Live Review: Florence + the Machine @ Alexandra Palace

by | Sep 22, 2015

Florence + the Machine @ Alexandra Palace

Florence Welch (Kalpesh Patel)

Florence Welch, Florence + the Machine at Alexandra Palace (Kalpesh Patel)

It’s hard to have missed Florence + the Machine’s meteoric rise to stardom over the past six years. Even before debut studio album Lungs was released back in 2009, the Florence Welch-fronted group was longlisted for BBC’s Sound of 2009, ultimately losing out to synth-popper Little Boots. But even during her early evening Reading Festival slot that year, she was making a name for herself, climbing the rafters of the NME tent on what was her 23rd birthday.

Florence Welch (Kalpesh Patel)

Florence Welch, Florence + the Machine at Alexandra Palace (Kalpesh Patel)

Six years on and three studio albums later, she has proven her staying power, evolving into a major world festival headliner having topped the bill at Chicago’s Lollapalooza festival this summer and stepped up to headline what is undoubtedly the world’s biggest festival stage, taking over Foo Fighters’ Pyramid Stage headline slot at Glastonbury following Dave Grohl’s unfortunate mid-gig leg-break a few weeks beforehand.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

Arriving barefoot for the first of four sold-out shows at North London’s historic Alexandra Palace venue, and making her way to greet fans at the barrier before climbing the stairs up to a grand stage, Welch opened with Ceremonials single What The Water Gave Me, the London native beginning the show with the on-stage energy and kookiness she’s now famous for.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace Kalpesh Patel)

The second single from her latest studio album How Big, How Blue, How Beautiful – Ship To Wreck – was one of the great opening numbers, the 29-year-old frontwoman bounding about the vast stage with a relentless energy that would dominate the show, her fiery hair being flailed around with abandon.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

“We wanted to have a choir, but there wasn’t enough room” she said, turning to face the vast array of musicians and backing singers adorning the stage. Turning back to her audience she asked “So will you be the choir?” A united scream erupted from the crowd as she launched into Ceremonials lead single Shake It Out.

Florence Welch (Kalpesh Patel)

Florence WelchFlorence + the Machine at Alexandra Palace (Kalpesh Patel)

A slow and minimally-instrumented ease into debut album single, a cover of The Source’s You’ve Got the Love, had the crowd clapping along to keep rhythm until the full band kicked in halfway through the song.

Florence Welch (Kalpesh Patel)

Florence Welch (Kalpesh Patel)

“The next song is very special” introducing new album title track How Big, How Blue, How Beautiful. “It’s great to be able to play it in London. It was written many miles away but recorded in London.” “It was like a big, blue sky over the world and I get to bring it back and give it to all of you.”

Florence Welch (Kalpesh Patel)

Florence Welch (Kalpesh Patel)

Referring to playing a show in her home town again, Welch continued with the London love: “Everything started from London, all my first gigs, all my first songs were written here.” Referring to her long-standing friend, collaborator and band member Isabella “Machine” Summers, she said “this one was written in Is’s studio in Crystal Palace” before quietly launching into a stripped-back version of Lungs’ track Cosmic Love, accompanied only by an acoustic guitar and harp.

Florence Welch (Kalpesh Patel)

Florence WelchFlorence + the Machine at Alexandra Palace (Kalpesh Patel)

The main set was closed out with Dog Days Are Over, a huge circular screen hovering above the stage displaying a crescent moon, slowly becoming full over the course of the song. The 7,000-strong crowd echoed back every word of the Lungs single, the ornate Victorian walls of the People’s Palace reverberating the song to a new level.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

The night ended with debut album track Drumming Song, which had the audience buzzing for this, one of her best-loved early hits. Welch collapsed to the stage as the song drew to a close before dashing off once again, this time for good.

Florence Welch (Kalpesh Patel)

Florence Welch Florence + the Machine at Alexandra Palace (Kalpesh Patel)

As polished as Florence + the Machine’s crazy seems to have become, there’s something awe-inspiring about the sheer energy hit after hit is delivered with, the high notes still ringing through sharply after all the running around. And Welch’s specific brand of folksy, indie rock resonates so strongly with so many that it’s uplifting to see what a girl from Camberwell can achieve in just a few short years.

