LA-based artist Micah Martin has announced the release of his long-awaited debut album All I Need, arriving on 20th November, while unveiling explosive new single Burn Them All, featuring electronic producer OddKidOut.
Micah Martin
Spanning 17 tracks, All I Need promises to be the definitive statement of Martin’s self-described “Rocktronic” sound—a high-octane fusion of rock, punk, metal and electronic bass music that has seen him carve out a unique space between two seemingly opposite musical worlds.
Leading the announcement is Burn Them All, a ferocious collaboration that perfectly encapsulates the album’s sonic identity. Combining crushing guitar riffs, aggressive screamed vocals and relentless jump-up drum & bass production, the track is built with festival stages firmly in mind. Co-produced by OddKidOut alongside Shawn Mayer of pop-metalcore outfit Melrose Avenue, it showcases Martin’s ability to bridge heavy alternative music with modern electronic production without compromising either side of his musical identity.
Speaking about the album, Martin describes All I Need as his most honest work to date, bringing together every chapter of his career—from his years touring in rock bands to the electronic collaborations that have made him one of bass music’s most recognisable vocalists.
That journey has been anything but conventional. Martin first emerged as the frontman of Illinois and Iowa-based rock outfit The Zealots, sharing stages with artists including I Prevail, Memphis May Fire, Pop Evil, Theory Of A Deadman and Drowning Pool. When the pandemic brought that chapter to an unexpected close, he redirected his unmistakable voice into the world of electronic music.
Over the years that followed, Martin became one of the most sought-after vocal collaborators in bass music, lending his voice to tracks with heavyweight names including SLANDER, Zomboy, Kayzo, PhaseOne, Rebelion and Sub Zero Project. His performances have since taken him to major festivals and venues including EDC Las Vegas, Lost Lands, Red Rocks, The Hollywood Palladium and The Gorge, establishing him as one of the genre’s most recognisable crossover artists.
All I Need sees those two worlds collide more completely than ever before. Alongside OddKidOut, the album features collaborations with artists including Flux Pavilion and HIGHSOCIETY, reflecting Martin’s ambition to create music that speaks equally to rock fans and electronic audiences.
Away from recording, Martin has continued building his profile throughout 2026, appearing at major North American festivals including EDC Las Vegas and Escapade Festival, while also hosting IMPACT and BASSRUSH Radio on Insomniac Radio, further cementing his status within the global bass music community.
With All I Need set for release this November, Micah Martin appears poised to push his Rocktronic vision further into the mainstream. If Burn Them All is any indication, fans can expect a record that refuses to recognise genre boundaries, instead embracing the raw energy of rock and the relentless power of modern electronic music.
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