Sananda Maitreya has released a newly remastered edition of his visionary second album, Neither Fish Nor Flesh: A Soundtrack Of Love, Faith, Hope & Destruction, available now. Originally released in 1989, the album stands as a bold and uncompromising statement in his catalogue and arrives as the latest chapter in Juvenilia: The Columbia Years — a curated remastered album series tracing his artistic evolution from breakthrough success to fearless reinvention.

Welsh singer-songwriter Molly Roberts continues her rapid rise with the release of her highly anticipated new single Hurricane, out now. Known for her emotionally rich songwriting and powerful vocal delivery, the track arrives at a pivotal moment as Roberts prepares to take her music to one of the biggest stages of her career.

Young The Giant have returned with their brand new single Different Kind Of Love, marking the first taste of their forthcoming sixth studio album Victory Garden, due for release on 1st May.

Princess Superstar continues her high-octane return with the release of her brand-new single YUM-ME, featuring Eloise Keeble. The track marks another bold step forward in a comeback that has gathered serious momentum, following renewed chart success and viral attention over the past year.

Fast-rising pop and R&B talent Issac Ryan Brown continues to build momentum with the release of his latest single End Of The Season, out now via SSK Records. The 20-year-old Detroit native has been making music since his early teens, but this new release marks a clear turning point as he pushes confidently into a bold new chapter of his career.

House music heavyweight Roger Sanchez is back with a fresh release, unveiling his new single Come My Way, out now across all digital platforms.

2000trees Festival has revealed a major update to its 2026 line-up, announcing Funeral For A Friend as the new Friday headliner, alongside a huge list of additional artists joining an already stacked bill — with the excitement of Saturday’s headliner announcement still to come.

White Lies step onto the Roundhouse stage to the chiming of keys, joined by touring keyboardist Tommy Bowen as a vast rectangular lightboxs loom behind them, each member framed by a glowing panel that shifts colour with the mood of the music. It’s an immediate statement of scale and intent, fitting for the second of two sold-out hometown shows for the Ealing-hailing trio.