Sam Fender’s Glastonbury 2022 Set: A Gritty, Heartfelt Triumph On the Pyramid Stage

by | Jul 3, 2022

On the evening of Friday, June 24, 2022, Sam Fender stepped onto Glastonbury Festival’s hallowed Pyramid Stage and delivered the kind of performance artists dream of—the one that changes everything. Originally scheduled for an earlier slot, the North Shields-born singer-songwriter was bumped to the coveted penultimate evening position following Doja Cat’s withdrawal and directly before Billie Eilish’s historic “youngest solo Glastonbury headliner” set. It was a last-minute reshuffle that turned out to be a stroke of fate: Fender seized the moment with both hands, channeling working-class grit, soaring sax solos, and emotional storytelling into one of the weekend’s most unforgettable sets.

Sam Fender @ Glastonbury Festival 2022

Sam Fender @ Glastonbury Festival 2022 (Kalpesh Patel)
Sam Fender @ Glastonbury Festival 2022 (Kalpesh Patel)

Backed by his tight-knit band—including long-time saxophonist Johnny “Bluehat” Davis—Fender opened with Will We Talk?, igniting an instant surge of energy across the field. The crowd, visibly swelling with every chord, responded with raw enthusiasm, echoing the lyrics back at him with near-religious fervor. It was a clear statement: Sam Fender wasn’t just happy to be there—he belonged there, and the grin barely left his face for the full 60 minutes.

Drawing heavily from his critically acclaimed albums Hypersonic Missiles and Seventeen Going Under, the set blended swaggering indie rock with the kind of lyrical vulnerability that has come to define his rise. Tracks like Getting Started and Spice roared with defiance, while Get You Down gave the crowd a glimpse of Fender’s self-doubt, dressed in Springsteenian bombast.

Midway through the set, Fender shifted gears. Spit Of You, a tender meditation on his often-fraught relationship with his father, was made all the more poignant by the fact that his dad was watching from the side of the stage. “He’s actually here,” Fender said, visibly moved. “This is for him.” The Pyramid Stage, typically known for grand gestures and spectacle, suddenly felt intimate. Fender’s ability to scale between arena-sized rock and living-room vulnerability is what separates him from the crowd—and in that moment, it felt like all of Worthy Farm was holding its breath.

Then came Seventeen Going Under, the song that has become a generational anthem. As Fender strummed the first few chords, the audience erupted—not just with cheers, but with the uncontainable energy of thousands of people who saw themselves in the song’s depiction of youth, class struggle, and survival. Even after the final note, the crowd continued chanting the chorus, long after the band had stopped. Fender, visibly overwhelmed, smiled and rejoined them, turning the moment into a spontaneous, cathartic chorus shared between artist and audience.

Much has been made of the comparison between Sam Fender and Bruce Springsteen—and at Glastonbury, the parallels felt earned rather than exaggerated. Like Springsteen, Fender writes with a fierce compassion for the people and places that shaped him. His sound—complete with saxophones, big choruses, and blue-collar poetry—carries that same spirit.

Tracks such as The Borders and poignant Dead Boys added depth to the set, tackling themes of male mental health and emotional repression, subjects still rarely explored with such honesty on a stage of this scale. Fender delivered them with precision and soul, reminding the crowd that his songs, while deeply personal, speak to much broader societal wounds.

Following hit single Saturday (delivered in a Friday), the songsmith closed with Hypersonic Missiles, the title track of his debut album. It was the perfect exclamation mark to a set full of emotional peaks and unfiltered moments. The crowd, now a sea of waving arms and euphoric faces, sang along like they knew they were witnessing a turning point—not just for Fender, but for British rock itself.

Reflecting after the show, Fender called it “the most crazy experience” of his life. It was his first Glastonbury—both as a performer and an attendee—but it likely won’t be his last. Industry insiders and fans alike have already started whispering about a potential future headliner slot, and after this set, it’s hard to argue against it.

In a festival famed for breaking new ground and crowning new icons, Sam Fender’s Glastonbury 2022 performance felt like a coronation. Gritty, heartfelt, and entirely unforgettable, it proved that rock music, when done right, still has the power to unite, to inspire, and to break you apart before putting you back together again.

Review and photography of Sam Fender at Glastonbury Festival 2022 by Kalpesh Patel

Pyramid (And Other) Action On Friday At Glastonbury Festival 2022 In Photos

People and Atmosphere @ Download Festival 2024 (Simon Reed)

Download XXII: An Era Of Fresh Headliners And Hidden Surprises At Donington

Liquid Death presents Download XXII is almost upon us, so get your battle jackets ready and prepare to raise those...
John Butler (Kane Hibberd)

John Butler Reignites As A Solo Powerhouse With New Album PRISM & UK Tour Dates

Australian roots-rock icon John Butler is set to make a bold international return with his brand-new solo album PRISM, arriving on 5th September via Because Music. The record marks a pivotal moment in Butler’s career—his first full-length release since moving away from the John Butler Trio banner. Alongside the announcement, Butler has dropped the album’s soaring lead single, So Sorry, and confirmed a string of UK tour dates this autumn.

Rise Against (Mynxii White)

Rise Against Announce Fiery New Album ‘Ricochet’ With Lead Single ‘I Want It All’

Four years after their last full-length release, punk veterans Rise Against return with a vengeance. Their upcoming...
Poptones (Rune Gro-Nielsen)

Poptones Announce Second Album ‘Pure’ & Share Expansive New Single ‘Skin Of Sea’

Danish experimental rock trio Poptones have announced the arrival of their sophomore album Pure, due out September 26, 2025, via Happy Metal Records. The news lands alongside the release of the album’s first single, “Skin of Sea”—a sweeping and atmospheric track that marks a bold evolution in the band’s sound.

Lizzie Esau for Rockshot Magazine (Kalpesh Patel)

“Always Dreaming Of Something, And Not On This Planet” — Lizzie Esau Has Sky-High Ambitions

It’s a grey day in Newcastle, but Lizzie Esau is all colour. Not just in her sound — an intoxicating blend of indie...
The Royston Club (Sam Crowston)

The Royston Club Announce New Album ‘Songs For The Spine’ And Biggest Tour Yet Ciematic

After the Top 20 success of their debut album, The Royston Club are pushing into bold new territory with the announcement of their second full-length record, Songs For The Spine, due out 8th August. Alongside the album reveal comes the emotionally charged new single Glued To The Bed, premiered by Huw Stephens on BBC 6 Music, and news of their biggest UK headline tour to date—culminating in a major London show at the O2 Forum Kentish Town.

Lissie (Madison Speer)

Rockshot Favourite Lissie Returns With Tender New EP Promises, Sharing Heartfelt Cover Of ‘I’ll Stand By You’

A long-time favourite here at Rockshot Magazine, American singer-songwriter Lissie makes a welcome return with her...
Skerryvore (Press)

Skerryvore Unveil Uplifting New Single ‘The Sea That Sings’ Ahead of Biggest Show Yet At Floors Castle

Scottish folk-rock trailblazers Skerryvore are celebrating 20 years of music, memories, and massive live moments with...

Pin It on Pinterest

Share This

Share Thing