Larkin Poe Strike Gold At The Roundhouse

by | Oct 25, 2023

Standing pale in coordinated outfits, sisters Rebecca and Megan Lovell stare at each other with a sheepish grin. Megan twists her electric lap steel in her hands as her band’s logo burns blue in the midst of projected, blackened trees behind. A deep breath, a smile, a bend of the knee, and Larkin Poe throw their trademark piercing guitar squeal into the crowd to open their London show at the Roundhouse.

Larkin Poe @ Roundhouse

American rock duo Larkin Poe performing at The Roundhouse in London, UK on 21st October 2023 (Abigail Shii)
American rock duo Larkin Poe performing at The Roundhouse in London, UK on 21st October 2023 (Abigail Shii)

“It is every human on earth’s duty to dig deep and find that spark,” declares Rebecca before scattering the blues-rock vintage gravel of She’s A Self Made Man over the historic venue. The train lines still etched into the floor despite a century of disuse seem now to be pointed towards Larkin Poe as if their performance was inevitable and prophesied. The clenched-fist, full-throated force of their sound is barely wrapped in neon gossamer frivolity and it’s painfully obvious how professional and passionate Larkin Poe have become. Back Down South is softer live but deeper, muffled by the weight of sentiment but still allowing Rebecca’s voice to jump through. Fists raise in the crowd as the image of the yellow moon projected into red boarded ceiling trickles down and her vocals add oil to the burning tune.

Larkin Poe are very aware of their own heritage and equally keen to share and rejoice in their experiences. On a personal level they dedicate their song Mad As A Hatter to their grandfather who was afflicted with schizophrenia. “Mental illness is one of those things which is so challenging to talk about but so worth talking about,” explains Megan as she glides through the song with a majestic, swan-like slide. Georgia Off My Mind is their tribute and reaction to their home state, a slow slinky burning powered by their memories of the sun. It’s a worship and rejection of the ‘rhinestone studded sky’ that they sing of that never becomes mired in cliches.

It’s the acoustic section of the show that astounds the most. Clustered round a single microphone like a bluegrass band from the Sun Records era, Larkin Poe create a reverence. We realise halfway through Might As Well Be Me that this music could take us down to the water and wash away our doubts. Each note of Southern Comfort hops delicately like a crow on a telegraph wire, offering us feather-soft absolution. Then, just as they faced the danger of making their show too serious, the sisters offer an acoustic cover of Elton John’s Crocodile Rock. Our frantic shushing now evolves to spontaneous choral backing as they clap us, our roles momentarily reversed. The aching slide of the last steel is shattered at the scorching rumble and drift into the tribal blues of Holy Ghost Fire, sweeping us with saguaro desert wind in every chord and breath.

There’s a mercurial joy in the variety of Larkin Poe’s setlist, and the swing back to electric blues for Bad Spell then forward to Bolt Cutters & The Family Name is worth the aural whiplash. The huge, stomping statement songs work so well for the duo as they dip their shoulders in time with the clashing red and blue spotlight flickers. Their burning passion circles around us like a lasso, drawing us in to their version of the world. Larkin Poe’s final song, Deep Stays Down, must be their strongest with it’s clicking street-siren energy. Rebecca and Megan dip in unison, firing rays of blistering spinning-blade slide guitar to send us back into the rainy London night. For a few short hours we’ve been transported to the America of Larkin Poe’s imagination, a world away from our own, and a place we’re far richer for having visited.

  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse
  • Larkin Poe @ Roundhouse

Review of Larkin Poe at the Roundhouse, London on 21st October 2023 by Kate Allvey. Photography by Abigail Shii.

Arlo Parks Devotion Proves She’s Just Too Good At Hammersmith Apollo 

Blondshell @ Electric Brixton (Kalpesh Patel)

Blondshell Brings Electric Brixton To Boil On First Night Of London Double-Header

Sabrina Teitelbaum — better known as Blondshell — has built her reputation on raw honesty and songs that cut deep, and...
Ash @ Scala (Kalpesh Patel)

Ash Light Up Scala & Celebrate Ad Astra With Career-Spanning Set And Graham Coxon Collaboration

There was a palpable sense of anticipation outside North London venue Scala on Wednesday night as Ash returned for the...
Callum Beattie @ Glastonbury Festival 2017 (Kalpesh Patel)

Callum Beattie Announces New Album ‘INDI’ And 2026 Tour Dates, Including Biggest Headline Show Yet at Glasgow’s OVO Hydro

Scottish singer-songwriter Callum Beattie has announced details of his third studio album INDI, set for release on...
Maya Lane @ The Grace (Henry Finnegan / @finneganfoto)

Maya Lane On The Hurt And The Healing: From Vulnerability to Growth

On a rain-soaked evening in London, rising singer-songwriter Maya Lane celebrated the release of her brand-new EP The Hurt And The Healing with an intimate show at The Grace. Just weeks earlier, we had met under sunnier skies at The Long Road Festival, beers and whiskies in hand, denim and sunshine everywhere. Now, umbrellas and storm clouds in tow, it felt fitting that Lane’s new project, a record that navigates through storms towards moments of calm, should arrive on a night like this.

Robbie Cavanagh @ The Grace (Henry Finnegan / @finneganfoto)

Robbie Cavanagh: Confidence, Craft, And Capturing Audiences

It was a wet evening in London when I met singer-songwriter Robbie Cavanagh at The Grace. Fresh from playing The Long Road Festival, Robbie reflected on his style, stage presence, and the evolution of his music.

Chet Faker (@CaptureCharles)

Chet Faker Returns With Heartfelt New Single ‘Inefficient Love’

Australian singer-songwriter Chet Faker is back, and he’s baring his soul. Today sees the release of his new single, Inefficient Love, following his 2025 track Far Side of the Moon. The song arrives with a beautifully intimate video that captures the emotional weight of the track.

Gaz Coombes @ BST Hyde Park 2024 (Louise Phillips)

Supergrass Share Stirring Live Cover Of Gil Scott-Heron Classic ‘Lady Day & John Coltrane’

Supergrass have released a powerful live version of Gil Scott-Heron’s Lady Day & John Coltrane, recorded during their intimate 2005 performance at London’s legendary Ronnie Scott’s. The track, available now on streaming platforms, will feature as part of the upcoming 20th anniversary reissue of the band’s fifth studio album Road To Rouen, out 3rd October.

Militarie Gun (Nolan Knight)

Militarie Gun Share New Single ‘Throw Me Away’ And Announce 2026 UK / EU Headline Tour

Los Angeles’ shape-shifting punk outfit Militarie Gun have shared their latest single Throw Me Away, a soaring anthem...

Pin It on Pinterest

Share This

Share Thing