After Friday’s bask in Suffolk sunshine, Saturday arrived with a greyer palette. The weather quickly turned moody, unleashing scattered showers across Henham Park. Still, the spirit of Latitude didn’t waver. Instead, it thrived in spite of the elements. From shimmering folk-pop to late-night rave euphoria, the day delivered musical variety and memorable moments, with a spectacular downpour during Kingfishr’s Obelisk set turning misfortune into magic.
With boots squelching and ponchos fluttering, festivalgoers embraced the spirit of Latitude: dancing in the rain, discovering hidden gems, and singing along with legends.
Kingfishr @ Latitude Festival 2025
12:00: Jiný Metro Ignite the Trailer Park Stage With Razor-Sharp Riffs
Latitude’s eclectic Trailer Park Stage has always been a haven for the unexpected, and Saturday afternoon brought something truly special in the form of Jiný Metro. The Prague-based duo, made up of best friends Katie Alžběta Brown and Klára Čmejrková, offered a disarmingly intimate and playful set that stood out for its musical creativity and emotional resonance.
Performing tracks from their beautifully crafted 2024 EP Tossing And Turning, the pair conjured a soundscape filled with autoharp, clarinet melodies, string flourishes, and even the gentle clatter of board games used as percussion. Their lush flute and vocal harmonies floated across the field, drawing in curious passersby and rewarding attentive listeners with a warm, tender performance that felt as much like a storytelling session as a concert. The duo’s unique take on Czech folk blended whimsy and sincerity, and despite being far from their Prague home, Jiný Metro made the Trailer Park feel like a living room filled with old friends. A quietly powerful highlight of the day.
13:40 – NOFUN! Deliver Chaos and Catharsis on the Second Stage
LA-based collective NOFUN! brought unapologetic anarchy to the Second Stage. Their searing punk-pop was urgent, loud and confrontational—think distorted riffs, megaphone vocals, and unexpected tempo changes that whipped the growing crowd into a frenzy. The nine-piece collective had arms flailing and bodies jumping beneath the canvas. Equal parts humour and rage, their set was a rally cry for chaos in the rain.
14:00 – Jade Bird Charms the Obelisk With Grit and Grace
Taking to the Obelisk Arena with an assured swagger, Jade Bird reminded Latitude why she remains one of the UK’s most compelling singer-songwriters. Blending Americana-tinged indie rock with striking vulnerability, her Saturday set was a lesson in catharsis and control. Opening with the fiery Uh Huh and Nobody, Bird’s razor-sharp vocals cut through the muggy afternoon air, while newer track Good at It hinted at a creative evolution — more polished but no less punchy. Fan favourites like My Motto and I Get No Joy crackled with raw energy, Bird’s voice leaping from hushed intensity to full-throated defiance.
A surprise highlight came in the form of a duet with emerging artist Jo Hill on Lily Allen’s Not Fair, the two trading verses with infectious chemistry and a knowing wink to the crowd. Closing with the bittersweet Lottery and an impassioned Going Gone, Bird delivered a set that balanced heartache and hope in equal measure. From the shimmering optimism of Now Is the Time to the tender weight of Dreams, she owned the Obelisk with both power and poise — a captivating presence in full command of her craft.
14:30 – Chloe Qisha Brings Radiance to the Sunrise Arena
Over at the Sunrise Arena, Chloe Qisha offered a warm, uplifting escape from the soggy festival grounds. Her soulful voice and gospel-tinged pop shimmered under the trees, offering a sense of emotional clarity that had fans gently nodding and humming along. A real 21st Century Cool Girl herself, her opener suited finely. The Boys stood out as a future classic—intimate, powerful, and gracefully arranged. Her set radiated calm.
