasm became a performance in itself.
Somerset House deserves particular praise for its commitment to accessibility and inclusivity. Excellent sign language interpretation, gender-neutral facilities and an incredibly diverse audience all contributed to an environment where everyone genuinely felt welcome.
As the set gathered momentum, so too did the audience. During the third song, Lane encouraged a sea of synchronised arm waving, telling the crowd, “We just need to do this for a few moments,” before later giving everyone full permission to loosen up. “London, y’all have permission to move!” he laughed. “At the very least, bob ya head.” It was an invitation the audience gladly accepted.
The biggest reactions naturally came for fan favourites including Will I See You Again, whose irresistible groove prompted countless knowing smiles and appreciative “stank faces” from soul fans across the courtyard. ‘Easier Said Than Done’ became another mass singalong, with Lane grinning back at the audience. “Y’all sound good!” he smiled.
The evening wasn’t solely about feel-good grooves. Before performing Love Is The Way, Lane delivered an impassioned speech reflecting on the current political climate, speaking about immigration, division and the importance of compassion. “We see our governments doing things that we would’ve thought unimaginable,” he reflected. “It’s the good and the bad that happens to us that makes us who we are. It’s not that the bad is worth celebrating, but it’s what makes us human.” It was a heartfelt moment that underlined why Thee Sacred Souls resonate with so many listeners. Their music isn’t simply nostalgic soul revivalism—it carries empathy, hope and genuine emotional weight.
Returning for a two-song encore, the band closed with one of their most beloved tracks, Can I Call You Rose, dedicating it with a smile to everyone named Rose in the audience before bringing the evening to a joyous close. Thee Sacred Souls delivered exactly what a summer evening at Somerset House should be: timeless songs, impeccable musicianship and an atmosphere built on warmth, community and soul. Supported by the wonderfully nostalgic Cinnamon Gum, this was a night that celebrated not only classic influences but also the enduring power of live music to bring people together. If this performance is anything to go by, London will be more than ready to welcome Thee Sacred Souls back whenever they return.
Live review of Thee Sacred Souls at Somerset House Summer Series 2026, London by Jemma Sharpe on 18th July 2026. Photography by Abigail Shii.
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