Live: The Wombats @ Brixton Academy.

by | Apr 28, 2015

The Wombats released their long-awaited new album Glitterbug on 13 April. To celebrate they held a party in Brixton and invited 5000 people to it. The band, who met at the Liverpool Institute of Performing Arts, might not be particularly prolific writers (Glitterbug is only their third Long Player, with A Guide To Love, Loss And Desperation debuting in 2007 and This Modern Glitch following in 2011), but they have a manically loyal fan base that insured their solitary London performance sold out in short order.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

There were two supports in the form of COMPNY who were playing their first big London stage and Darlia who weren’t – having previously headlined KOKO’s Halloween Ball last year. Both played very competent sets to an enthusiastic and supportive crowd. Darlia looked particularly at home in the expansive surroundings and warmed the partygoers up nicely in anticipation of the main event.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The writing on Glitterbug was inspired by Wombats frontman Matthew Murphy’s experiences during time spent in LA, and a cityscape of neon pierces the darkness as the headline take to the stage. They open with Your Body Is A Weapon, released last year as the first single from the new album. To nobody’s surprise the crowd seem to know every word and vocal chord shattering community singing ensues. Within the first few bars, in the auditorium there’s suddenly a lot more room at the back and a lot less at the front. And the audience aren’t the only people on the move.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

Whilst Murphy and drummer Dan Haggis remain a static presence, Norwegian bassist Tord Øverland-Knudsen is careering about the stage displaying energy levels that would shame a Duracell bunny. This level of intensity was maintained for a full 90 minutes, save for a brief (and necessary) lull during Murphy’s tale of unrequited love from the first album, Little Miss Pipe Dream.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats mixed up the set list to great effect with a spread from all three albums and every song was met with the same wildly enthusiastic response. It’s not easy to pin down The Wombats’ demographic. This was an eclectic audience, but one that shared a manic appreciation for the performance – a fact not lost on Murphy who declared “This has probably been my favourite show in about three years, so thank you all”.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

By the time the final encore and Lets Dance To Joy Division came along the community bouncing had reached an intensity that risked parting the Academy’s plaster from its Art Deco surroundings.

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

The Wombats performing at the O2 Academy Brixton London on 13 April 2015 (Simon Reed)

It might be a while before The Wombats record again, but if the band serve up live performances like this in the interim, the fanbase will be happy to wait.

[photoshelter-gallery g_id=”G0000YXzkJj1Bf6w” g_name=”The-Wombats” f_show_caption=”t” f_show_slidenum=”t” img_title=”casc” pho_credit=”iptc” f_link=”t” f_enable_embed_btn=”t” f_send_to_friend_btn=”t” f_fullscreen=”t” f_show_watermark=”t” f_htmllinks=”t” f_mtrx=”t” fsvis=”f” width=”600″ height=”450″ f_constrain=”t” bgcolor=”#ffffff” bgtrans=”t” btype=”new” bcolor=”#CCCCCC” crop=”f” twoup=”t” trans=”flip” tbs=”4000″ f_ap=”t” linkdest=”c” f_topbar=”f” f_bbar=”f” f_bbarbig=”” f_smooth=”f” f_up=”f” target=”_self” ]

Photography & Live Review by Simon Reed. The Wombats. O2 Academy Brixton  on 13/04/15.

Simon has his own great photo site here: http://www.musicalpictures.co.uk

 

 

Hot Water Music @ Roundhouse (Nick Allan)

Hot Water Music Heat Up A Cold Evening At London’s Roundhouse

There are punk shows, and then there are Hot Water Music shows where sweat, heart, and community all melt together into something bigger than just a gig. When the Common Thread Tour rolled into London’s Roundhouse, it wasn’t just another date on the calendar; it felt like a celebration of everything punk rock stands for: passion, honesty, and a damn good sing-along.

The Kooks @ The O2 (Kalpesh Patel)

The Kooks Announce Huge UK Outdoor Shows For Summer 2026

British indie favourites The Kooks have announced a run of major outdoor concerts for summer 2026, celebrating the 20th anniversary of their era-defining debut album Inside In/Inside Out.

The four-date run will see the band take over some of the UK’s most scenic open-air venues, kicking off at Delamere Forest, Northwich on 17th June, before heading to Scarborough Open Air Theatre, Live at The Piece Hall, Halifax and Bristol Sounds at Canons Marsh Amphitheatre.

The Damned @ Alexandra Palace, 20/04/23, Rockshot Magazine, Pauline Di S.

The Damned Announce Emotional Tribute Album Not Like Everybody Else Honouring Founding Guitarist Brian James

British punk pioneers The Damned have announced details of their new album Not Like Everybody Else, a powerful collection of covers recorded in tribute to the band’s founding guitarist Brian James, who passed away in March 2025. The album is set for release on 23rd January 2026, marking both a poignant farewell and a full-circle moment for one of the most influential bands in punk history.

The Molotovs @ Electric Ballroom (Derek D'Souza)

The Molotovs Deliver Message Of Hope With Sold-Out Electric Ballroom Show

Rising British rock outfit The Molotovs took over Camden’s Electric Ballroom a sold-out show that cemented their reputation as one of the most exciting young live acts in the country. The gig came just days before the release of their new single Rhythm Of Yourself, out 31st October via Marshall Records, as the teenage sibling duo aim for a remarkable third consecutive UK No.1 physical single.

Courting @ Oslo, London (Charlie Harris)

Courting Share Deluxe Version Of Third Album ‘How To Thread The Needle And Come Out The Other Side To Tell The Story, Or: Lust For Life’

Liverpool four-piece Courting release the deluxe edition of their acclaimed album, How to Thread the Needle and Come Out the Other Side to Tell the Story, Or: ‘Lust for Life’, out now via Lower Third Recordings.

Henge performing at The Wedgewood Rooms, Southsea (Simon Reed)

Matthew C. Whitaker Unveils Dreamlike Solo Single ‘Lucid Dreamer’

Best known as the magnetic frontman, guitarist and songwriter for space-rave pioneers HENGE, Matthew C. Whitaker steps...
GUV (Victoria Prestes)

GUV Announces New Album ‘Warmer Than Gold’ – Out 30th January

Guitar pop visionary Ben Cook — formerly known as Young Guv — has announced his new album Warmer Than Gold, set for release on 30th January. The record marks the beginning of an exciting new chapter for Cook’s long-running project, now simply known as GUV, and arrives with the vibrant lead single Let Your Hands Go.

Sophie Grey (Maximilian Stafford)

Sophie Grey. Reimagines ‘Video Killed The Radio Star’ Ahead Of London Dates Supporting Sting

Rising electronic pop artist Sophie Grey. returns with a dazzling new take on Video Killed the Radio Star, reworking the Buggles’ 1979 classic into a lush, synth-driven dreamscape. The single — out now — arrives as Sophie prepares to open for Sting across three London shows later this month as part of her global Middle of October tour.

Pin It on Pinterest

Share This

Share Thing