LIVE: THE KOOKS @ LEEDS ACADEMY

by | Apr 27, 2017

The Kooks are one of those bands that you find surprising when you realise you know more songs than you anticipate. Tonight in Leeds at a sold out Academy show they are playing the greatest hits tour, a best of – probably because they have hit that post 10 year milestone and really the whole thing can go one of three ways from now. They either bow out in the way that

The Enemy did a few months ago, try to replicate the previous highs with a steady release of poorer albums, or, the more probable route – milk the old classic songs to death on the festival circuit in the summer and then a winter/spring tour of concert halls (perhaps see The Fratellis as an example?).

Luke Pritchard, The Kooks (John Hayhurst)

Luke Pritchard, The Kooks (John Hayhurst)

We arrive to see a white sheet stretched across the front of the stage and silhouettes of the band as they take up their instruments, there are tensions in this crowd even if we kind of know what is going to happen. Sure enough the shock of the dropped curtain rings screams across the venue as those former preppy kids from Brighton open with Eddies Gun, quickly followed with You Don’t Love Me. That’s the first two songs and I know them both, the reason being they’re from their debut album Inside In/Inside Out which is one of those so called “summer” albums.

Hugh Harris, The Kooks (John Hayhurst)

Hugh Harris, The Kooks (John Hayhurst)

Remember that hazy summer of 2006? No, me neither, it was probably the usual two months of grey drizzle, but, the point is there were She Moves In Her Own Way, Ooh La and Naïve to get us through it. Three great summer tracks that fit into the same category as Alright by Supergrass and Staying Out for the Summer by Dodgy. They remind us of beach sunny days and parklife with your mates. Tonight, The Kooks bring the sunshine to Leeds even though it’s actually snowing outside in April. Luke Pritchard is the frontman steering the boat and he’s incredibly sprite and looking for adventure.

Peter Denton, The Kooks (John Hayhurst)

Peter Denton, The Kooks (John Hayhurst)

That was the biggest surprise for me that they were so energetic, from the off, no steady build it was pretty full on with Sofa Song an early entry for track of the night, the band bouncing around and Pritchard alternating between pretty boy with guitar to pretty boy with a microphone. It’s classic post brit pop for the twentysomethings crowd and lapped up by everyone even the throwing plastic boys at the back. Luke is channelling Jagger and Hutchence moves with some

Luke Pritchard and Peter Denton, The Kooks (John Hayhurst)

Luke Pritchard and Peter Denton, The Kooks (John Hayhurst)

There is a sudden pause before Bad Habit and Down when Luke steps up to the mic and thanks all the fans for coming over the years, in a potential but not quite “this is our last tour” speech he gets everyone on their side which can only enhance the 70% female attendees’ euphoria.

Pritchard & Denton The Kooks with Alexis Nuñez on drums (John Hayhurst)

Pritchard & Denton The Kooks with Alexis Nuñez on drums (John Hayhurst)

Following the two tracks from their latest Listen album you realise that they are carefully selecting the best cuts from all their records. The biggest majority being from their debut and when She Moves In Her Own Way is played we get festival girls on shoulders and Paper Dreams Honey sung at summertastic decibels.

Luke Pritchard The Kooks (John Hayhurst)

Luke Pritchard The Kooks (John Hayhurst)

Fast forward a few tracks and Ooh La gets the same treatment, in fact it’s really only when a piano is rolled out for a poignant dedication to “anyone who has lost someone recently” and See Me Now that we can pause for breath, as it’s a little sweaty in the Academy tonight.

Luke Pritchard The Kooks (John Hayhurst)

Luke Pritchard The Kooks (John Hayhurst)

A single spotlight and an acoustic singalong to Seaside and we are close to the end of the set, they have played over 20 tracks in a fast moving setlist. Thankfully their 2nd album Konk is reserved for only 3 songs and Shine On (and on and on ad nauseam) is the 2nd encore. Bass player Peter Denton seems to be playing most of the set on one leg, not quite sure why, but then most legs are off the ground when the guitar riff of the ultimate big Kooks hit Naïve is played.

