They Might Be Giants Add More Shows To Sold Out Tour

by | Apr 5, 2023

Leaders of the lo-fi revolution and GRAMMY® award-winners They Might Be Giants are extending and expanding their 2023 UK tour with new dates in Southampton, Cambridge, Glasgow, Newcastle, Belfast & Dublin, as well as an additional London show at Shepherds Bush Empire.

They Might Be Giants (Shervin Lainez)

They Might Be Giants (Shervin Lainez)
They Might Be Giants (Shervin Lainez)

On the heels of a sold-out 70+ date US tour, it’s no big surprise that ticket sales have been equally brisk with their London Roundhouse show & Leeds, Bristol and Manchester dates selling out immediately. In recent months, the band’s show has grown with its draw — their long-standing five-piece live group has been joined by a phenomenal three-piece horn section.

Check out the video for I Can’t Remember The Dream from BOOK below:

Guaranteed to delight all from the newest converts to long-time stans, Brooklyn, New York-hailing TMBG’s high-velocity show is filled with melody, improvisation, and spontaneous crowd interaction. The song selection spans early favourites to songs from their new, GRAMMY®-nominated album BOOK, and spotlights their breakthrough album Flood.

They Might Be Giants (Shervin Lainez)

They Might Be Giants (Shervin Lainez)
They Might Be Giants (Shervin Lainez)

And best of all, there’s no opener! Birdhouse In Your Soul hitmakers They Might Be Giants’ performance starts approximately one hour after doors open. Get your tickets here!

UK and Ireland Tour Dates:

NOVEMBER
3rd – Guildhall, Southampton
4th – Cambridge Junction, Cambridge
5th – Shepherd’s Bush Empire, London
7th – SWG3, Glasgow
8th – Boilershop, Newcastle
10th – Mandela Hall, Belfast
11th – Vicar Street, Dublin
14th – O2 Ritz, Manchester SOLD OUT
15th – Beckett Student’s Union, Leeds SOLD OUT
16th – Rock City, Nottingham
17th – O2 Academy, Bristol SOLD OUT
18th – Roundhouse, London SOLD OUT

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Sofia Isella arrives at the Roundhouse like a storm she can barely contain. Emerging from the shadows, backed by ominous electronic textures and silhouettes, she immediately cuts a striking figure. She paces furiously across the stage, hair hanging over her face, constantly tugging at her oversized clothes as though caught between wanting to tear them off and feeling trapped inside them. Her fingers are haphazardly bound with elastic bands, while her face and arms are purposely dirtied. It’s uncomfortable, theatrical and utterly compelling. 

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