The Sun Shines On Roger Hodgson At The Royal Albert Hall

by | May 26, 2019

It’s been a balmy late spring day in London, just the odd wisp of cloud breaking otherwise clear blue skies. It’s not supposed to rain until June, and yet, couples are striding purposefully across SW7 with brollies tucked under their arms. It generates odd looks from passers-by, but those in the know, know; Roger Hodgson is in town.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

Hodgson, born in Portsmouth, Hampshire but for many years a resident of northern California, plays a London date practically every spring. His usual residency is the magnificent Royal Albert Hall, though last year he broke tradition and played Stone Free Festival under an altogether less majestic dome, the O2 Arena. This year, I’m pleased to say he has returned to his spiritual home. Music as beautiful as this deserves a commensurate performance space.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

Roger Hodgson, who with Rick Davies formed one half of the creative spark that drove Supertramp, helped turn a little-known progressive rock band into one of the most instantly recognisable pop/rock acts on Earth. To Hodgson though it’s the legacy of his songs that are important. He’s a singer/songwriter who happened to be in a band called Supertramp, rather than an ex-member of a super group, dining out on past glories.

It probably helps that the vast majority of the best-known songs are his, and since the policy in the band was that if you wrote the song, you sang it, the voice most instantly recognisable as being ‘Supertramp’ is his too. You don’t get to hear any Rick Davies tunes at a Roger Hodgson show. Instead, as well as some of his solo compositions, you get Take The Long Way Home, Breakfast In America, The Logical Song, School, Child Of Vision etc. Nobody is complaining.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

The other thing about a Hodgson performance is that as he seems a genuinely lovely, spiritual man, you can’t help but get swept up in the lovely, spiritual vibe of it. He enters the Royal Albert Hall stage with a beaming smile and a cup of tea in his hand and tells the crowd that all he wants is that we collectively forget all the bad stuff happening in the world and spend a couple of hours getting lost in the music. He is met with multiple shouts of ‘We love you Roger!’ and you know that it’s heartfelt. He loves us, and we love him.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

There are often interludes between songs, where Hodgson explains the inspiration that created them. In many cases, the songs were written whilst he was still a very young man. I wonder whether, when Hodgson wrote The Logical Song or Breakfast In America as a teenager, he had a full appreciation of the instrumentation that would accompany them years later when they became instantly recognised by millions.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

The woodwind in Supertramp, as played by John Helliwell, became an intrinsic part of that instrumentation. Filling Helliwell’s not inconsiderable shoes in Hodgson’s band is multi-instrumentalist Michael Ghegan and he is nothing short of incredible. If you can blow it, it seems, Ghegan can play it. So tonight we hear multiple saxophones, clarinet, tin whistle, harmonica, melodica (thanks Google) and the thing that goes ‘whizz’ in The Logical Song (thanks anyway Google).

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

Ghegan also plays keyboards – triggering many of the sound samples in the more ‘proggy’ songs, and proves he has an excellent voice when called upon to sing backing vocals. As somebody who has no appreciable talent for any musical instrument, it doesn’t seem quite fair that Ghegan is so good at so many things.

It was The Logical Song that closed part one of the show and resulted in such a prolonged standing ovation that Hodgson was in grave danger of not getting his second cup of tea.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

Child Of Vision opened part two. Another song from the Breakfast In America album, it closes with an outstanding piano solo played by Ray Coburn. Coburn also dazzles playing the guitar solo from Don’t Leave Me Now on one of his multiple keyboards. The phrasing, including the vibrato and pitch bending sounded exactly as if he were a six-string guitar god. Close your eyes and it could have been David Gilmour. Amazing.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

In his opening monologue, Hodgson told us to expect surprises tonight. As the show drew to a close, he picked up a radio mic and started to climb the tiered seating in the stalls before heading over towards the choir seating area. “Can you tell where I’m going?” he asked, just as a light came up over the Royal Albert Hall organ.

Designed and built by Henry Willis, the organ was once the largest musical instrument in the world. It has 9,999 pipes and weighs 150 tonnes. Hodgson played and sang Say Goodbye (one of three songs tonight from his solo Open The Door album) from the organists seat. It was a magical moment in a magical show. “That’s one to tick off the bucket list” he said as he returned to the stage. Try doing that in the O2.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

The ascent to the organ might have been a surprise, but the close of the show, the three-part Fool’s Overture from 1977 album Even In The Quietest Moments certainly wasn’t since Hodgson always closes with it. There were a number of occasions tonight when Roger made reference to the significance to him of playing to a ‘home’ audience and you can’t get more British than Fool’s Overture, coming as it does with samples of Churchill’s ‘Never Surrender’ speech from 1940 and William Blake’s Jerusalem. Hearing it in a place such as the Royal Albert Hall makes it all the more special.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

The ‘encore’ (he never actually walked off) was a mass singalong of Give A Little Bit and It’s Raining Again, this latter song giving the opportunity for the umbrella holders to twirl their brollies above their heads. It may supposedly be unlucky to open an umbrella indoors, but nobody seemed to care – certainly not the members of the band, who all left the stage to wild applause. You make your own luck and the sun certainly seems to shine on Roger Hodgson.