15:15 – Kingfishr Weather the Storm in a Triumphant Obelisk Set
As Kingfishr stepped onto the Obelisk Arena stage, the heavens unleashed. A downpour turned the site into a sea ponchos, but the Irish trio transformed adversity into theatre. Their anthemic, cinematic folk-pop matched the moment perfectly. Tracks like opener I Cried, I Wept and closer Caroline roared across the sodden field, while Shot In The Dark had frontman Eddie Keogh singing from the crowd. Their sweeping crescendos syncing with nature’s fury. It wasn’t just a gig—it was an elemental experience. And those lucky enough to be in the know could catch a secret acoustic set over at the Wine Bar in the early evening.
16:30 – Example Gets Obelisk Bouncing Despite the Clouds
Example stormed the Obelisk Arena with a ferocious hybrid of rap, EDM and nostalgic festival bangers. Backed by a DJ and relentless visuals, he transformed dreary skies into a party backdrop. Kickstarts and Changed the Way You Kiss Me sent waves of motion through the damp crowd. It wasn’t subtle, but it was exactly the jolt of energy needed.
16:45 – Arthur Hill Delivers Intimacy and Insight on Second Stage
Rising star Arthur Hill delivered one of Saturday’s most endearing and surprisingly theatrical sets, blending diaristic pop with tongue-in-cheek storytelling and infectious charisma. Opening with the laconic drawl of John Wayne, setting a playful tone that carried through a suite of sharply observed tracks including Iced Coffee, Lily, and a particularly poignant Tiny Room, which showcased Hill’s knack for weaving intimacy into every lyric. Flitting between the deeply personal and the irresistibly absurd, he brought a balance of vulnerability and humour that had the crowd both laughing and swaying.
But it was his closing salvo — a gloriously chaotic Dead In The Disco, seamlessly transitioning into a raucous cover of Murder On The Dancefloor, and the gleefully meta Hey Arthur! — that sealed his reputation as one of the UK’s most exciting live newcomers.
18:00 – Clean Bandit Light Up the Obelisk With Orchestral Euphoria
Clean Bandit transformed the Obelisk Arena into a euphoric open-air nightclub on Saturday evening, closing out their set with a seamless blend of classical strings and chart-topping pop bangers that had the crowd dancing through the dusk. Opening with the shimmering Solo and emotive I Miss You, the trio set the tone early — their signature mix of crisp production, soaring melodies, and live strings creating an immersive, hands-in-the-air atmosphere.
The likes of Drive, Symphony, and Stronger landed as huge crowd-pleasers, while newer material like Cry Baby and Tell Me Where U Go slotted in seamlessly, proving the group’s hitmaking touch is still sharp. Mid-set, Adagio and Pinch Me offered a moment of cinematic stillness — a reminder of the band’s classical roots and sonic ambition.
The pace picked up with a string of undeniable anthems. Rockabye, Real Love, and Tears brought rapturous singalongs, while encore closer Rather Be ignited a festival-wide chorus, sealing the deal on a high-energy, finely tuned masterclass in genre-blending brilliance. Clean Bandit continue to evolve — part rave, part recital, and entirely electrifying.
18:30 – Amble’s Dreamy Precision Floats Over the Second Stage
Amble stepped confidently onto the stage on Saturday afternoon, delivering a soul-stirring set that showcased their delicate harmonies, lyrical storytelling, and quietly commanding stage presence. The Irish trio — fast becoming flagbearers of the contemporary folk revival — offered up a performance brimming with heart and heritage.
Opening with the gentle swell of Shallow River Run, the band immediately drew the crowd into their world of poetic nostalgia and windswept landscapes. Highlights like Little White Chapel and Hand Me Downs were rich with acoustic texture, while Marlay Park and Mary’s Pub brought humour and warmth, painting vivid portraits of place and memory.
Their moving rendition of Faces’ Ooh La La added a bittersweet singalong moment, reimagined through Amble’s three-part harmony and soft instrumentation. Closing with the aching beauty of Tonnta, Amble left the Latitude crowd hushed and glowing — a testament to their rare ability to make a festival stage feel like a fireside gathering. A quietly triumphant set from a band well on their way to something special.
