When I caught Alana Springsteen live at the Long Road Festival last summer, the performance felt like something special. The sun was blazing, the crowd was buzzing, and Springsteen’s effortless connection with the audience turned the set into one of the highlights of the weekend. Her energy on stage was undeniable, confident, joyful, and deeply authentic.
Alana Springsteen
So when I caught up with the Nashville-based singer-songwriter ahead of her upcoming appearance at C2C in London, I was curious about the person behind that performance. As it turns out, the artist fans see on stage is becoming closer and closer to the real person behind the songs.
Life Between the Road and Home
When we speak, Springsteen has just returned to Nashville after a whirlwind run abroad.
“I just got back about a week ago from Switzerland,” she says. “So I’m kind of in between runs. C2C is coming up really quickly, so I’m here for a week or two doing laundry and unpacking my bags.”
It is a brief pause before the next chapter of touring begins.
“I love the pace of it,” she adds. “I love travelling. Coming from such a small town, I never dreamed I would get to see the world like this. It’s a dream come true.”
The Chameleon Effect
With such a fast-paced career, I ask whether she ever feels like she is living two lives. One as the performer on stage and the other as the person at home.
“That’s a bit of a loaded question for me,” she laughs.
It is also something she has been unpacking deeply over the past few years.
“For most of my life I was a bit of a chameleon,” she explains, referencing a track from her debut album Twenty Something. “I learned from a really young age to prioritise everybody else’s needs before my own and just be whatever version of myself people needed in that moment.”
Writing that album sparked a period of intense self-reflection that has only deepened since.
“I started asking myself why I was like that,” she says. “I’ve been going to therapy and really digging into the root of those patterns. The more I heal and get comfortable in my own skin, the more that gap closes between the persona and who I am.”
The result is something audiences can feel live.
“I’m so much more present on stage now,” she says. “The energy is still high because the adrenaline is real, but my goal as a performer is to just be myself with the walls down.”
Alana Springsteen @ The Long Road Festival 2025
From Twenty Something to I Hope This Helps
Springsteen’s debut album Twenty Something captured a moment in time. It explored relationships, identity, and the chaos of early adulthood.
“That record came after some really horrible relationships,” she says candidly. “I lost trust in everyone else, but the worst part was losing trust in myself.”
Songs like Chameleon, Caught Up To Me, and If You Love Me Now became part of a process of rebuilding that trust.
But the next album goes even deeper.
“The difference between that record and the music that’s coming now is like treating the symptoms versus getting to the root,” she explains. “I had to go all the way back to my childhood and start healing from there.”
The new record, I Hope This Helps, opens with a deeply personal track titled Note To Self.
“It’s a letter to my inner child,” she says. “It’s me going back and saying, ‘I know why you felt like you had to be strong and carry everything on your own. But I’ve become the person you needed back then.’”
When Songs Become Conversations
Listening to the album, I tell Springsteen something I had not expected. The music hit me not just as a fan but as a parent. As a father of young daughters, Note To Self made me reflect on how I want to raise them and make sure they grow up without the emotional burdens many of us carry. Springsteen pauses, clearly moved.
“That means so much to hear,” she says. “Thank you for telling me that.”
She recalls playing the song for her own mother for the first time.
“She was crying by the end of it. I asked her if she was okay and she said, ‘Is that your story or mine?’”
That moment captured exactly what she hopes her music can do.
“As an artist, what lights me up is starting those conversations between people,” she says. “Helping people connect and giving them the language to talk about things they could not express before.”
The Pressure of Success
Springsteen has already scored major collaborations with artists including Chris Stapleton, Keith Urban, William Black, and Breland. With success comes expectations. She admits that when she started writing her sophomore album she initially headed in the wrong direction.
“I went into it thinking this was going to be my villain era,” she laughs. “I wanted to write confident up-tempo songs and really big moments.”
But something did not feel right.
“It started to feel like putting on a costume,” she says.
One night alone in a Los Angeles hotel room changed everything.
“I just broke down and started typing confessions into my phone,” she says. “That later became Love Me Anyway.”
From that moment, the direction of the album shifted.
“I realised I needed this record as a human being,” she says. “Regardless of any awards or recognition, I know I will look back years from now and say that album changed my life.”
Owning the Black Sheep
The emotional journey of the album is deliberate.
“I structured the record to move from my most broken and insecure moments to the songs where I felt the most empowered,” she says.
One of the defining moments comes with the track Black Sheep.
“For most of my life I wasn’t comfortable with that label,” she admits. “But writing that song from a place of confidence felt amazing.”
Instead of apologising for being different, she embraces it.
“The things that made me feel like I didn’t fit growing up are the reason I’m built to do what I’m doing,” she says. “They’re my superpower.”
Alana Springsteen @ The Long Road Festival 2025
Looking Back and Forward
With I Hope This Helps marking such a transformative moment, I ask what her 15-year-old self might think if she could see where things have led. Springsteen smiles.
“I think she would be absolutely shocked,” she says. “From a career standpoint but also from a personal standpoint.”
More importantly, she believes that younger version of herself would be proud.
“At the end of the day we are only in competition with ourselves,” she says. “I don’t care about impressing everybody else. I just want to impress that girl. I just want to make her proud.”
Judging by the emotional depth of I Hope This Helps and the connection it is already making with listeners, it is safe to say she has done exactly that.
I Hope This Helps is announced 13th March 2026, and Springsteen will also be performing at C2C Festival in London, where fans will hopefully get the chance to hear the new material live.
The Long Road Festival 2025 – Day Three: Soul, Chaos & Catharsis
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