Video Premiere: Native Harrow Can’t Go On Like This

by | Aug 1, 2019

Native Harrow

Photo: Marcus Maddox

RockShot Mag is proud to debut the video for Native Harrow’s brand new song Can’t Go On Like This.

The compelling track is taken from Native Harrow’s third album, Happier Now, which is released on 2nd August by Loose.

The Can’t Go On Like This video is inspired by running away from life for a few hours and childhood,” Devin Tuel, the singer-songwriter behind Native Harrow, tells us exclusively.

“We wanted to capture a freedom that only bike riding in the sunshine can bring you,” she says of the clip she and her bandmate, multi-instrumentalist Stephen Harms, filmed themselves. 

https://youtu.be/97yeU_AiwNw

“The song touches on how we all tend to get bogged down in our day to day lives whether that be work, emotions, or stress and in those moments we often deal with it by fantasising about simpler times or what life could be like if we followed the dreams of our childhood,” continues the classically trained singer and former ballerina.

“In the video you see me heading out in the early morning to go on a ride, tossing a bouquet of flowers back to the earth, and standing in a warm sunlit river. I cruise through the woods on my bike, abandon it and start running, and finally find myself lost in dance. 

“The video ends with me turning to look back signalling that these day dreams end and reality always comes back into focus.”

During her early 20s, that reality for Tuel was one of “playing every venue in Greenwich Village, recording demos in my friend’s kitchen, and making lattes”. But at the same time as she was living out her dreams of becoming the next Patti Smith, she was also “heartbroken, poor, and had no idea what I was getting myself into”. 

Native Harrow

Photo: Marcus Maddox

That time of setbacks, hardships, and, ultimately, tenacity has made its way onto the nine songs comprising Happier Now.

“I wanted to share that I made it out of my own thunderstorm,” says Tuel. “I had experienced the high peaks and very low valleys of my twenties. I saw more of the world on my own, got through challenges, reveled in true moments of triumph… but all the while the world around me was growing louder, wilder, and scarier. Music for me is a place to be soft. This album was my place to feel it all.”

Written during three North American tours in support of Native Harrow’s second album, Sorores, the new LP was recorded at Chicago’s Reliable Recorders by Alex Hall. Co-producers Hall, Tuel, and Harms embraced a “musicians’ workshop” approach to recording that captured the energy and spontaneity of three musicians playing live in a small room. There were no click tracks, scratch tracks, or even headphones – and within three days they were done, overdubs included.

Now, the astonishing results are on full display on the album Happier Now released on  Loose Records

Native Harrow

Photo: Brenna Tuel

Headsend (Charlie Hardy)

HEADSEND Announce Second EP ‘A Delicate Balance’ And Unleash New Single ‘Biopsy Of An Unknown Growth’

Australian heavy trio HEADSEND announce their second EP, A Delicate Balance, set for release on 6th November, alongside the arrival of new single Biopsy Of An Unknown Growth – a swirling, heart-hammering track that further establishes the band as one of the country’s most compelling emerging heavy acts.

Natalie Imbruglia (Simon Procter)

Natalie Imbruglia Enters A New Era With New Album ‘Algorithm’

Natalie Imbruglia enters a bold new chapter with the release of her new album Algorithm, a deeply personal and creatively liberated record that sees the Australian-British singer-songwriter embracing freedom, self-belief and a renewed sense of artistic control.

Rumer (Press)

Rumer Shares ‘Before The Planes’, A Song Of Hope And Remembrance Ahead Of 9/11’s 25th Anniversary

British singer-songwriter Rumer has dropped her new single Before The Planes, a deeply reflective song honouring the firefighters, first responders and civilians whose courage and sacrifice defined the immediate aftermath of the 11th September 2001 attacks.

Gabriella Cilmi (Daniel Broadly)

Gabriella Cilmi Shares Soulful New Single ‘Pieces’ Ahead Of First Album In 13 Years

Gabriella Cilmi shares her new single Pieces, the latest preview of her forthcoming album Pure Love, due 9th October and marking her first full-length release in 13 years.

Jake Isaac (Charlie Thornton)

Jake Isaac Shares Soulful New Single ‘When The World’s On Fire’ Featuring Aaron Childs

Jake Isaac returns with his new single When The World’s On Fire, a soulful collaboration with Aaron Childs that considers the importance of human connection and community during increasingly uncertain times.

Jess Ball (Anna Gallifent)

Jess Ball Reflects On Memory, Change And New Beginnings With ‘Lost On Me’

Rising Australian alt-pop artist Jess Ball shares her new single Lost On Me, a shimmering and emotionally open track that looks backwards to childhood memories while embracing the possibilities of a new chapter.

The Molotovs (Oliver Bromidge)

The Molotovs Announce Second Album Welcome ‘To Urbia’ And Share Title Track

The Molotovs are wasting no time. Just six months after their debut album Wasted On Youth crashed into the UK Top 3, London siblings Matt and Issey Cartlidge announce their second album, Welcome To Urbia, alongside the release of its driving title track. Set for release on 9th April 2027 via Marshall Records, Welcome To Urbia marks the next chapter for a duo whose rise has been built not on overnight hype but through an extraordinary commitment to the live circuit.

K.Flay @ Electric Brixton (Kalpesh Patel)

K.Flay Unleashes New Single ‘Ants’ Ahead Of Evanescence UK Tour And Rare London Headline Show

K.Flay returns with her new single Ants today, 4th September 2026, continuing a run of genre-defying work that has established the Grammy-nominated artist as one of alternative music’s most distinctive voices. The new track finds K.Flay — real name Kristine Flaherty — turning her attention towards the destructive nature of power, using the seemingly insignificant image of ants as a way of examining humanity’s capacity for destruction and the complicated relationship between power, responsibility and culpability.

Pin It on Pinterest

Share This

Share Thing