Luke Pritchard TheKooks (John Hayhurst)

Luke Pritchard TheKooks (John Hayhurst)

The adage of saving the best till last rings true once again and a particularly bonkers young crowd gets exactly what they wanted, one final chance to sweat , dance and sing in front of the band they used to sweat, dance and sing to ten years earlier. Whilst the The Kooks may have hit a very early peak in 2006, and are unlikely now to reach major festival headliner status, there’s no reason why this shouldn’t continue for another few years at least.

Luke Pritchard, The Kooks (John Hayhurst)

Luke Pritchard, The Kooks (John Hayhurst)

Live Review & Photography by John Hayhurst on April 27, 2017 at Leeds Academy.

John Hayhurst has his own gig photography website www.snapagig.com

 

 

Wolf Alice @ The O2 (Neil Lupin)

From Dive Bars To The Dome: Wolf Alice’s Homecoming At The O2 Is A Career-Defining Triumph

There was a crackle in the air before Wolf Alice even stepped onstage, the kind of charged, anticipatory energy that only comes when a band returns to the city that made them. From their scrappy London beginnings to two sold-out nights at The O2 Arena, this felt like a coronation years in the making.

Carpenter Brut (Førtifem)

Carpenter Brut Unleashes New Single ‘Leather Temple’ And Teases Final Chapter Of The Leather Trilogy

French synthwave powerhouse Carpenter Brut has returned with Leather Temple, a punishing and atmospheric new single that offers the first, ferocious taste of the third and final instalment of his long-running Leather trilogy, due in 2026. Loaded with abrasive beats, metallic textures, and a rising sense of tension, the track arrives as an immediate statement of intent: this concluding chapter will be darker, heavier, and more cinematic than anything that has come before.

Kelsy Karter & The Heroines @ The O2 (Kalpesh Patel)

Kelsy Karter & The Heroines Ignite The O2 With Riotous Rock & Raw Charisma

Kelsy Karter & The Heroines stride onto The O2 Arena stage like they own every inch of it. The Australian–British...
n0trixx (Andy Ford)

n0trixx Announces Debut Album ‘A Catalogue Of Madness And Melancholia’, Shares Harrowing New Single ‘Revenge On God’

Russian-born, Lancashire-based “bedlamcore” artist n0trixx has announced her debut album A Catalogue Of Madness And Melancholia, set for release on 13th March 2026, alongside the arrival of its uncompromising lead single Revenge On God.

Reading Festival 2023 (Luke Dyson)

Reading & Leeds 2026: A Festival Weekend Poised For Pop, Punk, And Everything In Between

The first wave of names for Reading & Leeds Festival 2026 has landed, and it promises a bank holiday weekend...
Gipsy Kings (Press)

Gipsy Kings Featuring Tonino Baliardo Announce New Album ‘Historia’ And Share Lead Single ‘Señorita’

Flamenco icons Gipsy Kings featuring Tonino Baliardo have announced their new album Historia, set for release on 15 May 2026. The record marks a major new chapter for the GRAMMY®-winning group, who first reshaped global pop in the late ’80s with their pioneering blend of flamenco, Latin rhythms, pop hooks and genre-spanning influences.

Charlotte Sands (Megan Clark)

Charlotte Sands Announces New Album ‘Satellite’ & Shares New Single ‘One Eye Open’

Alt-pop powerhouse Charlotte Sands has announced details of her new album Satellite, set for release on 6th March 2026. Alongside the news, she has unveiled a brand-new single, One Eye Open, offering another electrifying preview of what’s to come.

The Saints @ Electric ballroom (Peter McDonnell)

The Miraculous Second Coming Of The Saints ’73-’78 At London’s Electric Ballroom

There are comebacks, and then there are resurrections. For punk devotees, the return of The Saints ’73–’78 — the latest live incarnation of the legendary Melbourne outfit — firmly belonged in the latter category. With original members Ed Kuepper and Ivor Hay at the helm, and an inspired line-up completed by Mick Harvey, Mark Arm, Peter Oxley, and a three-piece brass section led by Terry Edwards, the Electric Ballroom felt less like a gig and more like a communal rite of appreciation for one of punk’s most quietly revolutionary bands.

Pin It on Pinterest

Share This

Share Thing