Maya Lane On The Hurt And The Healing: From Vulnerability to Growth

by | Sep 10, 2025

On a rain-soaked evening in London, rising singer-songwriter Maya Lane celebrated the release of her brand-new EP The Hurt And The Healing with an intimate show at The Grace. Just weeks earlier, we had met under sunnier skies at The Long Road Festival, beers and whiskies in hand, denim and sunshine everywhere. Now, umbrellas and storm clouds in tow, it felt fitting that Lane’s new project, a record that navigates through storms towards moments of calm, should arrive on a night like this.

Maya Lane @ The Grace

Maya Lane @ The Grace (Henry Finnegan / @finneganfoto)
Maya Lane @ The Grace (Henry Finnegan / @finneganfoto)

The EP, released on 4th September, charts a deeply personal journey. “As the name implies, it takes you through that journey of the hurt, through the healing, and all that comes in between,” Maya explains. “Some of these songs were written four or five years ago, and the latest one was written this March. So it really does show my journey as a person and an artist.”

Lane hopes listeners experience the EP in sequence, as the tracklist was designed to mirror that emotional arc. “It ends in this more healing, calm moment, but also hints at what’s coming next. Healing isn’t a finish line, it’s a process you keep moving through.”

Vulnerability and Connection

When asked whether this is her most intimate work yet, Lane pauses before agreeing. “Yeah, I think so. It covers the most range of topics, relationships, friendship breakups, even songs about just being present. I really feel like there’s something on there for everyone to connect with.”

That openness was deliberate. Many of the songs were written as she lived through the experiences that inspired them. “Now that I’m in a different place, it doesn’t feel as vulnerable putting them out. But they definitely capture that raw emotion.”

Her previous EP, Diary Of An Overthinker, leaned heavily on introspection. With The Hurt And The Healing, the sound has expanded while keeping the same emotional honesty. “I wanted songs that still felt heartfelt and intimate, but also ones people could move to. Those disguised upbeat songs that rip your heart out, that’s what I was going for.”

A Live Journey

The Grace is a fitting stage for the launch. “It’s one of those venues that everyone talks about,” Lane says, “so it felt perfect to celebrate the EP here.” Her setlist for the night blends old favourites from Diary Of An Overthinker with the new EP in full, plus a handful of yet-unreleased tracks teasing where she might head next.

Fans won’t have long to wait for more live shows. Lane is set to co-headline with Georgia Rose at The Rat and Pigeon in Manchester this October, with more dates to follow.

Collaboration and Community

Beyond her own music, Lane is passionate about supporting other artists. For her EP launch, she opened up a slot for a rising act to join the bill. “It’s so hard to get gigs nowadays, there aren’t enough venues, and so many amazing artists. Live shows are the most special part of it for me, so I wanted to give someone else that opportunity.”

She also hints at collaborations in the pipeline, though nothing she can announce just yet. Still, her ethos is clear: “I’ve only really got to where I am because of the support of other people, musicians, friends, and fans. I always want to bring that back.”

The Hurt and the Healing

As the crowd at The Grace found out, Maya Lane’s new EP is both a diary and a conversation, an exploration of heartbreak, growth, and resilience, wrapped in melodies that range from the intimate to the expansive. The record closes with Beyond Alaska, a track Lane chose deliberately as both an ending and a beginning. “It leaves things open to interpretation, you never know what’s around the corner. Healing is a journey you keep working through, and that’s what I wanted this EP to feel like.”

The Hurt And The Healing is out now on all streaming platforms

Live review & photography of Maya Lane’s EP Launch for The Hurt And The Healing @ The Grace, London, by Henry Finnegan on 3rd September 2025Instagram: @finneganfoto | Facebook: @finneganfoto

Maya Lane: Storytelling On Every Stage

Converge (Jason Zucco)

Converge Announce Eleventh Album ‘Love Is Not Enough’ & Share Ferocious Title Track

Hardcore trailblazers Converge have announced their eleventh studio album, Love Is Not Enough, set for release on 13th February 2026. Now marking 35 years as a band, the Massachusetts quartet—Jacob Bannon, Kurt Ballou, Nate Newton and Ben Koller—are gearing up to unveil what may be one of the most potent statements of their career.

Sophie Grey @ Hammersmith Apollo (Kalpesh Patel)

Sophie Grey Lights Up Hammersmith Apollo With Retro-Electro Dazzle

If Sophie Grey’s intention was to bring a dose of retro-futurist electro-pop to the second of Sting’s three-night...
The Royston Club @ Latitude Festival 2025 (Kalpesh Patel)

The Royston Club Announce Biggest Headline Shows Yet With 2026 Songs For The Spine Tour

Fresh from a breakthrough year that’s seen their album Songs For The Spine hit Number 4 on the UK charts, a completely sold-out autumn tour, and a nomination at the Rolling Stone UK Awards, The Royston Club are wasting no time in keeping momentum high. The Welsh indie quartet have announced a major Songs For The Spine headline tour for May 2026 — their biggest run of shows to date.

Crooked Fingers (Jason Thrasher)

Crooked Fingers Return With First Album in 15 Years, Swet Deth, and Share New Single ‘Cold Waves’

After a decade and a half away, Crooked Fingers — the long-running project of singer, songwriter and multi-instrumentalist Eric Bachmann — is officially back. The band will release Swet Deth on 27th February 2026, their first album since 2011’s Breaks in the Armor. Alongside the announcement comes the video for lead single “Cold Waves,” featuring harmonies from Mac McCaughan.

Man/Woman/Chainsaw (Charlie & Charlie)

Man/Woman/Chainsaw Sign To Fiction Records And Share Joyous New Single ‘Only Girl’

Explosive London six-piece Man/Woman/Chainsaw have signed to Fiction Records, marking a major milestone for a band whose rise has been propelled by frenetic live shows and a genre-warping approach to art-punk. To celebrate, the group have released their exuberant new single “Only Girl”, a soaring, violin-led burst of energy that has quickly become a highlight of their recent sets.

Lorde @ Glastonbury Festival 2022 (Kalpesh Patel)

Lorde Announced As All Points East 2026 Headliner With Major Female-Led Line-Up

All Points East has unveiled its next 2026 headliner — global pop icon Lorde — set to take over London’s Victoria Park on Saturday 22 August 2026. The two-time GRAMMY® and BRIT Award winner leads an all-female line-up featuring PinkPantheress, Zara Larsson, 2hollis, Oklou, Audrey Hobert, Rose Gray, Esha Tewari, ML Buch, and Fabiana Palladino, with more names still to be announced.

Elvana @ Roadmender (Henry Finnegan / @finneganfoto)

A Double Dose of Rock ’N’ Ridiculous: Nic Cage Against The Machine + Elvana At The Roadmender

There are gigs you plan for months in advance, gigs you travel across the country to see, gigs that feel like cultural...
The Enemy @ hmv Empire Coventry (Nick Allan)

Hometown Glory: The Enemy Turn HMV Empire Coventry Into A Choir

There’s something almost sacred about seeing The Enemy in Coventry like returning to the source of a spark that never...

Pin It on Pinterest

Share This

Share Thing