There are few concert settings in Britain as naturally dramatic as the Eden Sessions. Nestled within a former clay pit and framed by the iconic biomes of the Eden Project, the venue possesses a unique sense of occasion before a note is even played. On this June evening, the Cornish weather appears determined to play its part too. Persistent rain hangs over the site for much of the day, only to disappear almost on cue as Gary Lightbody, Nathan Connolly and Johnny McDaid walk on stage. It feels as though somebody has edited the weather into the evening’s script.
This year marks the 25th anniversary of the Eden Sessions, and Snow Patrol’s appearance feels particularly fitting. The band first played here twenty years ago and tonight marks their third visit to the venue. Lightbody wastes little time acknowledging the achievement, joking that completing the Eden Sessions “hat-trick” surely earns the band a special commemorative mug. The crowd immediately warm to his trademark self-deprecating humour.
For a band now more than three decades into their career, Snow Patrol show little interest in simply revisiting old glories. Instead, they deliver a set that balances celebration with reflection, pairing beloved anthems with material from their recent UK number one album The Forest Is The Path. The newer songs sit comfortably alongside established favourites, demonstrating a band still interested in moving forward rather than trading solely on nostalgia.
The audience even receives an unexpected bonus in the form of a brand-new song slated for release next year. Introducing it, Lightbody jokingly asks the crowd to sing along “if you know the words”, drawing laughter from thousands gathered beneath the Cornish sky. As events later prove, that joke becomes one of the evening’s most memorable running themes.
At 50 years old, Lightbody remains one of Britain’s most charismatic and relatable frontmen. There are no rock-star pretensions here. Instead, he projects warmth, gratitude and a genuine connection with the audience. Having celebrated his milestone birthday only days earlier, he dedicates the remainder of the show to “growing the hell up” – a notion greeted with amusement from a crowd clearly happy for him to continue doing exactly the opposite.
Musically, the band are in superb form. Connolly’s muscular guitar work provides much of the set’s backbone while McDaid’s multi-instrumental contributions add texture and atmosphere throughout. Backed by an accomplished touring band, the songs feel larger than ever without losing the emotional intimacy that has always made Snow Patrol resonate with audiences.
The emotional core of the evening arrives through a trio of songs that have become embedded within British popular culture. Run, Open Your Eyes and Chasing Cars remain centrepieces of the band’s catalogue, yet they are performed with the same care and conviction as if they had been written yesterday.
Before launching into Run, Lightbody reminds the audience that the song is now more than twenty years old and jokingly warns that he may forget the lyrics. It seems like a throwaway comment. It isn’t. Barely a few lines into the song, he momentarily loses his place. “Ahhh shit.”
The admission is accompanied by a broad grin and a shrug before he quickly recovers and carries on. Far from detracting from the performance, the moment only strengthens the connection between artist and audience. In an era where live performances can sometimes feel overly polished and meticulously programmed, there is something refreshing about witnessing genuine humanity on stage. These are the moments people remember long after the final encore. No backing tracks can recreate them.
As darkness gradually begins to fall, Open Your Eyes transforms the atmosphere. Waves of light bounce across the audience while the Eden biomes glow in vivid shades of pink and purple behind the stage. The setting becomes almost cinematic, creating a visual spectacle unique to this venue. It is one of those moments where the surroundings become inseparable from the performance itself.
Then comes Chasing Cars. Predictably, it is the singalong of the night.
Thousands of voices rise in unison, echoing around the vast bowl of the Eden Project. The song has long since transcended its origins to become something shared across generations, and hearing it performed in this setting feels genuinely special. As the crowd collectively sings, “Would you lie with me and just forget the world?”, the moment feels less like a concert and more like a communal act of reflection. For a few minutes, strangers become united by a song that has soundtracked countless personal memories.
Yet what makes the evening particularly impressive is that the newer material never feels overshadowed by the hits. Songs from The Forest Is The Path are greeted enthusiastically and blend seamlessly into the set. Their sweeping melodies and emotional weight demonstrate that Snow Patrol remain creatively engaged and capable of producing music that stands comfortably alongside their most celebrated work.
Throughout the night, the band sound exceptional. The arrangements are expansive without becoming bloated, the musicianship remains impeccable and Lightbody’s distinctive voice retains its ability to convey vulnerability and hope in equal measure. More importantly, there remains an authenticity to Snow Patrol that many bands lose as their careers progress.
Twenty years after their first Eden Sessions appearance, Snow Patrol return not simply to revisit old memories but to help create new ones. Against the backdrop of Cornwall’s most iconic venue, they deliver a performance filled with humour, humility and heart.
As the final notes fade away and the crowd begin the long walk back through the illuminated Eden Project, there is a sense that everyone has witnessed something more than just another summer concert. Snow Patrol’s third appearance at Eden Sessions confirms why both band and venue have endured for so long. Some partnerships simply work.
Live review and photography of Snow Patrol @ Eden Session, Cornwall, London by Adam Smith / @_abs_photo on 18th June 2026.
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