19:30 – Kaiser Chiefs Deliver Riotous Obelisk Party
Bounding onto the Obelisk Arena stage with the energy of a band half their age, Kaiser Chiefs delivered a hit-laden, high-octane set that turned the Latitude fields into a giant indie disco. Opening with the punchy Na Na Na Na Naa and the ever-snarky Everyday I Love You Less And Less, frontman Ricky Wilson was in full showman mode — jumping off monitors, sprinting across the platform, spinning is mic stand, and conducting crowd singalongs with his signature blend of cheek and charm.
The band’s back catalogue remains a well-oiled festival machine, with Ruby prompting a field-wide chorus and I Predict A Riot unleashing a frenzy of flailing limbs. A surprise Ramones cover by way of Blitzkrieg Bop added a burst of punk nostalgia, while newer tracks like Reasons To Stay Alive brought a more introspective, anthemic edge to the set.
Kaiser Chiefs @ Latitude Festival 2025
The emotionally charged Modern Way and the furious, fist-pumping The Angry Mob reminded everyone just how much depth Kaiser Chiefs still bring to the table. They closed with the euphoric Oh My God, the entire crowd echoing Wilson’s cries in a moment of true festival unity. Veterans they may be, but with charisma to burn and a set packed with crowd-pleasers, Kaiser Chiefs proved they’re still absolute masters of the big stage blowout.
20:15 – Public Service Broadcasting Bring Cinematic Gravity to the Second Stage
Steeped in vintage samples, cinematic scope and a meticulous audiovisual setup, Public Service Broadcasting transformed the Second Stage into a retro-futurist command centre on Saturday evening. The London-based trio delivered a dazzling set that blurred the lines between history lesson and dance party, engaging both the mind and the feet.
Opening with the pulsing Electra and the sleek grooves of The Fun of It, the band immediately immersed the crowd in their immersive world of archive soundbites, soaring synths, and post-rock propulsion. Familiar favourites like Theme From PSB and Sputnik tapped into the band’s deep fascination with space and technology, while Progress and The South Atlantic provided a more reflective, atmospheric contrast.
A highlight came with Blue Heaven, featuring a mesmerising live appearance from collaborator EERA, who lent haunting vocals to the track’s shimmering grandeur. Just as the crowd settled into orbit, the band took a sharp left turn with a thunderous, synth-driven cover of Black Sabbath’s Paranoid in honour of Ozzy Osbourne— a surprise and a delight that saw the tent erupt in grins and air-guitaring.
As ever, the closing stretch was triumphant. Go!, People, Let’s Dance, and the funky fan-favourite Gagarin had the crowd swaying, stomping and throwing shapes, brass section and visuals elevating the euphoria. They ended with the sweeping beauty of Everest, its slow build a fitting ascent to a set that soared both musically and emotionally. Equal parts cerebral and celebratory, Public Service Broadcasting proved once again they’re one of the UK’s most unique and essential live acts.
21:00 – Fatboy Slim Turns the Obelisk Into a Muddy Rave Palace
As darkness fell, Norman Cook—aka Fatboy Slim—transformed the Obelisk Arena into a neon-drenched dancefloor. Lights, lasers, and kaleidoscopic visuals blasted over classics like Praise You, Right Here, Right Now, and a thumping remix of Eat Sleep Rave Repeat. Festival goers, danced like it was Ibiza in July. Monumental. And if you were in the know, you could catch another performance later!
22:00 – Leon Bridges Serenades the Second Stage Into the Night
Closing the day on a soulful note, Leon Bridges graced the Second Stage with warmth and vintage finesse. His velvety voice turned tracks like Coming Home and River into spiritual experiences. Couples swayed, ponchos shimmered in low light, and the festival exhaled. A fitting, graceful curtain call to an unforgettable Saturday.
From soul-searching folk to rave-ready euphoria, Latitude 2025’s second day was a kaleidoscopic celebration of sound. Saturday delivered on all fronts — surprises, singalongs, and sublime moments. With one more day to go, it’s already clear: this year’s edition is one for the books.
Live review & photography of Friday at Latitude Festival 2025, Henham Park by Kalpesh Patel on 26th July 2025.
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