Culture Wars Pen Angry Letter On Rock ‘N’ Roll Belter ‘Typical Ways’

Austin-based band Culture Wars have shared their shout-from-the-rooftops single Typical Ways, available to stream now on all DSPs worldwide. Vocalist Alex Dugan wrote the song as an angry letter to himself – its explosive, belt-worthy chorus showcases a level of emotion and angst all but lost in modern rock ‘n’ roll. The track comes on the heels of the band’s supporting Mexico run with 2000s icons Keane and Asia stadium tours with Maroon 5, LANY, and The Script, where Typical Ways consistently received the loudest cheers from virtually every crowd, carving out a global presence for Culture Wars.

Culture Wars

Culture Wars (Eliot Lee)

“I wrote Typical Ways when I was not in a good mental state,” confesses Dugan. “I consider it an angry letter to my former self”

In addition to releasing new music, Culture Wars will support LANY at their upcoming Taiwan performance at Kaohsiung Music Center on 1st June.

Slated for 2025, Culture Wars’ forthcoming album arrives ready to connect with a generation starved for authenticity and provocation in their rock bands. The group’s energising and unapologetically moving record a breath of fresh air full of ambition and pure intentions. As the band’s name implies, seemingly disparate passions battle within the songs, somehow beautifully making peace. Combining the past, present, and future with bold swagger emphasizing mastery of actual instruments, Culture Wars oozes with honesty, ambition, and unabashedness built to resonate with diverse audiences.

In 2021, the band released their widely praised debut EP teche, amassing 11 million+ streams independently, inciting a flurry of activity on TikTok, and charting top 30 at US alt radio. Highlights include tracks like Faith, Lose Money, and Leave Me Alone, which was featured on the GRAMMY®-nominated soundtrack for the 2020 Keanu Reeves & Alex Winter-led film Bill & Ted Face The Music. The band’s recently released tracks Heaven and It Hurts (top 20 US alt radio) have amassed over 10 million streams in just a few months, catapulting the band to new heights in 2025.

Fans can expect more new music from Culture Wars this spring.

The Darkness Leave Their Home County Toasted At Second Ipswich Regent Theatre Show

Josh Homme of Queens of the Stone Age @ iTunes Festival 2013 (Kalpesh Patel)

Queens Of The Stone Age Announce Intimate European ‘Catacombs’ Tour, Including Special London Show

Queens Of The Stone Age have today unveiled details of their eagerly awaited Catacombs European Tour – a string of uniquely atmospheric shows inspired by their acclaimed 2024 Alive In The Catacombs performance. The tour, set for October 2025, will include a standout UK date at London’s Royal Albert Hall on 29th October, promising a rare and intimate reimagining of the band’s formidable back catalogue.

Alice Merton @ BST Hyde Park 2025 (Trudi Knight)

Alice Merton Brings Sharp Pop Precision To The Rainbow Stage At BST Hyde Park 2025

As the sun began to dip behind the trees in Hyde Park on 11th July, a throng of festival-goers packed into the Rainbow Stage area, drawn by the magnetic presence of German-Canadian artist Alice Merton. The singer-songwriter—best known for her breakout hit No Roots—delivered a punchy, emotionally agile set that brought the stage to a vibrant close, just before Neil Young And The Chrome Hearts took the spotlight over on the festival’s main Great Oak Stage.

Brian Molko of Placebo @ Brixton Academy (Kalpesh Patel)

Placebo Announce Deluxe Collection This Search For Meaning, Featuring Documentary, Live Album & Bonus Tracks

Anglo-American alt-rock icons Placebo have announced This Search For Meaning, a four-disc deluxe collection arriving 12th September via SO Recordings. The package offers a comprehensive portrait of the band’s current creative era, combining introspective documentary filmmaking with live performance energy and exclusive music content.

Die Spitz Announce Debut Album ‘Something To Consume’, Drop Ferocious New Single ‘Throw Yourself To The Sword’

Austin punk outfit Die Spitz have announced their debut album Something To Consume, arriving on 12th September via...

Dean Lewis Releases Deluxe Edition Of ‘The Epilogue’ with Powerful New Single ‘Hurt So Bad’

Australian singer-songwriter Dean Lewis has unveiled the deluxe edition of his acclaimed third studio album The Epilogue, alongside the release of an emotionally raw new single, Hurt So Bad.

Jeff Lynne Cancels Final ELO Show At BST Hyde Park 2025 Following Illness

In a heartbreaking development for fans, Jeff Lynne’s Electric Light Orchestra (ELO) have cancelled what was set to be their final ever UK performance at BST Hyde Park on Sunday 13 July 2025. The decision follows Lynne’s continued ill health and comes just days after the group’s second show at Manchester’s Co-op Live on 10th July was pulled moments before showtime, after the venue had already filled with fans. Lynne, 77, has been battling a systemic infection and is now under close medical supervision.

Olivia Dean @ BST Hyde Park 2025 (Kalpesh Patel)

Olivia Dean Warms A Damp Hyde Park With Soulful Resilience At BST Hyde Park 2025

Though clouds still loomed and the ground remained squelchy underfoot, Olivia Dean brought a welcome calm and undeniable warmth to BST Hyde Park’s Great Oak Stage on Sunday afternoon. Following a weather-disrupted opening set by Amber Mark — whose performance was cut short by a torrential downpour — Dean arrived as the skies cleared, bringing poise, polish, and powerful vocals to a crowd that refused to let a bit of British summer rain dampen their spirits.

Clairo @ BST Hyde Park 2025 (Kalpesh Patel)

Clairo Brings Soft Focus And Dreamy Intimacy To The Great Oak Stage At BST Hyde Park 2025

In the golden lull between a dramatic afternoon downpour and Sabrina Carpenter’s headline pop spectacle, Clairo turned London’s Great Oak Stage into a sanctuary of softness and reflection. Her early evening performance at BST Hyde Park on Sunday 6th July offered a tender contrast to the festival’s typically high-energy crescendo, inviting the crowd into a quieter, more introspective space.