Live: Courtney Barnett @ Electric Ballroom

by | Apr 13, 2015

“Sorry about that, I just needed a lie down” Courtney Barnett declares after playing the end of a song lying on her back for a couple minutes. Tonight is the second of two headline shows at Electric Ballroom, a considerable feat for a musician that just became known outside of her native Australia roughly a year ago.

Courtney Barnett at Electric Ballroom - April 10, 2015 (Rachel Lipsitz)

Courtney Barnett at Electric Ballroom – April 10, 2015 (Rachel Lipsitz)

The audience in the front few rows adores her as much as you’d expect, frequently yelling out her name and “I love you!” but the singalong and clap-along that ensues during the sweetly downbeat Depreston is surprising for an album (Sometimes I Sit And Think, And Sometimes I Just Sit) that came out less than a month ago and  Barnett herself,  who seems slightly taken aback, exclaims “You know the words!” when the song is over.

Courtney Barnett at Electric Ballroom - April 10, 2015 (Rachel Lipsitz)

Courtney Barnett at Electric Ballroom – April 10, 2015 (Rachel Lipsitz)

She saves the familiar (to anyone with a passing interest in 6 Music) Avant Gardener and History Eraser for the end with her latest single Pedestrian At Best going down a treat as the finale. What is notable live is that most songs build to a great climax so that by the end, she and bassist Bones Sloane thrash around, creating a great visual counterpoint to her relaxed vocal delivery.

Courtney Barnett at Electric Ballroom - April 10, 2015 (Rachel Lipsitz)

Bones Sloane playing bass with Courtney Barnett at Electric Ballroom – April 10, 2015 (Rachel Lipsitz)

Something this frequent concert-goer has never seen at a gig is a life-size version of the album cover art near the bar, complete with a yellow chair on which fans take turns having their photo taken. This lovely gesture encapsulates Barnett’s approachable version of rock and roll with its relatable themes and ideas.

Courtney Barnett at Electric Ballroom - April 10, 2015 (Rachel Lipsitz)

Courtney Barnett at Electric Ballroom – April 10, 2015 (Rachel Lipsitz)

Photography and Review by Rachel Lipsitz. Courtney Barnett @ Electric Ballroom. London 10th April.

[photoshelter-gallery g_id=”G0000nM0sVIAsSQ0″ g_name=”Courtney-Barnett” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Rachel also has her own great website here: http://www.littletrousers.com/

Here is the full set here: http://rockshot.photoshelter.com/gallery/Courtney-Barnett/G0000nM0sVIAsSQ0

Good Charlotte (Jen Rosenstein)

Good Charlotte Announce Huge UK & European Arena Tour Alongside New Creative Collaboration

Pop-punk heavyweights Good Charlotte have announced their long-awaited return to Europe and the UK with the Motel Du Cap EU + UK Tour set for November 2026, marking the band’s first major UK headline run in years.

The Script (Simon Emmett)

The Script Announce New Album ‘The User’s Guide To Being Human’ And Massive UK & Ireland Arena Tour

Irish chart giants The Script have announced details of their brand new album The User’s Guide To Being Human, set for release on 14th August, alongside the arrival of its powerful lead single Man In The Arena.

Skerryvore (Jeff Holmes)

Skerryvore Sound The Rallying Cry For Scotland’s World Cup Return With ‘Never Stopped Dreaming’

After 28 years of heartbreak, false dawns and near misses, Scotland are finally heading back to the FIFA World Cup — and fittingly, Skerryvore have delivered the soundtrack to the moment with their rousing new anthem, Never Stopped Dreaming.

Bailey Zimmerman (Masonn1k)

Bailey Zimmerman Puts A Country Spin On Miley Cyrus Classic ‘The Climb’

Country star Bailey Zimmerman has released his long-awaited cover of The Climb, reimagining the modern pop anthem through the lens of arena-sized country rock. The track arrives after months of fan demand following its introduction during Zimmerman’s recent live shows, where the emotional singalong quickly became one of the standout moments of his headline sets.

Luvcat @ Colony Room Green (Barnaby Fairley)

Luvcat Turns Murder Ballads Into Midnight Confessions At London ‘Lovebites’ EP Launch

Inside the eccentricity of the Colony Room Green, London feels briefly suspended in time. Perched atop a piano rather...
newshapes (Press)

newshapes Embrace Chaos And Catharsis On Powerful New EP ‘somehow i still believe’

Scottish alternative outfit newshapes are pushing deeper into emotionally charged territory with the release of their new EP somehow i still believe, out now via LAB Records. Alongside the release, the band have unveiled blistering new single rescue light, completing a three-track collection that captures grief, anger and fractured faith through an explosive post-hardcore lens.

WREX (Ethne Lever)

WREX Unleash Cathartic Chaos On Explosive New EP ‘SADWORLD’

Brighton alt-rock duo WREX have delivered one of their most intense releases to date with the arrival of their long-awaited new EP SADWORLD, a five-track collection that fuses raw emotion with crushing riffs, electronic textures and unapologetic vulnerability.

The XCERTS (Luke Bovill)

The XCERTS Confront Grief And Growth On Powerful New Single ‘rinse repeat’

Scottish alternative rock trio The XCERTS have unveiled emotionally charged new single rinse repeat, the latest track lifted from their forthcoming sixth studio album i think i want to go home now., due for release on 10th July.

Pin It on Pinterest

Share This

Share Thing