Live: Wildwood Kin @ The Islington

by | Aug 4, 2017

Wildwood Kin are on the verge of something very big. They’ve already had a single playlisted on BBC Radio 2, supported Ward Thomas on a national tour, played Glastonbury, headlined their first London shows, and signed to Sony. And that’s just in the past three months.

Now, with their debut LP two weeks away and this momentum already behind them, tonight’s likely the last time they play a venue as intimate as The Islington. Which is as it should be: these songs, and the three young women performing them, deserve to be heard by as many people as possible.

Meghann Loney of Wildwood Kin (Edyta Krzesak)

Meghann Loney of Wildwood Kin (Edyta Krzesak)

Like joyous show opener, and the Devon-based group’s first single, Warrior Daughter. A propulsive anthem celebrating the multiplicities of womanhood, it immediately showcases the instinctual bond between Emillie Key, her sister Beth, and their cousin Meghann Loney.

As Emilie’s acoustic guitar lays down a frenetic rhythm, Beth strums her bouzouki, and Meghann pounds out a tribal beat on two drums, their voices intertwine in harmonies so tight they can only be the result of shared genetics and more than 10 years of singing together.

Beth and Meghann (Edyta Krzesak)

Beth and Meghann (Edyta Krzesak)

And that singing is precisely what defines (and unifies) the trio’s work, from Listen’s more traditional folk and Turning Tides’ pastoral vibes, to the moody Steady My Heart (underpinned by a brooding keyboard line from Beth) and ethereal The Author (which belies their shared love of otherworldly bands like Sigur Ros).

Between those extremes their self-penned repertoire includes such equally beautiful highlights as the impassioned Circumstance, about appreciating the journey as much as the destination; the sleek, radio-ready Run; the country-flavoured Hold On, that’s made the band as welcome at Nashville Meets London as The Cambridge Folk Festival; and brand new single Taking A Hold that, with its bluesy electric guitar riff, has seen the group lumped in with the likes of The Lumineers.

Emillie Key of Wildwood Kin (Edyta Krzesak)

Emillie Key of Wildwood Kin (Edyta Krzesak)

Yet, most impressive is the spellbinding encore of The Valley. Accompanied by nothing more than Emilie’s gentle fingerpicking, their angelic three-part harmonies hush the rowdy audience, while throwing a spotlight on the musical talent that’s already won them fans like Jo Whiley and recent collaborator Seth Lakeman.

Meghann Loney of Wildwood Kin (Edyta Krzesak)

Meghann Loney of Wildwood Kin (Edyta Krzesak)

On the basis of tonight’s performance and the crowd response to their music, Wildwood Kin can only expect that fan base to soar – not unlike their own voices.

Wildwood Kin release their debut album, Turning Tides, on 18 August 2017.

Live review of Wildwood Kin @ The Islington by Nils van der Linden.  Concert photography by Edyta K

Brontës (Stephanie Gibson)

Brontës Unveil Self-Titled Debut Album Packed With Pop Hooks And Raw Honesty

Glasgow’s rising indie outfit Brontës have officially released their long-awaited self-titled debut album, arriving today. A bold introduction to the band’s evolving sound, the record captures both their playful pop sensibilities and a newfound emotional depth.

Janet Devlin (Press)

Janet Devlin: Embracing The Chaos And Owning The Narrative

Sitting in a London studio amid the constant churn of filming, editing, releasing, and preparing for another run of live shows, Janet Devlin is exactly where you’d expect her to be: in motion. Even before the conversation properly begins, she’s laughing about the whirlwind surrounding her latest release.

Louise Aubrie (Linda Shakesby)

Louise Aubrie Unveils ‘Midnight Calls’, Bridging London Grit With LA Glamour

London-born indie rocker Louise Aubrie returns with her striking new single Midnight Calls, a bold and cinematic introduction to her forthcoming sixth studio album LFA. The track not only marks the beginning of a new era for Aubrie, but also reflects the transatlantic life that has come to define her artistry.

unpeople (Bridie Cummings)

Unpeople Return With Defiant New Single ‘Clouds’ Ahead Of Huge Festival Run

UK heavy risers unpeople have unleashed their ferocious new single clouds, marking a powerful return for the four-piece and further cementing their reputation as one of the most exciting emerging forces in modern heavy music. Out now, the track arrives alongside an equally striking visual, showcasing the band’s uncompromising vision.

Lastelle - Takedown Festival @ Portsmouth Guildhall (Rebecca Cairns)

Takedown Festival 2026 – Saturday: Atmosphere, Ambition And A Glimpse Into Heavy Music’s Future

If Friday had been centred heavily upon the good old-fashion riff, then Saturday very much favours a focus on...
Asovmel - Takedown Festival @ Portsmouth Guildhall (Rebecca Cairns)

Takedown Festival 2026 – Friday: Honouring Legacy, Fuelled By Riffs

Taking place over two days (Friday 3rd and Saturday 4th April) and three stages at the Portsmouth Guildhall, Takedown...
Atlus (David McClister)

Atlus Unveils Deeply Personal Debut Album ‘Art Of Letting Go’

Rising country crossover artist Atlus has officially released his label debut album Art Of Letting Go, a 15-track project that marks a defining moment in his rapidly ascending career. Out now, the record captures a raw and unfiltered look at the experiences that have shaped him both personally and artistically.

CQ Wrestling (The Buffacow)

CQ Wrestling Share Reflective New Single ‘Finish Line’ And Detail UK Headline Tour

Brighton duo CQ Wrestling have unveiled their powerful new single Finish Line, the latest preview of their forthcoming second album Resistance, due for release on 22nd May.

Pin It on Pinterest

Share This

Share Thing