Roger Hodgson and his band perfom live at the Royal Albert Hall on 23 May 2019 (Simon Reed)

Roger Hodgson, live at the Royal Albert Hall. Review and photography by Simon Reed. Simon has his own music photography site at www.musicalpictures.co.uk

 

 

Josh Homme of Queens of the Stone Age @ iTunes Festival 2013 (Kalpesh Patel)

Queens Of The Stone Age Announce Intimate European ‘Catacombs’ Tour, Including Special London Show

Queens Of The Stone Age have today unveiled details of their eagerly awaited Catacombs European Tour – a string of uniquely atmospheric shows inspired by their acclaimed 2024 Alive In The Catacombs performance. The tour, set for October 2025, will include a standout UK date at London’s Royal Albert Hall on 29th October, promising a rare and intimate reimagining of the band’s formidable back catalogue.

Alice Merton @ BST Hyde Park 2025 (Trudi Knight)

Alice Merton Brings Sharp Pop Precision To The Rainbow Stage At BST Hyde Park 2025

As the sun began to dip behind the trees in Hyde Park on 11th July, a throng of festival-goers packed into the Rainbow Stage area, drawn by the magnetic presence of German-Canadian artist Alice Merton. The singer-songwriter—best known for her breakout hit No Roots—delivered a punchy, emotionally agile set that brought the stage to a vibrant close, just before Neil Young And The Chrome Hearts took the spotlight over on the festival’s main Great Oak Stage.

Brian Molko of Placebo @ Brixton Academy (Kalpesh Patel)

Placebo Announce Deluxe Collection This Search For Meaning, Featuring Documentary, Live Album & Bonus Tracks

Anglo-American alt-rock icons Placebo have announced This Search For Meaning, a four-disc deluxe collection arriving 12th September via SO Recordings. The package offers a comprehensive portrait of the band’s current creative era, combining introspective documentary filmmaking with live performance energy and exclusive music content.

Die Spitz (Anatheme)

Die Spitz Announce Debut Album ‘Something To Consume’, Drop Ferocious New Single ‘Throw Yourself To The Sword’

Austin punk outfit Die Spitz have announced their debut album Something To Consume, arriving on 12th September via...
Dean Lewis (Sean Loaney)

Dean Lewis Releases Deluxe Edition Of ‘The Epilogue’ with Powerful New Single ‘Hurt So Bad’

Australian singer-songwriter Dean Lewis has unveiled the deluxe edition of his acclaimed third studio album The Epilogue, alongside the release of an emotionally raw new single, Hurt So Bad.

Jeff Lynne Cancels Final ELO Show At BST Hyde Park 2025 Following Illness

In a heartbreaking development for fans, Jeff Lynne’s Electric Light Orchestra (ELO) have cancelled what was set to be their final ever UK performance at BST Hyde Park on Sunday 13 July 2025. The decision follows Lynne’s continued ill health and comes just days after the group’s second show at Manchester’s Co-op Live on 10th July was pulled moments before showtime, after the venue had already filled with fans. Lynne, 77, has been battling a systemic infection and is now under close medical supervision.

Olivia Dean @ BST Hyde Park 2025 (Kalpesh Patel)

Olivia Dean Warms A Damp Hyde Park With Soulful Resilience At BST Hyde Park 2025

Though clouds still loomed and the ground remained squelchy underfoot, Olivia Dean brought a welcome calm and undeniable warmth to BST Hyde Park’s Great Oak Stage on Sunday afternoon. Following a weather-disrupted opening set by Amber Mark — whose performance was cut short by a torrential downpour — Dean arrived as the skies cleared, bringing poise, polish, and powerful vocals to a crowd that refused to let a bit of British summer rain dampen their spirits.

Clairo @ BST Hyde Park 2025 (Kalpesh Patel)

Clairo Brings Soft Focus And Dreamy Intimacy To The Great Oak Stage At BST Hyde Park 2025

In the golden lull between a dramatic afternoon downpour and Sabrina Carpenter’s headline pop spectacle, Clairo turned London’s Great Oak Stage into a sanctuary of softness and reflection. Her early evening performance at BST Hyde Park on Sunday 6th July offered a tender contrast to the festival’s typically high-energy crescendo, inviting the crowd into a quieter, more introspective space.

Pin It on Pinterest

Share This

Share Thing