[photoshelter-gallery g_id=”G00005fAOm_9fCSY” g_name=”Florence-the-Machine” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Florence + the Machine play three more dates at Alexandra Palace this week ahead of their Apple Music Festival appearance on September 28th and an autumn-winter US & Australia tour.

Live Review and Photography by Kalpesh Patel. Kalpesh his more great concert photography here: https://www.flickr.com/photos/somethingforkate/

Lip Critic @ Revenge - Mutations Festival 2026 (Owen Mills)

Mutations Festival 2026 – Friday: From Harp Strings To Bedlam And Everything In Between

Ever since first attending Mutations in 2022, I have described it as a more manageable, densely packed version of The Great Escape. Since the festival condensed into two days, that description has become even more apt. Spanning multiple genres and a good selection of the city’s venues, it is a no-brainer for local live music fans looking to broaden their horizons and discover their next favourite band.

Arabella Lucia @ B.R.A.T. Denmark Street (Henry Finnegan / @finneganfoto)

Arabella Lucia Strips Back The Rock And Roll At Yungblud’s B.R.A.T Cave

Beneath London’s Denmark Street, in the intimate, sweat-soaked surroundings of Yungblud’s B.R.A.T Cave, Arabella Lucia trades the full-band electricity of her usual performances for an acoustic set that puts her voice, songwriting and personality firmly in the spotlight. For the self-proclaimed Rockstar Princess, this is an opportunity to reveal the vulnerability beneath the punk-rock attitude, and to show just how much she is developing as an artist.

Desperate Measures @ Hope and Anchor (Louise Phillips)

Desperate Measures Celebrate 45 Years With A Raucous Punk Birthday Party At The Hope And Anchor

Forty-five years on, Desperate Measures remain as combustible as ever. Presented by Vive Le Rock Magazine, this anniversary party at The Hope & Anchor on Saturday 24th October 2026 brings the New Zealand punk veterans together with two energetic support acts for a night of fast guitars, furious vocals and unapologetic attitude. Having reformed in London around a decade ago, the band are now preparing for a homecoming tour of New Zealand next May. First, though, there is unfinished business to attend to on home turf.

Serra Marinheiro (Press)

Serra Marinheiro Casts A Spell With New Single ‘spells in my living room’

Singer-songwriter Serra Marinheiro continues her creative rebirth with spells in my living room, a captivating new single that further establishes the sound and identity of an artist embracing a newfound confidence and freedom of expression following her departure from her former musical project, POESY.

The Wellermen (Polocho)

The Wellermen Announce Debut Original Album ‘Homeward Bound’ And Unveil New Single ‘Samhain’

Transatlantic folk collective The Wellermen are set to take a major step forward with the announcement of their new album, Homeward Bound, arriving on 12th March. Marking the group’s first full-length collection of original, self-written material, the 13-track record sees the five-piece draw on their diverse musical backgrounds to create a collection rooted in traditional folk storytelling, rich harmonies and contemporary songwriting.

Sojo (Press)

SoJo Turns Heartbreak Into A New Beginning With ‘Arena For Love’ Ahead Of Debut Album ‘Feeling Free’

Singer-songwriter SoJo transforms personal heartbreak into an uplifting declaration of independence with her new single Arena For Love, released ahead of her debut album, Feeling Free, arriving on 4th December.

Yee Loi @ B.R.A.T. Denmark Street (Louise Phillips)

Yee Loi Unleash ‘Miraclist’ As Fourth Single Ahead Of Debut Album ‘Flicks, Licks, Party Tricks’

Teenage punk firebrands Yee Loi return with Miraclist, their electrifying fourth single and latest preview of their forthcoming debut album, Flicks, licks, party tricks, due for release on 15th January 2027 via Modern Sky UK.

U2 (Viviane Sassen)

U2 Announce ‘The Greatest Show On Earth’ World Tour With Two London Stadium Dates And Wolf Alice As European Special Guests

U2 are returning to stadiums in 2027 with Carnaval De Luz Presents: The Greatest Show On Earth, a major world tour that will see Bono, The Edge, Adam Clayton and Larry Mullen Jr. reunite on stage for their first stadium dates since 2019. The newly announced UK and European leg includes two nights at London’s Tottenham Hotspur Stadium, with Wolf Alice joining the band as special guests across the European dates.

Pin It on Pinterest

Share This

Share Thing